Emphasize Quotes (displaying: 1 - 30 of 104 quotes )
If history is to be creative, to anticipate a possible future without denying the past, it should, I believe, emphasize new possibilities by disclosing those hidden episodes of the past when, even if in brief flashes, people showed their ability to resist, to join together, occasionally to win. I am supposing, or perhaps only hoping, that our future may be found in the past's fugitive movements of compassion rather than in its solid centuries of warfare.
Part of the racialized sexism wants everyone to think that a 15-year old Mexican is not a girl, sh?s a woman. We know sh?s a girl. We can never emphasize this enough, because this is the fate of colored girls globally right now: the denial of their girlhood, the denial of their childhood, and the constant state of risk and danger they are living in.
Visionary feminism is a wise and loving politics. It is rooted in the love of male and female being, refusing to privilege one over the other. The soul of feminist politics is the commitment to ending patriarchal domination of women and men, girls and boys. Love cannot exist in any relationship that is based on domination and coercion. Males cannot love themselves in patriarchal culture if their very self-definition relies on submission to patriarchal rules. When men embrace feminist thinking and preactice, which emphasizes the value of mutual growth and self-actualization in all relationships, their emotional well-being will be enhanced. A genuine feminist politics always brings us from bondage to freedom, from lovelessness to loving.
He said he had only a few days ago believed in blasphemy as the way to salvation, but that you couldn't even believe in that because then you were believing in something to blaspheme. As for the Jesus who was reported to have been born at Bethlehem and crucified on Calvary for man's sins, Haze said, He was too foul a notion for a sane person to carry in his head, and he picked up the boy's water bucket and bammed it on the concrete pavement to emphasize what he was saying.
During the Senate debate on the intervention in Iraq, Sen. Clinton made considerable use of her background and 'experience' to argue that, yes, Saddam Hussein was indeed a threat. She did not argue so much from the position adopted by the Bush administration as she emphasized the stand taken, by both her husband and Al Gore, when they were in office, to the effect that another and final confrontation with the Baathist regime was more or less inevitable. Now, it does not especially matter whether you agree or agreed with her about this (as I, for once, do and did). What does matter is that she has since altered her position and attempted, with her husband’s help, to make people forget that she ever held it. And this, on a grave matter of national honor and security, merely to influence her short-term standing in the Iowa caucuses. Surely that on its own should be sufficient to disqualify her from consideration?
I cannot emphasize enough how wrongheaded this is. Withholding criticism and ignoring differences are racism in its purest form. Yet these cultural experts fail to notice that, through their anxious avoidance of criticizing non-Western countries, they trap the people who represent these cultures in a state of backwardness. The experts may have the best of intentions, but as we all know, the road to hell is paved with good intentions.
In fiction, especially in texts that are framed by a storytelling situation, aporia is a favourite device of narrators to arouse curiosity in their audience, or to emphasize the extraordinary nature of the story they are telling. It is often combined with another figure of rhetoric, "aposiopesis", the incomplete sentence or unfinished utterance, usually indicated on the page by a trail of dots...
The willingness to undertake such action cannot be based on certainties, but on those possibilities glimpsed in a reading of history different from the customary painful recounting of human cruelties. In such a reading we can find not only war but resistance to war, not only injustice but rebellion against injustice, not only selfishness but self-sacrifice, not only silence in the fact of tyranny but defiance, not only callousness but compassion. Human beings show a broad spectrum of qualities, but it is the worst of these that are usually emphasized, and the result, too often, is to dishearten us, diminish our spirit. And yet, historically, that spirit refuses to surrender.
There are significant differences between the American and European version of capitalism. The American traditiionally emphasizes the need for limited government, light regulations, low taxes and maximum labour-market flexibility. Its success has been shown above all in the ability to create new jobs, in which it is consistently more successful than Europe.
It must be emphasized that as a father, you are always teaching. For good or ill your family learns your ways, your beliefs, your heart, your ideas, your concerns. Your children may or may not choose to follow you, but the example you give is the greatest light you hold before your children, and you are accountable for that light.
I should emphasize this, to keep well-meaning but misguided multiculturalists at bay: the theoretical entities in which these tribal people frankly believe? the gods and other spirits? don't exist. These people are mistaken, and you know it as well as I do. It is possible for highly intelligent people to have a very useful but mistaken theory, and we don't have to pretend otherwise in order to show respect for these people and their ways.
But I'm afraid it can't be done.""Certainly not; it can't be done," repeated the Humbug."Why not?" asked Milo."Why not indeed?" exclaimed the bug, who seemed equally at home on either side of an argument."Much too difficult," replied the king."Of course," emphasized the bug, "much too difficult.""You could if you really wanted to," insisted Milo."By all means, if you really wanted to, you could," the Humbug agreed."How?" asked Azaz, glaring at the bug."How?" inquired Milo, looking the same way."A simple task," began the Humbug, suddenly wishing he were somewhere else, "for a brave lad with a stout heart, a steadfast dog, and a serviceable small automobile.
The erotic has often been misnamed by men and used against women. It has been made into the confused, the trivial, the psychotic, the plasticized sensation. For this reason, we have often turned away from the exploration and consideration of the erotic as a source of power and information, confusing it with its opposite, the pornographic. But pornography is a direct denial of the power of the erotic, for it represents the suppression of true feeling. Pornography emphasizes sensation without feeling. The erotic is a measure between the beginnings of our sense of self and the chaos of our strongest feelings. It is an internal sense of satisfaction to which, once we have experienced it, we know we can aspire.
Once a priest told us that no one gets up in the pulpit without promulgating a heresy. He was joking, of course, but what I suppose he meant was the truth was so pure, so holy, that it was hard to emphasize one aspect of the truth without underestimating another, that we did not see things as a whole, but through a glass darkly, as St. Paul said.
I feel obligated to point out, though, that I have always been a sucker for ideas I find aesthetically pleasing. The cosmic sweep of the thing - an interstellar kula chain - affirming the differences and at the same time emphasizing the similarities of all the intelligent races in the galaxy - tying them together, building common traditions... The notion strikes me as kind of fine.
It was before him again in its completeness -- the choice in which she was content to rest: in the stupid costliness of the food and the showy dulness of the talk, in the freedom of speech which never arrived at wit and the freedom to act which never made for romance. The strident setting of the restaurant, in which their table seemed set apart in a special glare of publicity, and the presence at it of little Dabham of the "Riviera Notes," emphasized the ideals of a world where conspicuousness passed for distinction, and the society column had become the roll of fame.
Sometimes after dinner, he would walk into the woods that began behind the house. He would stretch down on the ground on his stomach, his elbows, planted before him, his hands propping his chin and he would watch the patterns of veins on the green blades of grass under his face, he would blow at them and watch the blades tremble then stop again. He would roll over on his back and lie still, feeling the warmth of the earth under him. Far above, the leaves were still green as if the color were condensed in the last effort before the dusk coming to dissolve it. The leaves hung without motion against a sky of polished lemon yellow, its luminous pallor emphasized that its light was failing. He pressed his hips, his back into the earth under him, the earth resisted, but it gave way; it was a silent victory; he felt a dim, sensuous pleasure in the muscles of his legs.
Take the glamour out of war! I mean, how the bloody hell can you do _that_? Go and take the glamour out of a Huey, go take the glamour out of a Sheridan...Can _you_ take the glamour out of a Cobra, or getting stoned at China Beach? It's like taking the glamour out of an M-79, taking the glamour out of Flynn." He pointed to a picture he'd taken, Flynn laughing maniacally ("We're winning," he'd said), triumphantly. "Nothing the matter with _that_ boy, is there? Would you let your daughter marry that man? Ohhhh, war is _good_ for you, you can't take the glamour out of that. It's like trying to take the glamour out of sex, trying to take the glamour out of the Rolling Stones." He was really speechless, working his hands up and down to emphasize the sheer insanity of it."I mean, you _know_ that it just _can't be done!_" We both shrugged and laughed, and Page looked very thoughtful for a moment. "The very _idea!_" he said. "Ohhh, what a laugh! Take the bloody _glamour_ out of bloody _war!
A storyteller who provided us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearing us out with repetition, misleading emphases and inconsequential plot lines. It insists on showing us Bardak Electronics, the saftey handle in the car, a stray dog, a Christmas card and a fly that lands first on the rim and then in the centre of the ashtray.Which explains how the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting wooliness of the present.