Duration Quotes (displaying: 1 - 30 of 77 quotes )
But, then, I cannot escape the objection that there is no state of mind, however simple, which does not change every moment, since there is no consciousness without memory, and no continuation of a state without the addition, to the present feeling, of the memory of past moments. It is this which constitutes duration. Inner duration is the continuous life of a memory which prolongs the past into the present, the present either containing within it in a distinct form the ceaselessly growing image of the past, or, more profoundly, showing by its continual change of quality the heavier and still heavier load we drag behind us as we grow older. Without this survival of the past into the present there would be no duration, but only instantaneity.
Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy - that's the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.
And it was in the midst of shouts rolling against the terrace wall in massive waves that waxed in volume and duration, while cataracts of colored fire fell thicker through the darkness, that Dr. Rieux resolved to compile this chronicle, so that he should not be one of those who hold their peace but should bear witness in favor of those plague-stricken people; so that some memorial of the injustice and outrage done them might endure; and to state quite simply what we learn in time of pestilence: that there are more things to admire in men than to despise.
The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star.
In the case of the creative mind, it seems to me, the intellect has withdrawn its watchers from the gates, and the ideas rush in pell-mell, and only then does it review and inspect the multitude. You worthy critics, or whatever you may call yourselves, are ashamed or afraid of the momentary and passing madness which is found in all real creators, the longer or shorter duration of which distinguishes the thinking artist from the dreamer. Hence your complaints of unfruitfulness, for you reject too soon and discriminate too severely.
There have been five great kisses since 1642 B.C. when Saul and Delilah Korn's inadvertent discovery swept across Western civilization. (Before then couples hooked thumbs.) And the precise rating of kisses is a terribly difficult thing, often leading to great controversy, because although everyone agrees with the formula of affection times purity times intensity times duration, no one has ever been completely satisfied with how much weight each element should receive. But on any system, there are five that everyone agrees deserve full marks. Well, this one left them all behind.
When you love someone you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom
The antithetical or perhaps mirror image to sadness is the experience, similarly unique to one's late years, of a swift, mysterious wave of happiness, also causeless, but of much shorter duration. I cannot remember a time, before my sixties, when the consciousness of happiness would sweep over me and, like a shower of cold water when one is desperately overheated, offer me a passing sensation very close to glee. Both sadness and fleeting happiness relate, I think, to mortality, to the consciousness of being old and of nearing the end of life. . . these sensations . . . surge up from the unconscious, to be a gift of long life or fortunate old age. Both sadness and happiness, but sadness more, are related to the fact that nothing of all this will endure for long. [p. 179]
Tessio Zizmo had been a virgin when she married Milton Stephanides at the age of 22. Their engagement, which coincided with the Second World War, had been a chaste affair. My mother was proud of the way she'd managed to simultaneously kindle and snuff my father's flame, keeping him at a low burn for the duration of a global cataclysm.... She didn't surrender until after Japan had.
Of all the conceptions of pure bliss that people and poets have dreamed of, listening to the harmony of the spheres always seemed to me the highest and most intense. That is where my dearest and brightest dreams have ranged - to hear for the duration of a heartbeat the universe and the totality of life in its mysterious innate harmony. Alas, how is it that life can be so confusing and out of tune and false, how can there be lies, evil, envy and hate among people, when the shortest song and most simple piece of music preach that heaven is revealed in the purity, harmony and interplay of clearly sounded notes. And how can I upbraid people and grow angry when I myself, with all the good will in the world have been unable to make song and sweet music out of my life?
If you should ask me where I've been all this time. I have to say "Things happen."I have to dwell on stones darkening the earth, on the river ruined in its own duration: I know nothing save things the birds have lost, the sea I left behind, or my sister crying. Why this abundance of places? Why does day lockwith day? Why the dark night swilling roundin our mouths? And why the dead?
When I consider the short duration of my life, swallowed up in the eternity before and after, the little space which I fill, and even can see, engulfed in the infinite immensity of spaces of which I am ignorant, and which know me not, I am frightened, and am astonished at being here rather than there; for there is no reason why here rather than there, why now rather than then. Who has put me here? By whose order and direction have this place and time been allotted to me? Memoria hospitis unius diei prtereuntis.
There is a time when death is an event, an ad-venture, and as such mobilizes, interests, activates, tetanizes. And then one day it is no longer an event, it is another duration, compressed, insignificant, not narrated, grim, without recourse: true mourning not susceptible to any narrative dialectic.
On the human imagination events produce the effects of time. Thus he who has travelled far and seen much is apt to fancy that he has lived long; and the history that most abounds in important incidents soonest assumes the aspect of antiquity. In no other way can we account for the venerable air that is already gathering around American annals. When the mind reverts to the earliest days of colonial history, the period seems remote and obscure, the thousand changes that thicken along the links of recollections, throwing back the origin of the nation to a day so distant as seemingly to reach the mists of time; and yet four lives of ordinary duration would suffice to transmit, from mouth to mouth, in the form of tradition, all that civilized man has achieved within the limits of the republic.....Thus, what seems venerable by an accumulation of changes is reduced to familiarity when we come seriously to consider it solely in connection with time.