Feeling Quotes (displaying: 121 - 150 of 13703 quotes )
You can not die of grief, though it feels as if you can. A heart does not actually break, though sometimes your chest aches as if it is breaking. Grief dims with time. It is the way of things. There comes a day when you smile again, and you feel like a traitor. How dare I feel happy. How dare I be glad in a world where my father is no more. And then you cry fresh tears, because you do not miss him as much as you once did, and giving up your grief is another kind of death.
Most people in this country are looking for literature that is useful. They feel that just exploring their feelings is good enough - they should be reading about leveraged buy-outs or how to get thin. We live in a culture that is so absolutely, madly focused on commercialism and on creating money and completely turned away from any other kind of creative value. People don't generally turn to poetry unless they're bereaved or have fallen in love. Or in adolescence, when their feelings are very strong and turbulent. I think most of us are dying for lack of spirit in this culture.
It feels like ancient history," said Naoko. But anyhow, sorry about last night. I don't know, I was a bundle of nerves. I really shouldn't have done that after you came here all the way from Tokyo.""Never mind," I said. "Both of us have a lot of feelings we need to get out in the open. So if you want to take those feelings and smash somebody with them, smash me. Then we can understand each other better.""So if you understand me better, what then?""You don't get it, do you?" I said. "It's not a question of 'what then.' Some people get a kick out of reading railroad timetables and that's all they do all day. Some people make huge model boats out of matchsticks. So what's wrong if there happens to be one guy in the world who enjoys trying to understand you?
You mustn't get so upset about what you feel, Spud. No one's a hundred per cent consistent all the time. We might like to be. We can plan our lives along certain lines. But you know, there's no future in screwing down all the pressure valves and smashing in the gauge. You can do it for a bit and then something goes. Sometimes it gets s that the only thing is just to say, 'That's what I'd like to feel twenty-four hours a day; but, the hell with it, this is how I feel now.
You feel, I suppose, that, in losing Isabella, you lose half yourself: you feel a void in your heart which nothing else can occupy? Society is becoming irksome; and as for the amusements in which you were wont to share at Bath, the very idea of which without her is abhorrent? You would not, for instance, now go to a ball for the world? You feel that you have no longer any friend to whom you can speak with unreserve; on whose regard you can place dependence; or whose counsel, in any difficult, you could rely on.
I always feel happy, you know why? Because I don't expect anything from anyone; expectations always hurt. Life is short. So love your life. Be happy. And keep smiling. Just Live for yourself and always remember: Before you speak... Listen. Before you write... Think. Before you spend... Earn. Before you pray... Forgive. Before you hurt... Feel. Before you hate... Love. Before you quit... Try. Before you die... Live... That’s Life…Feel it, Live it and Enjoy it.
Charles loved her voice. It was so soft and blurred, like pastels. It made his neck tingle just to listen to her. It gave him the same delicious feeling he had as he hovered on the brink of sleep and this feeling - until now - had been the single most pleasant feeling in his life. It was the voice that coloured everything he now thought about her. It was shy and tentative and musical. Sometimes he did not manage to hear the words she said, but he did not let on about his deafness.
Why are some of us, he wondered, unable to love success or power or great beauty? Because we feel unworthy of them, because we feel more at home with failure? He didn't believe that was the reason. Perhaps one wanted the right balance, just as Christ had, the legendary figure whom he would have liked to believe in. 'Come unto me all ye that travail are and heavy laden.' Young as the girl was at that August picnic she was heavily laden with her timidity and shame. Perhaps he had merely wanted her to feel that she was loved by someone and so he began to love her himself. It wasn't pity, any more than it had been pity when he fell in love with Sarah pregnant by another man. He was there to right the balance. That was all.
If you’re feeling good, then you’re creating a future that’s on track with your desires. If you’re feeling bad, you’re creating a future that’s off track with your desires. As you go about your day, the law of attraction is working in every second. Everything we think and feel is creating our future. If you’re worried or in fear, then you’re bringing more of that into your life throughout the day.
. . . [O]nce we begin to feel deeply all the aspects of our lives, we begin to demand from ourselves and from our life-pursuits that they feel in accordance with that joy which we know ourselves to be capable of. Our erotic knowledge empowers us, becomes a lens through which we scrutinize all aspects of our existence, forcing us to evaluate those aspects honestly in terms of their relative meaning within our lives.""The erotic is a resource within each of us that lies in a deeply female and spiritual plane, firmly rooted in the power of our unexpressed or unrecognized feeling.""Of course, women so empowered are dangerous. So we are taught to separate the erotic from most vital areas of our lives other than sex.
I suppose there hasn’t been a single month since the war, in any trade you care to name, in which there weren’t more men than jobs. It’s brought a peculiar, ghastly feeling into life. It’s like on a sinking ship when there are nineteen survivors and fourteen lifebelts. But is there anything particularly modern in that, you say? Has it anything to do with the war? Well, it feels as if it had. The feeling that you’ve got to be everlastingly fighting and hustling, that you’ll never get anything unless you grab it from somebody else, that there’s always somebody after your job, that next month or the month after they’ll be reducing staff and it’s you that’ll get the bird – that, I swear, didn’t exist in the old life before the war.
No matter who we are, no matter what our circumstances, our feelings and emotions are universal. And music has always been a great way to make people aware of that connection. It can help you open up a part of yourself and express feelings you didn't know you were feeling. It's risky to let that happen. But it's a risk you have to take-because only then will you find you're not alone.
As to...old composers like Schubert or Beethoven, I imagine that, while modern music expresses both feeling, thought and imagination, they expressed pure feeling. And you know all day sitting at work, eating, walking, etc., you have hundreds of feelings that can't be put into words. And that is why I think that in a sense music is the highest of the arts, because it really begins where the others leave off.
There! it had come –the moment– the geste! And although I was so ready, it caught me; it tumbled me over; I was simply overwhelmed. And the physical feeling was so curious, so particular. It was as if all of me, except my head and arms, all of me that was under the table, had simply dissolved, melted, turned into water. Just my head remained and two stick of arms pressing on to the table. But, ah! the agony of that moment! How can I describe it? I didn’t think of anything. I didn’t even cry out to myself. Just for one moment I was not. I was Agony, Agony, Agony. Then it passed, and the very second after I was thinking: ‘Good God! Am I capable of feeling as strongly as that? But I was absolutely unconscious! I hadn’t a phrase to meet it with! I was overcome! I was swept off my feet! I didn’t even try, in the dimmest way, to put it down!’ And up I puffed and puffed, blowing off finally with: ‘After all I must be first-rate. No second-rate mind could have experienced such an intensity of feeling so… purely.
Music makes me forget myself, my true condition, it carries me off into another state of being, one that isn't my own: under the influence of music I have the illusion of feeling things I don't really feel, of understanding things I don't understand, being able to do things I'm not able to do (...) Can it really be allowable for anyone who feels like it to hypnotize another person, or many other persons, and then do what he likes with them? Particularly if the hypnotist is the first unscrupulous individual who happens to come along?
To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.
I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people with the metaphysical absurdity known as ‘flesh and blood’. In fact, ‘flesh and blood’ describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive … I’m not ashamed to feel this way because I know it’s how everyone feels.
I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, “I’m going to pee..”’ hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
I once heard a sober alcoholic say that drinking never made him happy, but it made him feel like he was going to be happy in about fifteen minutes. That was exactly it, and I couldn’t understand why the happiness never came, couldn’t see the flaw in my thinking, couldn’t see that alcohol kept me trapped in a world of illusion, procrastination, paralysis. I lived always in the future, never in the present. Next time, next time! Next time I drank it would be different, next time it would make me feel good again. And all my efforts were doomed, because already drinking hadn’t made me feel good in years.
Before this war is over,' [Walter] said - or something said through his lips - 'every man and woman and child in Canada will feel it - you, Mary, will feel it - feel it to your heart's core. You will weep tears of blood over it. The Piper has come - and he will pipe until every corner of the world has heard his awful and irresistible music. It will be years before the dance of death is over - years, Mary. And in those years millions of hearts will break.
I'm talking about equalizing the pressure between outer actions and events which are shattering and devastating to us and then the place where we recompose and reconstruct ourselves, where we finally achieve what Jung called the second birth. The second birth is the one that you can make, and the discovery of that to me was always a great relief. As long as we expect the changes to come only from the outside or from action outside or from political systems, then we are bound to feel helpless, to feel sometimes that reality is bigger and stronger than we are. But if suddenly we begin to feel that there is one person we can change, simultaneously we change many people around us. And as a writer I suddenly discovered the enormous radius of influence that one person can have.