Figure Quotes (displaying: 1 - 30 of 1582 quotes )
Figure our what it is you don't do very well, and then don't do it. I'm not beating myself up about doing everything perfectly. The litmus test I always use for myself is: "Okay, if you won 20 million tomorrow in the lottery would you still being doing the same thing you are doing now with your life, Dough? The answer is "yes". I'm always very conscious of that.
In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.
Ranger removed my goggles "Would you like to come home with me?" I stepped away from him. "Thank you for the offer, but no. I'm done with men."Ranger smiled. "Forever?""Until I figure some things out.""And if you don't figure them out?""If I can't figure them out on my own, I'll ask you to help me.""Babe, that's like the blind leading the blind.
It had begun to dawn on him that this same sweet pretty little head was a “good head for figures.” In fact, a much better one than his own and the knowledge was disquieting. He was thunderstruck to discover that she could swiftly add a long column of figures in her head when he needed a pencil and paper for more than three figures. And fractions presented no difficulties to her at all. He felt there was something unbecoming about a woman understanding fractions and business matters and he believed that, should a woman be so unfortunate as to have such unladylike comprehension, she should pretend not to. Now he disliked talking business with her as much as he had enjoyed it before they were married. Then he had thought it all beyond her mental grasp and it had been pleasant to explain things to her. Now he saw that she understood entirely too well and he felt the usual masculine indignation at the duplicity of women. Added to it was the usual masculine disillusionment in discovering that a woman has a brain.
In the depths of the mirror the evening landscape moved by, the mirror and the reflected figures like motion pictures superimposed one on the other. The figures and the background were unrelated, and yet the figures, transparent and intangible, and the background, dim in the gathering darkness, melted into a sort of symbolic world not of this world. Particularly when a light out in the mountains shone in the centre of the girl's face, Shimamura felt his chest rise at the inexpressible beauty of it.
I'm 17 years old. I'm not a straight-A student or anything. Even so, I figured out how to make an Internet that they can't wiretap. I figured out how to jam their person-tracking technology. I can turn innocent people into suspects and turn guilty people into innocents in their eyes. I could get metal onto an airplane or beat a no-fly list. I figured this stuff out by looking at the web and by thinking about it. If I can do it, terrorists can do it. They told us they took away our freedom to make us safe. Do you feel safe?
A spaceship, yet another one, but this one sleek and silver, descended from the sky on to the pitch, quietly, without fuss, its long legs unlocking in a smooth ballet of technology. It landed gently. It extended a short ramp. A tall grey-green figure marched briskly out and approached the small knot of people who were gathered in the centre of the pitch tending to the casualties of the recent bizarre massacre. It moved people aside with quiet, understated authority, and came at last to a man lying in a desperate pool of blood, clearly now beyond the reach of any Earthly medicine, breathing, coughing his last. The figure knelt down quietly beside him."Arthur Philip Deodat?" asked the figure. The man, with horrified confusion in eyes, nodded feebly."You're a no-good dumbo nothing," whispered the creature. "I thought you should know that before you went.
Such are the visions which ceaselessly float up, pace beside, put their faces in front of, the actual thing; often overpowering the solitary traveller and taking away from him the sense of the earth, the wish to return, and giving him for substitute a general peace, as if (so he thinks as he advances down the forest ride) all this fever of living were simplicity itself; and myriads of things merged in one thing; and this figure, made of sky and branches as it is, had risen from the troubled sea (he is elderly, past fifty now) as a shape might be sucked up out of the waves to shower down from her magnificent hands, compassion, comprehension, absolution. So, he thinks, may I never go back to the lamplight; to the sitting-room; never finish my book; never knock out my pipe; never ring for Mrs. Turner to clear away; rather let me walk on to this great figure, who will, with a toss of her head, mount me on her streamers and let me blow to nothingness with the rest.
She remembered the heroines of novels she had read, and the lyrical legion of those adulterous women began to sing in her memory with sisterly voices that enchanted her. Now she saw herself as one of those amoureuses whom she had so envied: she was becoming, in reality, one of that gallery of fictional figures; the long dream of her youth was coming true. he remembered the heroines of novels she had read, and the lyrical legion of those adulterous women began to sing in her memory with sisterly voices that enchanted her. Now she saw herself as one of those amoureuses whom she had so envied: she was becoming, in reality, one of that gallery of fictional figures; the long dream of her youth was coming true.
Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world - the figure of the sharp female called La Guillotine. It was the popular theme for jests; it was the best cure for headache, it infallibly prevented hair from turning gray, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine looked through the little window and sneezed into the sack.
For the world is - allow us the homely figure - the human being turned inside out. All that moves in the mind is symbolized in Nature. Or, to use another more philosophical, and certainly not less poetic figure, the world is a sensuous analysis of humanity, and hence an inexhaustible wardrobe for the clothing of human thought. Take any word expressive of emotion - take the word 'emotion' itself - and you will find that its primary meaning is of the outer world. In the swaying of the woods, in the unrest of the "wavy plain" the imagination saw the picture of a well-known condition of the human mind; and hence the word 'emotion'. The man who cannot invent will never discover. Wisdom as well as folly will serve a fool's purpose; he turns all into folly.