Fasting Quotes (displaying: 121 - 150 of 1013 quotes )
Death went on, If I'd sent you, with your taste for expeditious methods, the matter would have been resolved, but times have changed a lot lately, and one has to update the means and the systems one uses, to keep up with the new technologies, by using e-mail, for example, I've heard tell that it's the most hygienic way, one that does away with inkblots and fingerprints, besides which it's fast, you just open up outlook express on microsoft and it's gone, the difficulty would be having to work with two separate archives, one for those who use computers and another for those who don't, anyway, we've got plenty of time to think about it, they're always coming out with new models and new designs, with new improved technologies, perhaps I'll try it some day, but until then, I'll continue to write with pen, paper and ink, it has the charm of tradition, and tradition counts for a lot when it comes to dying.
If we lived in a State where virtue was profitable, common sense would make us good, and greed would make us saintly. And we'd live like animals or angels in the happy land that /needs/ no heroes. But since in fact we see that avarice, anger, envy, pride, sloth, lust and stupidity commonly profit far beyond humility, chastity, fortitude, justice and thought, and have to choose, to be human at all... why then perhaps we /must/ stand fast a little --even at the risk of being heroes.
Time, Eddie had decided during this period, was in large part created by external events. When a lot of interesting shit was happening, time seemed to go by fast. If you got stuck with nothing but the usual boring shit, it slowed down. And when everything stopped happening, time apparently quit altogether. Just packed up and went to Coney Island. Weird but true.
There is a line somewhere in Wozzeck that translates out to, roughly, 'The world is awful.' Yes, I said to myself as I shot across the Bay Bridge not giving a fuck how fast I drove, that sums it up. That is high art: 'The world is awful.' That says it all. This is what we pay composers and painters and the great writers to do: tell us this; from figuring this out, they earn a living. What a masterful, incisive insight. What penetrating intelligence. A rat in a drain ditch could tell you the same thing, were it able to talk. If rats could talk, I'd do anything they said.
My dear, Find what you love and let it kill you. Let it drain you of your all. Let it cling onto your back and weigh you down into eventual nothingness. Let it kill you and let it devour your remains. For all things will kill you, both slowly and fastly, but it’s much better to be killed by a lover. ~ Falsely yours
Look at us. We build giant highways and murderously fast cars for killing each other and committing suicide. Instead of bomb shelters we construct gigantic frail glass buildings all over Manhattan at Ground Zero, a thousand feet high, open to the sky, life a woman undressing before an intruder and provoking him to rape her. We ring Russia's borders with missile-launching pads, and then scream that she's threatening us. In all history there's never been a more lurid mass example of the sadist-masochist expression of the thanatos instinct than the present conduct of the United States. The Nazis by comparison were Eagle Scouts.
It seems to me that most people are impressed with just three things: how fast you can play, how high you can play, and how loud you can play. I find this a little exasperating, but I'm a lot more experienced now, and understand that probably less than 2 percent of the public can really hear. When I say hear, I mean follow a horn player through his ideas, and be able to understand those ideas in relation to the changes, if the changes are completely modern. Dixie is different - it's easier to follow, and rock is even simpler than Dixie, except for the music of a few really fine rock musicians (or variations thereof)...
I marked all kindred Powers the heart finds fair:--Truth, with awed lips; and Hope, with eyes upcast; And Fame, whose loud wings fan the ashen Past. To signal-fires, Oblivion's flight to scare; And Youth, with still some single golden hair. Unto his shoulder clinging, since the last. Embrace wherein two sweet arms held him fast; And Life, still wreathing flowers for Death to wear. Love's throne was not with these; but far above. All passionate wind of welcome and farewell
I am only waiting for love to give myself up at last into his hands. That is why it is so late and why I have been guilty of such omissions. They come with their laws and their codes to bind me fast; but Ievade them ever, for I am only waiting for love to give myself up atlast into his hands. People blame me and call me heedless; I doubt not they are rightin their blame. The market day is over and work is all done for the busy. Thosewho came to call me in vain have gone back in anger. I am onlywaiting for love to give myself up at last into his hands.
Celibacy,fasting, penance, mortification, self-denial, humility, silence, solitude and the whole train of monkish virtues...Stupify the understanding and harden the heart, obscure the fancy and sour the temper...A gloomy hair-brained enthusiast, after his death, may have a place in the calendar, but will scarcely ever be admitted, when alive, into intimacy and society, except by those who are as delerious and dismal as himself.
What the fuck does it take to show you motherfuckers, what does it fucking take what do you want how much do you want because I am willing and I'll stand before you and I'll raise my arms and give you my chest and throat and wait, and I've been so old for so long, for you, for you, I want it fast and right through me-- Oh do it, do it motherfuckers, do it do it you fuckers finally, finally, finally.
Quick work doesn't mean less serious work, it depends on one's self-confidence and experience. In the same way Jules Gurard, the lion hunter, says in his book that in the beginning young lions have a lot of trouble killing a horse or an ox, but that the old lions kill with a single blow of the paw or a well-placed bite, and that they are amazingly sure at the job... I must warn you that everyone will think that I work too fast. Don't you believe a word of it. Is it not emotion, the sincerity of one's feeling for nature, that draws us, and if the emotions are sometimes so strong that one works without knowing one works, when sometimes the strokes come with a continuity and coherence like words in a speech or a letter, then one must remember that it has not always been so, and that in time to come there will again be hard days, empty of inspiration. So one must strike while the iron is hot, and put the forged bars on one side.
My sister's bringing up had made me sensitive. In the little world in which children have their existence whosoever brings them up, there is nothing so finely perceived and so finely felt, as injustice. It may be only small injustice that the child can be exposed to; but the child is small, and its world is small, and its rocking-horse stands as many hands high, according to scale, as a big-boned Irish hunter. Within myself, I had sustained, from my babyhood, a perpetual conflict with injustice. I had known, from the time when I could speak, that my sister, in her capricious and violent coercion, was unjust to me. I had cherished a profound conviction that her bringing me up by hand, gave her no right to bring me up by jerks. Through all my punishments, disgraces, fasts and vigils, and other penitential performances, I had nursed this assurance; and to my communing so much with it, in a solitary and unprotected way, I in great part refer the fact that I was morally timid and very sensitive.
I believe, said Austerlitz, they know they have lost their way, since if you do not put them out again carefully they will stay where they are, never moving, until the last bath is out of their bodies, and indeed they will remain in the place where they came to grief even after death, held fast by the tiny claws that stiffened in their last agony, until a draft of air detaches them and blows them into a dusty corner.