Jump Quotes (displaying: 1 - 30 of 670 quotes )
Jump way back to one time, Evie and me did this fashion shoot in a junk yard, in a slaughterhouse, in a mortuary. We'd go anywhere to look good by comparison, and what I realize is mostly what I hate about Evie is the fact that she's so vain and stupid and needy. But what I hate most is how she's just like me. What I really hate is me so I hate pretty much everybody.
Jump, if you want to, ‘cause I’ll catch you, girl. I’ll catch you “fore you fall. Go as far inside as you need to, I’ll hold your ankles. Make sure you get back out. I’m not saying this because I need a place to stay. That’s the last thing I need. I told you, I’m a walking man, but I been heading in this direction for seven years. Walking all around this place. Upstate, downstate, east, west; I been in territory ain’t got no name, never staying nowhere long. But when I got here and sat out there on the porch, waiting for you, well, I knew it wasn’t the place I was heading toward; it was you. We can make a life, girl. A life.
And then he heard Mad-Eye Moody’s voice, echoing in some distant chamber of his empty brain: Jump onto the desk . . . jump onto the desk. . . . Harry bent his knees obediently, preparing to spring. Jump onto the desk. . . . Why, though? Another voice had awoken in the back of his brain. Stupid thing to do, really, said the voice. Jump onto the desk. . . . No, I don’t think I will, thanks, said the other voice, a little more firmly . . . no, I don’t really want to . . . Jump! NOW! The next thing Harry felt was considerable pain. He had both jumped and tried to prevent himself from jumping — the result was that he’d smashed headlong into the desk, knocking it over, and, by the feeling in his legs, fractured both his kneecaps.
Tonight I walked around the pond scaring frogs; a couple of them jumped off, going, in effect, eek, and most grunted, and the pond was still. But one big frog, bright green like a poster-paint frog, didn't jump, so I waved my arm and stamped to scare it, and it jumped suddenly, and I jumped, and then everything in the pond jumped, and I laughed and laughed.
If you want to succeed at whist, either be a good whist-player, or play with marked cards. You may want a book about jumping; you may want a book about whist; you may want a book about cheating at whist. But you cannot want a book about Success...You may want to jump or to play cards; but you do not want to read wandering statements to the effect that jumping is jumping, or that games are won by winners.
Hobbes: Jump! Jump! Jump! I win! Calvin: You win? Aaugghh! You won last time! I hate it when you win! Aarrggh! Mff! Gnnk! I hate this game! I hate the whole world! Aghhh! What a stupid game! You must have cheated! You must have used some sneaky, underhanded mindmeld to make me lose! I hate you! I didn't want to play this idiotic game in the first place! I knew you'd cheat! I knew you'd win! Oh! Oh! Aarg! [Calvin runs in circles around Hobbes screaming "Aaaaaaaaaaaa", then falls over.] Hobbes: Look, it's just a game. Calvin: I know! You should see me when I lose in real life!
The dismaying thing about the classic totalitarian mind is that any given gear, though mutilated, will have at its circumference unbroken sequences of teeth that are immaculately maintained, that are exquisitely machined. Hence the cuckoo clock in Hell—keeping perfect time for eight minutes and thirty-three seconds, jumping ahead fourteen minutes, keeping perfect time for six seconds, jumping ahead two seconds, keeping perfect time for two hours and one second, then jumping ahead a year. The missing teeth, of course, are simple, obvious truths, truths available and comprehensible even to ten-year-olds, in most cases. The willful filing off of gear teeth, the willful doing without certain obvious pieces of information-...That is closest I can come to explaining the legions, the nations of lunatics I've seen in my time.
Who are you?" she inquired, as the cat passed by. I'm the cat that looked at a king," he replied. And I," she remarked with a toss of her head, "am the cow that jumped over the moon."Is that so?" said the cat. "Whatever for?"The cow stared. She had never been asked that question before. And suddenly it occured to her that there might something else to do than jumping over moons.
Look I'm standing naked before you. Don't you want more then my sex. I can scream as loud as your last one. But I can't claim innocence. Oh God. Could it be the weather. Oh God Why am I here. If love Isn't forever. And it's not the weather. Hand me my leather. I could just pretend that you love me. The night would lose all sense of fear. But why do I need you to love me. When you can't Hold what I hold dear. Oh God. Could it be the weather. Oh God Why am I here. If love Isn't forever. And it's not the weather. Hand me my leather. I almost ran over an angel. He had a nice big fat cigar"In a sense" he said "You're alone here. So if you jump you best jump far"Oh God. Could it be the weather. Oh God Why am I here. If love Isn't forever. And it's not the weather. Hand me my leather
Of the not very many ways known of shedding one's body, falling, falling, falling is the supreme method, but you have to select your sill or ledge very carefully so as not to hurt yourself or others. Jumping from a high bridge is not recommended even if you cannot swim, for wind and water abound in weird contingencies, and tragedy ought not to culminate in a record dive or a policeman's promotion. If you rent a cell in the luminous waffle, room 1915 or 1959, in a tall business centre hotel browing the star dust, and pull up the window, and gently - not fall, not jump - but roll out as you should for air comfort, there is always the chance of knocking clean through into your own hell a pacific noctambulator walking his dog; in this respect a back room might be safer, especially if giving on the roof of an old tenacious normal house far below where a cat may be trusted to flash out of the way. Another popular take-off is a mountaintop with a sheer drop of say 500 meters but you must find it, because you will be surprised how easy it is to miscalculate your deflection offset, and have some hidden projection, some fool of a crag, rush forth to catch you, causing you to bounce off it into the brush, thwarted, mangled and unnecessarily alive. The ideal drop is from an aircraft, your muscles relaxed, your pilot puzzled, your packed parachute shuffled off, cast off, shrugged off - farewell, shootka (little chute)! Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green seesaw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
So that's it?" asked the expendable."Final decision," said Ram. "And it's the right one.""Why do you think so?""Because we live or die, we'll learn something important from jumping into the fold. Thousands of future travelers will either follow us or not. But if we don't make the jump, we'll learn nothing, have no new options.""A lovely speech. It has been sent back to Earth. It will inspire millions.""Shut up," said Ram.
Because beyond their practical function, all gestures have a meaning that exceeds the intention of those who make them; when people in bathing suits fling themselves into the water, it is joy itself that shows in the gesture, notwithstanding any sadness the divers may actually feel. When someone jumps into the water fully clothed, it is another thing entirely: the only person who jumps into the water fully clothed is a person trying to drown; and a person trying to drown does not dive headfirst; he lets himself fall: thus speaks the immemorial language of gestures.
After all, when we had all the books we needed, we still insisted on finding the highest cliff to jump off. But we do need a breather. We do need knowledge. And perhaps in a thousand years we might pick smaller cliffs to jump off. Books are to remind us what asses and fools we are."Fahrenheit 451 by Ray Bradbury
All reined up in old language and old assumptions, straining to jump clean-hoofed on to a whole new track of being I only suspect is there. I can't see it, because my educated, average head is being held at the wrong angle. I can't jump because the bit forbids it, and my own basic force - my horsepower, if you like - is too little.
Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
Then he began to pity the great fish that he had hooked. He is wonderful and strange and who knows how old he is, he thought. Never have I had such a strong fish nor one who acted so strangely. Perhaps he is too wise to jump. He could ruin me by jumping or by a wild rush. But perhaps he has been hooked many times before and he knows that this is how he should make his fight. He cannot know it is only one man against him, nor that it is an old man. But what a great fish he is and what will he bring in the market if the flesh is good. He took the bait like a male and he pulls like a male and his fight has no panic in it. I wonder if he has plans or if he is just as desperate as I am?
He means that he hopes to find himself a girl, the rarest of rare pieces, and live the life of Rudolfo on the balcony, sitting around on the floor and experiencing soul-communications. I have my doubts. In the first place, he will defeat himself, jump ten miles ahead of himself, scare the wits out of some girl with his great choking silences, want her so desperately that by his own peculiar logic he can't have her; or having her, jump another ten miles beyond both of them and end by fleeing to the islands where, propped at the rail of his ship in some rancid port, he will ponder his own loneliness.
Jack: Rose, you're no picnic, all right? You're a spoiled little brat, even, but under that, you're the most amazingly, astounding, wonderful girl, woman that I've ever known... Rose: Jack, I... Jack: No, let me try and get this out. You're ama- I'm not an idiot, I know how the world works. I've got ten bucks in my pocket, I have no-nothing to offer you and I know that. I understand. But I'm too involved now. You jump, I jump remember? I can't turn away without knowing you'll be all right... That's all that I want. Rose: Well, I'm fine... I'll be fine... really. Jack: Really? I don't think so. They've got you trapped, Rose. And you're gonna die if you don't break free. Maybe not right away because you're strong but... sooner or later that fire that I love about you, Rose... that fire's gonna burn out... Rose: It's not up to you to save me, Jack. Jack: You're right... only you can do that.