Coffin Quotes (displaying: 1 - 30 of 95 quotes )
When people die they are sometimes put into coffins, which means that they don't mix with the earth for a very long time until the wood of the coffin rots. But Mother was cremated. This means that she was put into a coffin and burned and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the creamatorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up and I think that there are molecules of Mother up there, or in clouds over Africa or the Antarctic, or coming down as rain in the rain forests in Brazil, or snow somewhere.
Nor can we see the coffin of a person we have known, without experiencing some new shock of loss. In this respect, a coffin is like a mirror, in which we see the image of our own condition, and understand that our human differences, whether of appearance, morality or wealth, must finally be reconciled.
Then the violet coffin moved again and went in feet first. And behold! The feet burst miraculously into streaming ribbons of garnet coloured lovely flame, smokeless and eager, like pentecostal tongues, and as the whole coffin passed in it sprang into flame all over; and my mother became that beautiful fire.
This kindly unjudging judgment of the Swede could well have been a new development in Jerry, compassion a few hours old. That can happen when people die--the argument with them drops away and people so flawed while they were drawing breath that at times they were all but unbearable now assert themselves in the most appealing way, and what was least to your liking the day before yesterday becomes in the limousine behind the hearse a cause not only for sympathetic amusement but for admiration. In which estimate lies the greater reality--the uncharitable one permitted us before the funeral, forged, without any claptrap, in the skirmish of daily life, or the one that suffuses us with sadness at the family gathering afterward--this even an outsider can't judge. The sight of a coffin can effect a great change of heart--all at once you find you are not so disappointed in the person who is dead--but what the sight of a coffin does for a mind in its search for the truth, this I don't profess to know.
As the eye of narrative drew back from the coffin on its stand, two things happened. One happened comparatively slowly, and this was Vargo's realisation that he never recalled the coffin having a pillow before. The other was Greebo deciding that he was as mad as hell and wasn't going to take it any more.
The boy was lying, fast asleep, on a rude bed upon the floor; so pale with anxiety, and sadness, and the closeness of his prison, that he looked like death; not death as it shews in shroud and coffin, but in the guise it wears when life has just departed; when a young and gentle spirit has, but an instant, fled to Heaven: and the gross air of the world has not had time to breathe upon the changing dust it hallowed.
Feste. Are you ready, sir?Orsino. Ay; prithee, sing. [Music] 945SONG.Feste. Come away, come away, death, And in sad cypress let me be laid; Fly away, fly away breath; I am slain by a fair cruel maid. 950My shroud of white, stuck all with yew, O, prepare it! My part of death, no one so true Did share it. Not a flower, not a flower sweet 955On my black coffin let there be strown; Not a friend, not a friend greet My poor corpse, where my bones shall be thrown: A thousand thousand sighs to save, Lay me, O, where 960Sad true lover never find my grave, To weep there!Orsino. There's for thy pains.Feste. No pains, sir: I take pleasure in singing, sir.Orsino. I'll pay thy pleasure then. 965Feste. Truly, sir, and pleasure will be paid, one time or another.From Twelfth Night, Act II, Scene 4.
You know your mother means to feast with me, And calls herself Revenge, and thinks me mad: Hark, villains! I will grind your bones to dust. And with your blood and it I'll make a paste, And of the paste a coffin I will rear. And make two pasties of your shameful heads, And bid that strumpet, your unhallow'd dam, Like to the earth swallow her own increase. This is the feast that I have bid her to, And this the banquet she shall surfeit on; (5.2.18)
Silence the pianos and with muffled drum. Bring out the coffin, let the mourners come. Let aeroplanes circle moaning overhead. Scribbling on the sky the message He Is Dead, Put crpe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves. He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last for ever: I was wrong. The stars are not wanted now: put out every one; Pack up the moon and dismantle the sun; Pour away the ocean and sweep up the wood. For nothing now can ever come to any good.
Love has no middle term; either it destroys, or it saves. All human destiny is this dilemma. This dilemma, destruction or salvation, no fate proposes more inexorably than love. Love is life, if it is not death. Cradle; coffin, too. The same sentiment says yes and no in the human heart. Of all the things God has made, the human heart is the one that sheds most light, and alas! most night.
They held hands and knew that only the coffin would lie in the earth; the bubbly laughter and the press of fingers in the palm would stay aboveground forever. At first, as they stood there, their hands were clenched together. They relaxed slowly until during the walk back home their fingers were laced in as gentle a clasp as that of any two young girlfriends trotting up the road on a summer day wondering what happened to butterflies in the winter.
?m a maker of ballads right prettyI write them right here in the streetYou can buy them all over the cityyours for a penny a sheet?m a word pecker out of the printersout of the dens of Gin Lane?ll write up a scene on a counter- confessions and sins in the main, boysconfessions and sins in the mainThen yo?ll find me in Madame Genev?skeeping the demons at bayTher?s nothing like gin for drowning them inbut the?ll always be back on a hanging day, on a hanging dayThey come rattling over the cobblesthey sit on their coffins of blackSome are struck dumb, some gabbletop-heavy on brandy or sackThe pews are all full of fine fellowsand the hawker has set up her shopAs the?re turning them off at the gallowssh?ll be selling right under the drop, boysselling right under the dropThen yo?ll find me in Madame Genev?skeeping the demons at bayTher?s nothing like gin for drowning them inbut the?ll always be back on a hanging day, on a hanging day
For with love there is no middle course: it destroys, or else it saves. All human destiny is contained in that dilemma, the choice between destruction and salvation, which is nowhere more implacably posed than in love. Love is life, or it is death. It is the cradle, but also the coffin. One and the same impulse moves the human heart to say yes or no. Of all things God has created it is the human heart that sheds the brightest light and, alas, the blackest despair.
Dig deep, deep, my soul, to find the heart--the blood, the heat, the shrine and resting place. Dig deep, deep into the moist soil all the way to where they lie, those I love--she, Mother, with her dark hair loose and gone, her bones long since tumbled in the back of the vault, as other coffins came to rest in her spot, but in this dream I range them round me to hold as if she were there...