Cocoon Quotes (displaying: 1 - 30 of 32 quotes )
Never say, "O Lord, I am a miserable sinner." Who will help you? You are the help of the universe. What in this universe can help you? What can prevail over you? You are the God of the universe; where can you seek for help? Never help came from anywhere but from yourself. In your ignorance, every prayer that you made and that was answered, you thought was answered by some Being, but you answered the prayer yourself unknowingly. The help came from yourself, and you fondly imagined that someone was sending help to you. There is no help for you outside of yourself; you are the creator of the universe. Like the silkworm, you have built a cocoon around yourself. Who will save you? Burst your own cocoon and come out as a beautiful butterfly, as the free soul. Then alone you will see Truth.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
I remembered what Morrie said during our visit: “The culture we have does not make people feel good about themselves. And you have to be strong enough to say if the culture doesn’t work, don’t buy it.” "Morrie true to these words, had developed his own culture – long before he got sick. Discussion groups, walks with friends, dancing to his music in the Harvard Square church. He started a project called Greenhouse, where poor people could receive mental health services. He read books to find new ideas for his classes, visited with colleagues, kept up with old students, wrote letters to distant friends. He took more time eating and looking at nature and wasted not time in front of TV sitcoms or “Movies of the Week.” He had created a cocoon of human activities– conversations, interaction, affection–and it filled his life like an overflowing soup bowl.
When you've lived as long as I have, you tend to think you've heardeverything, that there's nothing left that can shock you anymore. You grow a little complacent about your so-called knowledge of the world, and then, every once in a while, something comes along thatjolts you out of your smug cocoon of superiority, that reminds you allover again that you don't understand the first thing about life.
Most of life is so dull that there is nothing to be said about it, and the books and talk that would describe it as interesting are obligated to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alertly as we pretend
My little sister, Prim, curled up on her side, cocooned in my mothe?s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Pri?s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me.
Touch"You are alreadyasleep. I lowermyself in next toyou, my skin slightlynumb with the restraintof habits, the patina ofself, the black frostof outsideness, so that evenunclothed it isa resilient chillyhardness, a superficiallymalleable, deadrubbery texture. You are a moundof bedclothes, where the catin sleep bracesits paws against yourcalf through the blankets, and kneads each paw in turn. Meanwhile and slowly. I feel a is it my own warmth surfacing orthe ferment of your wholebody that in darkness beneaththe cover is stealingbit by bit to breakdown that chill. You turn andhold me tightly, doyou know who. I am or am Iyour mother orthe nearest human being tohold on to in a dreamed pogrom. What I, now loosened, sink into is an oldbig place, it isthere already, foryou are alreadythere, and the catgot there before you, yetit is hard to locate. What is more, the place isnot found but seepsfrom our touch incontinuous creation, darkenclosing cocoon roundourselves alone, darkwide realm where we walk with everyone.
Swathed in silk, I feel like a caterpillar in a cocoon awaiting metamorphosis. I always supposed that to be a peaceful condition. At first it is. But as I journey into the night, I feel more and more trapped, suffocated by the slippery bindings, unable to emerge until I have transformed into something of beauty. I squirm, trying to shed my ruined body and unlock the secret to growing flawless wings. Despite enormous effort, I remain a hideous creature, fired into my current form by the blast from the bombs.
I simply want to tell you that there are some men in this world who were born to do our unpleasant jobs for us. Your father’s one of them.” “Oh,” said Jem. “Well.” “Don’t you oh well me, sir,” Miss Maudie replied, recognizing Jem’s fatalistic noises, “you are not old enough to appreciate what I said.” Jem was staring at his half-eaten cake. “It’s like bein’ a caterpillar in a cocoon, that’s what it is,” he said. “Like somethin’ asleep wrapped up in a warm place. I always thought Maycomb folks were the best folks in the world, least that’s what they seemed like.” “We’re the safest folks in the world,” said Miss Maudie. “We’re so rarely called on to be Christians, but when we are, we’ve got men like Atticus to go for us.
I think it was the beginning of Mrs. Bond's unquestioning faith in me when she saw me quickly enveloping the cat till all you could see of him was a small black and white head protruding from an immovable cocoon of cloth. He and i were now facing each other, more or less eyeball to eyeball, and George couldn't do a thing about it. As i say, I rather pride myself on this little expertise, and even today my veterinary colleagues have been known to remark, "Old Herriot may be limited in many respects, but by God he can wrap a cat.
It is often tragic to see how blatantly a man bungles his own life and the lives of others yet remains totally incapable of seeing how much the whole tragedy originates in himself, and how he continually feeds it and keeps it going. Not consciously, of course—for consciously he is engaged in bewailing and cursing a faithless world that recedes further and further into the distance. Rather, it is an unconscious factor which spins the illusions that veil his world. And what is being spun is a cocoon, which in the end will completely envelop him.
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago." Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear." But Mrs. Bentley had stubbornly kept them. "It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen." It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors." If he were alive tonight, what would he say? "You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture." "Affidavits?" No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you." Mrs. Bentley nodded at the memory, breathing easier. "Yes, I see. I see." The gold-feruled cane lay silently on the moonlit rug. "In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do." She slept . . .