Lark Quotes (displaying: 1 - 10 of 266 quotes )
What's this flesh? A little cruded milk. Fantastical puff-paste. Our bodies are weaker than those. Paper prisons boys use to keep flies in; more contemptible, Since our is to preserve earth-worms. Didst thou ever seen A lark in a cage? Such is the soul in the body: this world. Is like her little turf of grass, and the heaven o'er our heads Like her looking-glass, only gives us a miserable knowledge Of the small compass of our prison.
There is a legend about a bird which sings only once in it's life, more beautifully than any other creature on the face of the earth. From the moment it leaves it's nest, it searches for a thorn tree, and does not rest until it has found one. Then, it impales it's breast on the longest, sharpest thorn. But as it is dying, it rises above it's own agony to outsing the Lark and the Nightingale. The Thornbird pays it's life for that one song, and the whole world stills to listen, and God in his heaven smiles, as it's best is brought only at the cost of great pain; Driven to the thorn with no knowledge of the dying to come. But when we press the thorn to our breast, we know, we understand.... and still, we do it." ~ Colleen McCullough
When you walk through the storm, hold your head high. And don't be afraid of the dark! At the end of the storm is a golden sky. And the sweet song of the lark. Walk on through the wind. Walk on through the rain. Though your dreams be tossed & blown. Walk on, walk on, with hope in your heart. And you'll never walk alone!
I did not think I should be ever loved: do you indeed Love me so much as now you say you do? Ask of the sea-bird if it loves the sea, Ask of the roses if they love the rain, Ask of the little lark, that will not sing Till day break, if it loves to see the day: And yet, these are but empty images, Mere shadows of my love, which is a fire So great that all the waters of the main Can not avail to quench it.
The embrace of present and past time, in which English antiquarianism becomes a form of alchemy, engenders a strange timelessness. It is as if the little bird which flew through the Anglo-Saxon banqueting hall, in Bede's Historia Ecclesiastica Gentis Anglorum, gained the outer air and became the lark ascending in Vaughan Williams's orchestral setting. The unbroken chain is that of English music itself.