Foreground Quotes (displaying: 1 - 10 of 86 quotes )
A lady doctor in the foreground, black horn-rims and white lab coat, suddenly cried,?You people ought to be ashamed of yourselves! Do you realize what you're doing to the reality concepts we're trying to instill in these people? How do you expect them to differentiate between illusion and reality when you do something like this?
...wherever the strength of a faith steps decisively into the foreground, we infer a certain weakness in its ability to demonstrate its truth, even the improbability of what it believes. We, too, do not deny that the belief “makes blessed,” but for that very reason we deny that the belief proves something—a strong belief which confers blessedness creates doubts about what it has faith in. It does not ground “truth.” It grounds a certain probability— delusion.
The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman’s shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star.
What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.
Every philosophy is a foreground philosophy? that is a hermit's judgment: "There is something arbitrary in his stopping here to look back and look around, in his not digging deeper here but laying his spade aside; there is also something suspicious about it." Every philosophy also conceals a philosophy; every opinion is also a hideout, every word also a mask.
To show man the best that is in him; not the most appealing or the most amusing or even the most realistic - but the best, which is rare and common and understood by all of us in all our different ways ... to include all the others - the meanest, the cheapest, the most cowardly - as a background and a foreground for something better ... to dig in the old scum that covers us all and find something that might be a tool for a man who would use it to fashion his self-respect in a world where all those tools are buried or broken or illegal ... and finally to tell it as it is, trying to see it all and especially the best, for to miss that part is to shovel shit on men who were born in quicksand and find no novelty in the heave and smell of doom.
The fight unfolded like background noise. White noise. In the foreground, even with his ghastly pale face looking dead in my hands, my fingers clenching his ragged hair, all I could see was random images of Fang, not dead. Fang telling me stupid fart jokes from the dog crate next to mine at the school, trying to make me laugh. Fang asleep at Jeb's old house, and me jumping wildly on his bed to wake him up. Him pretending to be asleep. Me laughing when I "accidentally" kicked him where it counts. Him dumping me off the bed. Fang gagging on my first attempt at cooking dinner after Jeb disappeared. Him spitting out the mac and cheese. Me dumping the rest of the bowl on him in response. Fang on the beach, that first time he was badly injured. Me realizing how I felt about him. Fang kissing me. So close I couldn't even see his dark eyes anymore. The first time. The second time. The third. I could always remember each and every one of them. Would always remember them. Fang. Not. Dead.
This book will prove the following ten facts:1. A Goon is a being who melts into the foreground and sticks there.2. Pigs have wings, making them hard to catch.3. All power corrupts, but we need electricity.4. When an irresistible force meets an immovable object, the result is a family fight.5. Music does not always sooth the troubled beast.6. An Englishman's home is his castle.7. The female of the species is more deadly than the male.8. One black eye deserves another.9. Space is the final frontier, and so is the sewage farm.10. It pays to increase your word power.
Yes! thank God; human feeling is like the mighty rivers that bless the earth: it does not wait for beauty - it flows with resistless force and brings beauty with it. ... There are few prophets in the world; few sublimely beautiful women; few heroes. I can't afford to give all my love and reverence to such rarities: I want a great deal of those feelings for my everyday fellow-men, especially for the few in the foreground of the great multitude, whose faces I know, whose hands I touch, for whom I have to make way with kindly courtesy.