Incomparable Quotes (displaying: 1 - 30 of 42 quotes )
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees - he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy's white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips' touch she blossomed for him like a flower and the incarnation was complete.
Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist.
Memory in these incomparable streets, in mosaics of pain and sweetness, was clear to me now, a unity at last. I remembered small and unimportant things from the past: the whispers of roommates during thunderstorms, the smell of brass polish on my fingertips, the first swim at Folly Beach in April, lightning over the Atlantic, shelling oysters at Bowen's Island during a rare Carolina snowstorm, pigeons strutting across the graveyard at St. Philip's, lawyers moving out of their offices to lunch on Broad Street, the darkness of reveille on cold winter mornings, regattas, the flash of bagpipers' tartans passing in review, blue herons on the marshes, the pressure of the chinstrap on my shako, brotherhood, shad roe at Henry's, camellias floating above water in a porcelain bowl, the scowl of Mark Santoro, and brotherhood again.
To kill for murder is a punishment incomparably worse than the crime itself. Murder by legal sentence is immeasurably more terrible than murder by brigands. Anyone murdered by brigands, whose throat is cut at night in a wood, or something of that sort, must surely hope to escape till the very last minute. There have been instances when a man has still hoped for escape, running or begging for mercy after his throat was cut. But in the other case all that last hope, which makes dying ten times as easy, is taken away for certain. There is the sentence, and the whole awful torture lies in the fact that there is certainly no escape, and there is no torture in the world more terrible.
My house completed, and tried and not wanting by a first Cape Cod year, I went there to spend a fortnight in September. The fortnight ending, I lingered on, and as the year lengthened into autumn, the beauty and mystery of this earth and outer sea so possessed and held me that I could not go. The world to-day is sick to its thin blood for lack of elemental things, for fire before the hands, for water welling from the earth, for air, for the dear earth itself underfoot. In my world of beach and dunes these elemental presences lived and had their being, and under their arch there moved an incomparable pageant of nature and the year.
I lost Susy thirteen years ago; I lost her mother--her incomparable mother!--five and a half years ago; Clara has gone away to live in Europe and now I have lost Jean. How poor I am, who was once so rich! . . . Jean lies yonder, I sit here; we are strangers under our own roof; we kissed hands good-by at this door last night--and it was forever, we never suspecting it. She lies there, and I sit here--writing, busying myself, to keep my heart from breaking. How dazzling the sunshine is flooding the hills around! It is like a mockery. Seventy-four years ago twenty-four days. Seventy-four years old yesterday. Who can estimate my age today?
But on top of all that, the feelings about Princess, I'd also gone through an entire year of celibacy based on my feeling that lust was the direct cause of birth which was the direct cause of suffering and death and I had really no lie come to a point where I regarded lust as offensive and even cruel. "Pretty girls make graves," was my saying, whenever I'd had to turn my head around involuntarily to stare at the incomparable pretties of Indian Mexico.
Just as faith teaches us that the sovereign felicity of the other life consists in the contemplation of the divine majesty alone, so even now we can learn from experience that a similar meditation, although incomparably less perfect, allows us to enjoy the greatest happiness we are capable of feeling in this life.
My Dolphin, you only guide me by surprise, a captive as Racine, the man of craft, drawn through his maze of iron compositionby the incomparable wandering voice of Phdre. When I was troubled in mind, you made for my bodycaught in its hangman's-knot of sinking lines, the glassy bowing and scraping of my will. . . . I have sat and listened to too manywords of the collaborating muse, and plotted perhaps too freely with my life, not avoiding injury to others, not avoiding injury to myself--to ask compassion . . . this book, half fiction, an eelnet made by man for the eel fighting my eyes have seen what my hand did.
If individuals live only to seventy years then a state or a nation or a civilization, which may last for a thousand years, is then more important than an individual. But if Christianity is true, then the individual is not only more important but incomparably more important, for he is everlasting and the life of the state or civilization, compared with his, is only a moment.
Give us this day our daily Faith, but deliver us, dear God, from Belief. Faith is something very different from belief. Belief is the systematic taking of unanalyzed words much too seriously. Paul's words, Mohammed's words, Marx's words, Hitler's words---people take them too seriously, and what happens? What happens is the senseless ambivalence of history---sadism versus duty, or (incomparably worse) sadism as duty; devotion counterbalanced by organized paranoia; sisters of charity selflessly tending the victims of their own church's inquisitors and crusaders. Faith, on the contrary, can never be taken too seriously. For Faith is the empirically justified confidence in our capacity to know who in fact we are, to forget the belief-intoxicated Manichee in Good Being.
Property is no longer about power, personality andcommand. It's not about vulgar display or tasteful display. Because it no longer has weight or shape. The only thing that matters is the price you pay. Yourself, Eric, think. What did you buy for your onehundred and four million dollars? Not dozens of rooms, incomparable views, private elevators. Not therotating bedroom and computerized bed. Not the swimming pool or the shark. Was it air rights? Theregulating sensors and software? Not the mirrors that tell you how you feel when you look at yourselfin the morning. You paid the money for the number itself. One hundred and four million. This is whatyou bought. And it's worth it. The number justifies itself.
I know of nothing in all drama more incomparable from the point of view of art, nothing more suggestive in its subtlety of observation, than Shakespeare's drawing of Rosencrantz and Guildenstern. They are Hamlet's college friends. They have been his companions. They bring with them memories of pleasant days together. At the moment when they come across him in the play he is staggering under the weight of a burden intolerable to one of his temperament. The dead have come armed out of the grave to impose on him a mission at once too great and too mean for him. He is a dreamer, and he is called upon to act. He has the nature of the poet, and he is asked to grapple with the common complexity of cause and effect, with life in its practical realisation, of which he knows nothing, not with life in its ideal essence, of which he knows so much. He has no conception of what to do, and his folly is to feign folly. Brutus used madness as a cloak to conceal the sword of his purpose, the dagger of his will, but the Hamlet madness is a mere mask for the hiding of weakness. In the making of fancies and jests he sees a chance of delay. He keeps playing with action as an artist plays with a theory. He makes himself the spy of his proper actions, and listening to his own words knows them to be but 'words, words, words.' Instead of trying to be the hero of his own history, he seeks to be the spectator of his own tragedy. He disbelieves in everything, including himself, and yet his doubt helps him not, as it comes not from scepticism but from a divided will. Of all this Guildenstern and Rosencrantz realise nothing. They bow and smirk and smile, and what the one says the other echoes with sickliest intonation. When, at last, by means of the play within the play, and the puppets in their dalliance, Hamlet 'catches the conscience' of the King, and drives the wretched man in terror from his throne, Guildenstern and Rosencrantz see no more in his conduct than a rather painful breach of Court etiquette. That is as far as they can attain to in 'the contemplation of the spectacle of life with appropriate emotions.' They are close to his very secret and know nothing of it. Nor would there be any use in telling them. They are the little cups that can hold so much and no more.
Speaking of libraries: A big open-stack academic or public library is no small pleasure to work in. You're, say, trying to do a piece on something in Nevada, and you go down to C Floor, deep in the earth, and out to what a miner would call a remote working face. You find 10995.497S just where the card catalog and the online computer thought it would be, but that is only the initial nick. The book you knew about has led you to others you did not know about. To the ceiling the shelves are loaded with books about Nevada. You pull them down, one at a time, and sit on the floor and look them over until you are sitting on a pile five feet high, at which point you are late home for dinner and you get up and walk away. It's an incomparable boon to research, all that; but it is also a reason why there are almost no large open-stack libraries left in the world.
The Dancer believes that his art has something to say which cannot be expressed in words or in any other way than by dancing... There are times when the simple dignity of movement can fulfill the function of a volume of words. There are movements which impinge upon the nerves with a strength that is incomparable, for movement has power to stir the senses and emotions, unique in itself. This is the dancer's justification for being, and his reason for searching further for deeper aspects of his art.
She put both her hands on his shoulders and gazed at him long, with a deep look of ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not seen him. She compared, as she did at every interview with him, the image her fancy painted of him (incomparably finer than, and impossible in actual existence) with his real self