Collector Quotes (displaying: 1 - 30 of 76 quotes )
My archive project is a multiedged sword. It is something I love doing, but it raises some questions about my motives in doing it. A writer accused me of building my archives just to further my own legend, whatever that is. I hope you don't believe that. What a shallow existence that would be! I remember reading that article saying that about me. It pissed me off. It's my life, and I am a collector. I collect everything: cars, trains, manuscripts, photographs, tape recordings, records, memories and clothes, to name a few. The fact that I want to create a chronological history of my recordings and supporting work is proof positive that I am an incurable collector, confronted with an amazingly detailed array of creations that I have painstakingly rat-holed over the years.
It's very soon done, sir, isn't it?' inquired Mr. Folair of the collector, leaning over the table to address him. What is soon done, sir?' returned Mr. Lillyvick. The tying up, the fixing oneself with a wife,' replied Mr. Folair. 'It don't take long, does it?' No, sir,' replied Mr. Lillyvick, colouring. 'It does not take long. And what then, sir?' Oh! nothing,' said the actor. 'It don't take a man long to hang himself, either, eh? Ha, ha!
The D.H.C. for Central London always made a point of personally conducting his new students round the various departments."Just to give you a general idea," hew would explain to them. For of course some soft of general idea they must have, if they were to do their work intelligently - though as little of one, if they were to be good and happy members of society, as possible. For particulars, as every one knows, make for virtue and happiness; generalities are intellectually necessary evils. Not philosophers but fretsawyers and stamp collectors compose the backbone of society.
The beautiful came to this city [Hollywood] in huge pathetic herds, to suffer, to be humiliated, to see the powerful currency of their beauty devalued like the Russian ruble or Argentine peso; to work as bellhops, as bar hostesses, as garbage collectors, as maids. The city was a cliff and they were its stampeding lemmings. At the foot of the cliff was the valley of the broken dolls.
In all times and in all places, whatever may be the name that the government takes, whatever has been its origin, or its organization, its essential function is always that of oppressing and exploiting the masses, and of defending the oppressors and exploiters. Its principal characteristic and indispensable instruments are the bailiff and the tax collector, the soldier and the prison. And to these are necessarily added the time-serving priest or teacher, as the case may be, supported and protected by the government, to render the spirit of the people servile and make them docile under the yoke.
Eliot did to the word love what the Russians did to the word democracy. If Eliot is going to love everybody, no matter what they are, no matter what they do, then those of us who love particular people for particular reasons had better find ourselves a new word." He looked at an oil painting of his deceased wife. "For instance- I loved her more than I love our garbage collector, which makes me guilty of the most unspeakable of modern crimes: Dis-crim-i-nay-tion.
And the non-reading of books, you will object, should be characteristic of all collectors? This is news to me, you may say. It is not news at all. experts will bear me out when I say that it is the oldest thing in the world. Suffice it to quote the answer which Anatole France gave to a philistine who admired his library and then finished with the standard question, “And you have read all these books, Monsieur France?” “Not one-tenth of them. I don’t suppose you use your Sevres china every day?
They had started speaking of “women and children”—that phrase that exempts the male from sanity when it has been repeated a few times. Each felt that all he loved best in the world was at stake, demanded revenge, and was filled with a not unpleasing glow, in which the chilly and half-known features of Miss Quested vanished, and were replaced by all that is sweetest and warmest in private life. “But it’s the women and children,” they repeated, and the Collector knew he ought to stop them intoxicating themselves, but he hadn’t the heart.
Oh, maybe a little treasure for the more rabid Incunks, the collectors and the academics who maintained their positions in large part by examining the literary equivalent of navel-lint in each other's abstruse journals; ambitious, overeducated goofs who had lost touch with what books and reading were actually about and could be content to go on spinning straw into footnoted fool's gold for decades on end.
The artist is a collector of things imaginary or real. He accumulates things with the same enthusiasm that a little boy stuffs his pockets. The scrap heap and the museum are embraced with equal curiosity. He takes snapshots, makes notes and records impressions on tablecloths or newspapers, on backs of envelopes or matchbooks. Why one thing and not another is part of the mystery, but he is omnivorous.
The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.
SEASONS PASSED, FALL AND WINTER and spring and summer. Leaves blew in through the open door of Lucius Clarke’s shop, and rain, and the green outrageous hopeful light of spring. People came and went, grandmothers and doll collectors and little girls with their mothers. Edward Tulane waited. The seasons turned into years. Edward Tulane waited. He repeated the old doll’s words over and over until they wore a smooth groove of hope in his brain: Someone will come; someone will come for you.
Some men," Flamel irresistibly added, "think of books merely as tools, others as tooling. I'm between the two; there are days when I use them as scenery, other days when I want them as society; so that, as you see, my library represents a makeshift compromise between looks and brains, and the collectors look down on me almost as much as the students.
He gave me the key, which I later discovered would open practically every door in the hotel. I thanked him, and I made a small mistake we irony collectors often make: I tried to share an irony with a stranger. It can’t be done. I told him I had been in the Arapahoe before—in Nineteen-hundred and Thirty-one. He was not interested.
I am unpacking my library. Yes I am. The books are not yet on the shelves, not yet touched by the mild boredom of order. I cannot march up and down their ranks to pass them in review before a friendly audience. You need not fear any of that. Instead, I must ask you to join me in the disorder of crates that have been wrenched open, the air saturated with the dust of wood, the floor covered with torn paper, to join me among piles of volumes that are seeing daylight again after two years of darkness, so that you may be ready to share with me a bit of the mood -- it is certainly not an elegiac mood but, rather, one of anticipation -- which these books arouse in a genuine collector.
At all these European shows there are autograph collectors who stand outside for sound check and before the show and sometimes at the hotel. I don’t even know if they know who I am. At Gateshead, I signed autographs going in to the show, when I came out this little guy came up to me. Cathy said, “You already signed for him.” He said, “No! I wasn’t here before.” He was irate. Anyway, Cathy and I got in the car and went to the hotel that was about mile away. The guy beat the car there. I told him (he was Irish) that he’d just broken the Irish 200 meter record. I signed and invited him up to the room to spend the night. I love great athletes.
He has a very nice face and style, really," said Mrs. Kenwigs."He certainly has," added Miss Petowker. "There's something in his appearance quite--dear, dear, what's the word again?""What word?" inquired Mr. Lillyvick."Why--dear me, how stupid I am!" replied Miss Petowker, hesitating. "What do you call it when lords break off doorknockers, and beat policemen, and play at coaches with other people's money, and all that sort of thing?""Aristocratic?" suggested the collector."Ah! Aristocratic," replied Miss Petowker; "something very aristocratic about him, isn't there?"The gentlemen held their peace, and smiled at each other, as who should say, "Well! there's no accounting for tastes;" but the ladies resolved unanimously that Nicholas had an aristocratic air, and nobody caring to dispute the position, it was established triumphantly.