Horse's Quotes (displaying: 1 - 30 of 206 quotes )
There is a lot of folklore about equestrian statues, especially the ones with riders on them. There is said to be a code in the number and placement of the horse's hooves: If one of the horse's hooves is in the air, the rider was wounded in battle; two legs in the air means that the rider was killed in battle; three legs in the air indicates that the rider got lost on the way to the battle; and four legs in the air means that the sculptor was very, very clever. Five legs in the air means that there's probably at least one other horse standing behind the horse you're looking at; and the rider lying on the ground with his horse lying on top of him with all four legs in the air means that the rider was either a very incompetent horseman or owned a very bad-tempered horse.
Another image comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman’s very eyes, put his arms around the horse’s neck and burst into tears. That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse of Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse.
I'm an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I'm in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse's mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one movement after another in the most complex combinations. Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you.
There was between 1821 and 1913 a prolonged and atrocious holocaust which we have chosen to forget, and from which we have learned absolutely nothing. In 1821, between 26 March and Easter Sunday, in the name of liberty, the southern Greek Christians tortured and massacred 15,000 Greek Muslim civilians, looted their possessions, and burned their dwellings. The Greek hero Kolokotronis boasted without qualm that so many were the corpses that his horse’s hooves never had to touch the ground between the town gates of Athens and the citadel. In the Peloponnese, many thousands of Muslims, mainly women and children, were rounded up and butchered. Thousands of shrines and mosques were destroyed, so that even now there are only one or two left in the whole of Greece.
She has had no role in my life except to keep me sane, fed, housed, amused, and protected from unwanted telephone calls, also to restrain me fairly frequently from making a horse's ass of myself in public, to force me to attend to books and ideas from which she knows I will learn something; also to mend my wounds when I am misused by the world, to implant ideas in my head and stir the soil around them, to keep me from falling into a comfortable torpor, to agitate my sleeping hours with problems that I would not otherwise attend to; also to remind me constantly (not by precept but by example) how fortunate I have been to live for fifty-three years with a woman that bright, alert, charming, and supportive.
In Paris, when certain people see you ready to set your foot in the stirrup, some pull your coat-tails, others loosen the buckle of the strap that you may fall and crack your skull; one wrenches off your horse's shoes, another steals your whip, and the least treacherous of them all is the man whom you see coming to fire his pistol at you point blank.
He’s sort of a homeless horse,” I said. “I’m leaving for the airport in two seconds, and I won’t be back for a couple days. You can put the horse in the garage, but I don’t want that horse in my apartment.” “Who would put a horse in an apartment? That’s dumb.” “Where’s the horse staying now?” “My apartment.” “I can always count on you to brighten my day,” Ranger said. And he disconnected.
She stepped out of the box, smiled sweetly. "You know, Brian, just because you can make a fifteen hundred pound horse do what you want, doesn't mean you can budge me one inch. I'm going to go bet on our horse. To win.""It's not our-" He broke off, swore, as she'd already flounced out. "And you don't bet to win," he muttered. "It's nothing personal," he said to Finnegan who was watching him with soft, sad eyes. "I just can't be owning things. It's not that I don't have great affection and respect for you, for I do. But what happens in a year or two down the road I move on? Even if I don't-as it's feeling more and more that I'd wonder why I would-I can't have the wman give me a horse. Even a half a horse. Well, not to worry. We'll straighten it all out later.
We gallop through our lives like circus performers balancing on two speeding side-by-side horses--one foot is on the horse called "fate," the other on the horse called "free will." And the question you have to ask every day is--which horse is which? Which horse do I need to stop worrying about because it's not under my control, and which do I need to steer with concentrated effort?
He said that war had destroyed the country and that men believe the cure for war is war as the curandero prescribes the serpent's flesh for its bite. He spoke of his campaigns in the deserts of Mexico and he told them of horses killed under him and he said that the souls of horses mirror the souls of men more closely than men suppose and that horses also love war. Men say they only learn this but he said that no creature can learn that which his heart has no shape to hold. His own father said that no man who has not gone to war horseback can ever truly understand the horse and he said that he supposed he wished that this were not so but that it was so.
You should be up celebrating.""This is part of it." She ran her hands carefully up the gelding's leg before pinning the wrapping to the line. "Finnegan and I are going to congratulate each other while I clean him up. But you could do me a favor." She pulled her ticket out of her pocket. "Cash in my winnings."Brian shook his head. "At the moment I'm too pleased to be annoyed with you for betting my money." With one hand on the horse he leaned over to kiss her. "But I'm not taking half the horse."Keeley hooked an arm around Finnegan's neck. "You hear that? He doesn't want you.""Don't say things like that to him."She laid her cheek against the gelding's. "You're the one hurting his feelings."As two pairs of eyes studied him, Brian hissed out a breath. "We'll discuss this privately at some other time.""He needs you. We both do."The muscles n his belly twisted. "That's unfair.""That's fact.
When I was tiny, the county fair came through town. Our parents took us, and got tickets for the rides, even though I was scared to death of all of them. Edward was the one who convinced me to go on the merry-go-round. He put me up on one of the wooden horses and he told me the horse was magic, and might turn real right underneath me, but only if I didn't look down. So I didn't. I stared out at the pinwheeling crowd and searched for him. Even when I started to get dizzy or thought I might throw up, the circle would come around again and there he was. After a while, I stopped thinking about the horse being magic, or even how terrified I was, and instead, I made a game out of finding Edward. I think that's what family feels like. A ride that takes you back to the same place over and over.
Once upon a valley There came down From some goldenblue mountains A handsome young prince Who was riding a dawncolored horse Names Lordsburg. I love you You’re my breathing castle Gentle so gentle We’ll live forever In the valley There was a beautiful maiden Whom the prince drifted into love with Like a New Mexico made from apple thunder and long glass beds. I love you You’re my breathing castle Gentle so gentle We’ll live forever The prince enchanted The maiden And they rode off On the dawncolored horse Named Lordsburg Toward the goldenblue mountains. I love you You’re my breathing castle Gentle so gentle We’ll live forever They would have lived happily ever after if the horse hadn’t had a flat tire In front of a dragon’s House.
There was a long moment of silence. Philip was holding his breath. When Remigius looked up again, his face was wet with tears. "Yes , please, Father," he said. "I want to come home." Philip felt a glow of joy. "Come on, then," he said. "Get on my horse."Remigius looked flabbergasted. Jonathan said: "Father! What are you doing?"Philip said to Remigius: "Go on, do as I say."Jonathan was horified, "but Ftaher, how will you travel?""I'll walk," Philip said happily. "One of us must.""Let Remigius walk!" Jonathan said in a tone of outrage."Let him ride," Philip said, "He's pleased God today.""What about you? Haven't you pleased God more than Remigius?""Jesus said there's more joy in heaven over one sinner who repents than over ninety-nine righteous people," Philip countered. "Don't you remember the parable of the prodigal son? When he came home, his father killed the fatted calf. The angels are rejoicing over Remigius's tears. The least I can do is give him my horse.
I think bullfights are for men who aren't very brave and wish they were. If you saw one you'll know what I mean. Remember after all the cape work when the bull tries to kill something that isn't there? Remember how he gets confused and uneasy, sometimes just stands and looks for an answer? Well, then they have to give him a horse or his heart will break. He has to get his horns into something solid or his spirit dies. Well, I'm that horse. And that's the kind of men I get, confused and puzzled. If they can get a horn into me, that's a little triumph.
And in me too the wave rises. It swells; it arches its back. I am aware once more of a new desire, something rising beneath me like the proud horse whose rider first spurs and then pulls him back. What enemy do we now perceive advancing against us, you whom I ride now, as we stand pawing this stretch of pavement? It is death. Death is the enemy. It is death against whom I ride with my spear couched and my hair flying back like a young man's, like Percival's, when he galloped in India. I strike spurs into my horse. Against you I will fling myself, unvanquished and unyielding, O Death!
The Lawyers Know Too Much THE LAWYERS, Bob, know too much. They are chums of the books of old John Marshall. They know it all, what a dead hand wrote, A stiff dead hand and its knuckles crumbling, The bones of the fingers a thin white ash. The lawyers know a dead man’s thoughts too well. In the heels of the higgling lawyers, Bob, Too many slippery ifs and buts and howevers, Too much hereinbefore provided whereas, Too many doors to go in and out of. When the lawyers are through What is there left, Bob? Can a mouse nibble at it And find enough to fasten a tooth in? Why is there always a secret singing When a lawyer cashes in? Why does a hearse horse snicker Hauling a lawyer away? The work of a bricklayer goes to the blue. The knack of a mason outlasts a moon. The hands of a plasterer hold a room together. The land of a farmer wishes him back again. Singers of songs and dreamers of plays Build a house no wind blows over. The lawyers—tell me why a hearse horse snickers hauling a lawyer’s bones.
Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake.
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.