Displayed Quotes (displaying: 1 - 30 of 258 quotes )
God created me---and you---to live with a single, all-embracing, all-transforming passion----namely, a passion to glorify God by enjoying and displaying his supreme excellence in all the spheres of life. Enjoying and displaying are both crucial. If we try to display the excellence of God without joy in it, we will display a shell of hypocrisy and create scorn or legalism. But if we claim to enjoy his excellence and do not display it for others to see and admire, we deceive ourselves, because the mark of God-enthralled joy is to overflow and expand by extending itself into the hearts of others. The wasted life is the life without a passion for the supremacy of God in all things for the joy of all peoples.
...I displayed, or usually displayed, all those traits deemed essential to job readiness: punctuality, cleanliness, cheerfulness, obedience. These are the qualities that welfare-to-work job-training programs often seek to inculcate, though I suspect that most welfare recipients already possess them, or would if their child care and transportation problems were solved.
Nothing in Man is either worse or better for being shared with the beasts. When we blame a man for being "a mere animal", we mean not that he displays animal characteristics (we all do) but that he displays these, and only these, on occasions where the specifically human was demanded. (When we call him "brutal" we usually mean that he commits cruelties impossible to most real brutes; they’re not clever enough).
A display of indifference to all the actions and passions of mankind was not supposed to be such a distinguished quality at that time, I think, as I have observed it to be considered since. I have known it very fashionable indeed. I have seen it displayed with such success, that I have encountered some fine ladies and gentlemen who might as well have been born caterpillars.
Property is no longer about power, personality andcommand. It's not about vulgar display or tasteful display. Because it no longer has weight or shape. The only thing that matters is the price you pay. Yourself, Eric, think. What did you buy for your onehundred and four million dollars? Not dozens of rooms, incomparable views, private elevators. Not therotating bedroom and computerized bed. Not the swimming pool or the shark. Was it air rights? Theregulating sensors and software? Not the mirrors that tell you how you feel when you look at yourselfin the morning. You paid the money for the number itself. One hundred and four million. This is whatyou bought. And it's worth it. The number justifies itself.
For all his claims to be just a propagandist, [Bernard Shaw's] writing has an effect nearer to that of music than most of those who have claimed to be writing "dramas of feeling." His plays are a joy to watch, not because they purport to deal with social and political problems, but because they are such wonderful displays of conspicuous waste; the conversational energy displayed by his characters is so far in excess of what their situation requires that, if it were to be devoted to practical action, it would wreck the world in five minutes. The Mozart of English letters he is not? the music of the Marble Statue is beyond him? the Rossini, yes. He has all the brio, humor, cruel clarity and virtuosity of that master of opera buffa.
There are all different kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving and displaying. The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. The alternative is unconsciousness, the default setting, the 'rat race' - the constant gnawing sense of having had and lost some infinite thing.
Roxane: His face is like yours, burning with spirit and imagination. He is proud and noble and young and fearless and beautiful- Cyrano:(losing all his colour.) Beautiful! Roxane: Yes. What's wrong? Cyrano: With me? Nothing. It's only... only... (Displaying his bandaged hand, with a little smile.) This fatal wound.
A good working definition of fanaticism is that you are so convinced of your views and policies that you are sure that anyone who opposed them must be either stupid and decieved or have some ulterior motive. We are today a nation where almost everyone in the public eye displays fanaticism with every utterance.
The difference between a good administrator and a bad one is about five heartbeats. Good administrators make immediate choices. […] They usually can be made to work. A bad administrator, on the other hand, hesitates, diddles around, asks for committees, for research and reports. Eventually, he acts in ways which create serious problems. […] “A bad administrator is more concerned with reports than with decisions. He wants the hard record which he can display as an excuse for his errors. […] Oh, they depend on verbal orders. They never lie about what they’ve done if their verbal orders cause problems, and they surround themselves with people able to act wisely on the basis of verbal orders. Often, the most important piece of information is that something has gone wrong. Bad administrators hide their mistakes until it’s too late to make corrections.
So far as Emma was concerned she did not ask herself whether she was in love. Love, she thought, was something that must come suddenly, with a great display of thunder and lightning, descending on one's life like a tempest from above, turning it topsy-turvy, whirling away one's resolutions like leaves and bearing one onward, heart and soul, towards the abyss. She never bethought herself how on the terrace of a house the rain forms itself into little lakes when the gutters are choked, and she was going on quite unaware of her peril, when all of a sudden she discovered--a crack in the wall!
Life is not a series of gig lamps symmetrically arranged; but a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible?
Why is it that we want so badly to memorialise ourselves? Even while we're still alive. we wish to assert our existence, like dogs peeing on fire hydrants. we put on display our framed photographs, our parchment diplomas, our silver-plated cups; we monogram our linen, we carve our names on trees, we scrawl them on washroom walls. It's all the same impulse. what do we hope from it? Applause, envy, respect? Or simply attention, of any kind we can get? At the very least we want a witness. we can't stand the idea of our own voices falling silent finally, like a radio turning down.
My idea of absolute happiness is to sit in a hot garden all, reading, or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.''You are a romantic, Edith,' repeated Mr Neville, with a smile.'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
Those five fingers and that palm were like a display case crammed full of everything I wanted to know--and everything I had to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the space of those ten seconds I became I tiny bird, fluttering in the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place.
The whole world is a theatre for the display of the divine goodness, wisdom, justice, and power, but the Church is the orchestra, as it were—the most conspicuous part of it; and the nearer the approaches are that God makes to us, the more intimate and condescending the communication of his benefits, the more attentively are we called to consider them.
If writing is thinking and discovery and selection and order and meaning, it is also awe and reverence and mystery and magic....Authors arrive at text and subtext in thousands of ways, learning each time they begin anew how to recognize a valuable idea and how to reader the texture that accompanies, reveals or displays it to its best advantage.
It would be nice to think that the menacing aspects of North Korea were for display also, that the bombs and reactors were Potemkin showcases or bargaining chips. On the plane from Beijing I met a group of unsmiling Texan types wearing baseball caps. They were the 'in-country' team from the International Atomic Energy Agency, there to inspect and neutralize North Korea's plutonium rods. Not a nice job, but, as they say, someone has to do it. Speaking of the most controversial reactor at Yongbyon, one of the guys said, 'No sweat. She's shut down now.' Nice to know. But then, so is the rest of North Korean society shut down—animation suspended, all dead quiet on the set, endlessly awaiting not action (we hope) or even cameras, but light.