Exterior Quotes (displaying: 1 - 30 of 63 quotes )
It is God's earth out of which man is taken. From it he has his body. His body belongs to his essential being. Man's body is not his prison, his shell his exterior, but man himself. Man does not "have" a body; he does not "have" a soul; rather he "is" body and soul. Man in the beginning is really his body. He is one. He is his body, as Christ is completely his body, as the Church is the body of Christ
If there are no self-evident first principles, as a foundation for reasoning to conclusions that are not immediately apparent, how can you construct any kind of a philosophy? If you have to prove even the basic axioms of your metaphysics, you will never have a metaphysics, because you will never have any strict proof of anything, for your first proof will involve you in an infinite regress, proving that you are proving what you are proving and so on, into the exterior darkness where there is wailing and gnashing of teeth. If Descartes thought it was necessary to prove his own existence by the fact that he was thinking, and that his though therefore existed in some subject, how did he prove that he was thinking in the first place? But as to the second step, that God must exist because Descartes had a clear idea of him? that never convinced me, then or at any other time, or now either. There are much better proofs for the existence of God than that one.
In the sort of screen dappled with different states of mind which my consciousness would simultaneously unfold while I read, and which ranged from the aspirations hidden deepest within me to the completely exterior vision of the horizon which I had, at the bottom of the garden, before my eyes, what was first in me, innermost, the constantly moving handle that controlled the rest, was my belief in the philosophical richness and beauty of the book I was reading, and my desire to appropriate them for myself, whatever that book might be.
There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows….. I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul.
We are obliged to love one another. We are not strictly bound to 'like' one another. Love governs the will: 'liking' is a matter of sense and sensibility. Nevertheless, if we really love others it will not be too hard to like them also. If we wait for some people to become agreeable or attractive before we begin to love them, we will never begin. If we are content to give them a cold impersonal 'charity' that is merely a matter of obligation, we will not trouble to understand them or to sympathize with them at all. And in that case we will not really love them, because love implies an efficacious will not only to do good to others exteriorly but also to find some good in them to which we can respond.
We are, on earth, two distinct races. Those who have need of others, whom others amuse, engage soothe, whom solitude harasses, pains, stupefies, like the movement of a terrible glacier or the traversing of the desert; and those, on the contrary, whom others weary, tire, bore, silently torture, whom isolation calms and bathes in the repose of independency, and plunges into the humors of their own thoughts. In fine, there is here a normal, physical phenomenon. Some are constituted to live a life outside of themselves, others, to live a life within themselves. As for me, my exterior associations are abruptly and painfully short-lived, and, as they reach their limits, I experience in my whole body and in my whole intelligence an intolerable uneasiness.
But technology is the real skin of our species. Humanity, correctly seen in the context of the last five hundred years, is an extruder of technological material. We take in matter that has a low degree of organization; we put it through mental filters, and we extrude jewelry, gospels, space shuttles. This is what we do. We are like coral animals embedded in a technological reef of extruded psychic objects. All our tool making implies our belief in an ultimate tool. That tool is the flying saucer, or the soul, exteriorized in three-dimensional space.
... the twin concepts of nihilism and the antihero have had it. What began with The Wild One and James "nobody understands me" Dean, ran with increasing vehement negativism up through the Stones and Velvets and Iggy ... [I]t may be time, in spite of all indications to the contrary from the exterior society, to begin thinking in terms of heroes again, of love instead of hate, of energy instead of violence, of strength instead of cruelty, of action instead of reaction.
The endless procession of people and things that forms the world is for me an interminable gallery of pictures whose content bores me. It doesn't interest me because the soul is a monotonous thing and is always the same in everyone; it differs only in its personal manifestations and the best part of it is that which overflows into dreams, into mannerisms and gestures, and thus becomes part of the image that so captures my interest [...] This is how I experience the animate exteriors of things and beings, in pure vision, indifferent as a god from another world to their content, to their spirit. I only go deep into the surface of other people, if I want profundity I look for it in myself and in my concept of things.
To look at a star by glances - to view it in a side-long way, by turning toward it the exterior portions of the retina (more susceptible of feeble impressions of light than the interior), is to behold the star distinctly - is to have the best appreciation of its lustre - a lustre which grows dim just in proportion as we turn our vision fully upon it.
There was something stubborn in me that didn't want to lose weight to attract a man. If the right man came along, he'd be able to see my virtues magically. Once he kissed me, the frog would turn into a prince. I had become a trick question, a heavy disguise, but behind the disobliging exterior was the welcoming child I would always be. Of course, what I'd forgotten was that he was not Parsifal and I was not the Grail; the medievalism of my imagination was not sufficiently up-to-date to recognize that the lover was a shopper and I a product.
O, to be a ruler of life-- not a slave, To meet life as a powerful conqueror, No fumes-- no ennui-- no more complaints or scornful criticisms. O me repellent and ugly, O to these proud laws of the air, the water and the ground, proving my interior Soul impregnable, And nothing exterior shall ever take command of me.
When you discover yourself lying on the ground, limp and unresisting, head in the dirt, and helpless, the earth seems to shift forward as a presence; hard, emphatic, not mere surface but a genuine force—there is no other word for it but presence. To keep in motion is to keep in time and to be stopped, stilled, is to be abruptly out of time, in another time-dimension perhaps, an alien one, where human language has no resonance. Nothing to be said about it expresses it, nothing touches it, it’s an absolute against which nothing human can be measured…Moving through space and time by way of your own volition you inhabit an interior consciousness, a hallucinatory consciousness, it might be said, so long as breath, heartbeat, the body’s autonomy hold; when motion is stopped you are jarred out of it. The interior is invaded by the exterior. The outside wants to come in, and only the self’s fragile membrane prevents it.
To know a thing you have to trust what you know, and all that you know, and as far as you know in whatever direction your knowing drags you. I once had a pet pine squirrel named Omar who lived in the cotton secret and springy dark of our old green davenport; Omar knew that davenport; he knew from the Inside what I only sat on from the Out, and trusted his knowledge to keep from being squashed by my ignorance. He survived until a red plaid blanket--spread to camouflage the worn-out Outside--confused him so he lost his faith in his familiarity with the In. Instead of trying to incorporate a plaid exterior into the scheme of his world he moved to the rainspout at the back of the house and was drowned in the first fall shower, probably still blaming that blanket: damn this world that just won't hold still for us! Damn it anyway!
I am easily moved to tears and rarely survive a visit to the cinema without shedding them, racked, as I am, by the most perfunctory, meretricious or even callously sentimental attempts at poignancy (something about the exterior of the human face, so vast and palpable, with the eyes and the lips: it is all writ too large for me, too immediate for me.)
If you are a millionaire beset by blackmailers or anyone else to whose comfort the best legal advice is essential, and have decided to put your affairs in the hands of the ablest and discreetest firm in London, you proceed through a dark and grimy entry and up a dark and grimy flight of stairs; and, having felt your way along a dark and grimy passage, you come at length to a dark and grimy door. There is plenty of dirt in other parts of Ridgeway's Inn, but nowhere is it so plentiful, so rich in alluvial deposits, as on the exterior of the offices of Marlowe, Thorpe, Prescott, Winslow and Appleby. As you tap on the topmost of the geological strata concealing the ground-glass of the door, a sense of relief and security floods your being. For in London grubbiness is the gauge of a lawyer's respectability.
Every single person is vulnerable to unexpected defeat in this inmost emotional self. At every moment, behind the most efficient seeming adult exterior, the whole world of the person's childhood is being carefully held like a glass of water bulging above the brim. And in fact, that child is the only real thing in them. It's their humanity, their real individuality, the one that can't understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That's the carrier of all the living qualities. It's the centre of all the possible magic and revelation.
Baudelaire writes: In certain almost supernatural inner states, the depth of life is entirely revealed in the spectacle, however ordinary, that we have before our eyes, and which becomes the symbol of it." Here we have a passage that designates the phenomenological direction I myself pursue. The exterior spectacle helps intimate grandeur unfold.