Dreamer Quotes (displaying: 1 - 30 of 173 quotes )
And why does it make you sad to see how everything hangs by such thin and whimsical threads? Because you’re a dreamer, an incredible dreamer, with a tiny spark hidden somewhere inside you which cannot die, which even you cannot kill or quench and which tortures you horribly because all the odds are against its continual burning. In the midst of the foulest decay and putrid savagery, this spark speaks to you of beauty, of human warmth and kindness, of goodness, of greatness, of heroism, of martyrdom, and it speaks to you of love.
Dreams appear much more prominent and clear when the dreamer is in an unhealthy state - they have an extraordinary semblance of reality. Most monstrous pictures are put together but all the circumstances are so subtly interwoven the details so artistically harmonious in every minute respect as to defy human imitation. Such morbid dreams are always recollected for very long and produce strong impressions on the disordered and already excited organs of the dreamer.
I've always been an ironic dreamer, unfaithful to my inner promises. Like a complete outsider, a casual observer of whom I thought I was, I've always enjoyed watching my daydreams go down in defeat. I was never convinced of what I believed in. I filled my hands with sand, called it gold, and opened them up to let it slide through. Words were my only truth. When the right words were said, all was done; the rest was the sand that had always been.
The spectacular landscape circling the fortress supplies an essential backdrop, inspiring dreamers to wander its ruins for the sake of it; North American tourists, bound down by their practical world view, are able to place those members of the disintegrating tribes they may have seen in their travels among these once-living walls, unaware of the moral distance separating them, since only the semi-indigenous spirit of the South American can grasp the subtle differences.
In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude. But with action came anxiety, and the sense of insuperable effort made to match the dream, and with it came weariness, discouragement, and the flight into solitude again. And then in solitude, in the opium den of remembrance, the possibility of pleasure again. What was she seeking to salvage from the daily current of living, what sudden revulsions drove her back into the solitary cell of the dream?
The first question she was asked was What do you do? as if that were enough to define you. Nobody ever asked you who you really were, because that changed. You might be a judge or a mother or a dreamer. You might be a loner or a visionary or a pessimist. You might be the victim, and you might be the bully. You could be the parent, and also the child. You might wond one day and heal the next.
Dream is the personalized myth, myth the depersonalized dream; both myth and dream are symbolic in the same general way of the dynamic of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problems and solutions sown are directly valid for all mankind
If a dream can tell the future it can also thwart that future. For God will not permit that we shall know what is to come. He is bound to no one that the world unfold just so upon its course and those who by some sorcery or by some dream might come to pierce the veil that lies so darkly over all that is before them may serve by just that vision to cause that God should wrench the world from its heading and set it upon another course altogether and then where stands the sorcerer? Where the dreamer and his dream?
In the world of the dreamer there was solitude: all the exaltations and joys came in the moment of preparation for living. They took place in solitude. But with action came anxiety, and the sense of insuperable effort made to match the dream, and with it came weariness, discouragement, and the flight into solitude again. And then in solitude, in the opium den of remembrance, the possibility of pleasure again.
...The band did a salute to Stephen Foster and played 'Beautiful Dreamer' and we formed a bed. Then we played 'My Old Kentucky Home' while the majorettes slowly pranced like horses. We finished with 'I Dream of Jeanie with the Light Brown Hair', we formed a comb. Miss Philpot is running out of ideas if you ask me.
In the case of the creative mind, it seems to me, the intellect has withdrawn its watchers from the gates, and the ideas rush in pell-mell, and only then does it review and inspect the multitude. You worthy critics, or whatever you may call yourselves, are ashamed or afraid of the momentary and passing madness which is found in all real creators, the longer or shorter duration of which distinguishes the thinking artist from the dreamer. Hence your complaints of unfruitfulness, for you reject too soon and discriminate too severely.