Lifted Quotes (displaying: 1 - 30 of 702 quotes )
Lifting and Leaning There are two kinds of people on earth today, Just two kinds of people, no more, I say. Not the good and the bad, for 'tis well understood The good are half bad and the bad are half good. Not the happy and sad, for the swift-flying years Brings each man his laughter and each man his tears. Not the rich and the poor, for to count a man's wealth You must first know the state of his conscience and health. Not the humble and proud, for in life's busy span He who puts on vain airs is not counted a man. No! The two kinds of people on earth I mean Are the people who lift and the people who lean. Wherever you go you will find the world's masses Are ever divided in just two classes. And, strangely enough, you will find, too, I ween, There is only one lifter to twenty who lean. In which class are you? Are you easing the load Of overtaxed lifters who toil down the road? Or are you a leaner who lets others bear Your portion of worry and labor and care?
Lifting weights is obviously important, because you want to be strong and fast and all of that, but it's not one of those things you gotta go and try to bench as much as you can every day. A bench press isn't going to help you throw a 15-yard out or a deep comeback. It's not about that. It's about training right.
Ohhhhh."A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath."Oh! Ohhhhh."It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch."Ohhhhhh."Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
A lifted world lifts women up,"the Socalist explained. You cannot lift the world at all. While half of it is kept so small,"the Suffragist maintained. The world awoke, and tartly spoke: Your work is all the same; Work together or work apart, Work, each of you, with all your heart-Just get into the game!
The Book of Numbers relates that when the people murmured rebelliously against God, they were punished with a plague of fiery serpents, so that many lost their lives. When they repented, Moses was told by God to make a brazen serpent and set it up for a sign, and all those bitten by the serpents who looked upon that sign would be healed. Our Blessed Lord was now declaring that He was to be lifted up, as the serpent had been lifted up. As the brass serpent had the appearance of a serpent and yet lacked its venom, so too, when He would be lifted up upon the bars of the Cross, He would have the appearance of a sinner and yet be without sin. As all who looked upon the brass serpent had been healed of the bite of the serpent, so all who looked upon Him with love and faith would be healed of the bite of the serpent of evil.
He works fast," Alan commented as he lifted his wine."David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands.""Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else.""Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided."Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well.""I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here.""Of all the gin joints in all the towns..."This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago.""Heard it?""Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?""Or foolish lies?" Alan countered.Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator.""Was I?" Rising, he offered Shelby her damp jacket. "How rude of me.""It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place.""If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?""It seems fair.
I once received a letter from an old lady in California who informed me that when the tired reader comes home at night, he wishes to read something that will lift up his heart. And it seems her heart had not been lifted up by anything of mine she had read. I think that if her heart had been in the right place, it would have been lifted up.
Lily Owens: If your favorite color is blue, why did you paint the house pink? August Boatwright: [chuckles] That was May's doing. When we went to the paint shop, she latched on to a color called, "Caribbean Pink." She said it made her feel like dancing a Spanish Flamenco. I personally thought it was the tackiest color I had ever seen, but I figured if it could lift May's heart, it was good enough to live in. Lily Owens: That was awfully nice of you. August Boatwright: Well, I don't know. Some things in life, like the color of a house, don't really matter. But lifting someone's heart? Now, that matters.
Will you let me lift you?" he said. "Just let me lift you. Just let me see how light you are." "All right," she said. "Do you want me to take off my coat?""Yes, yes, yes," he said. "Take off your coat."She stood. She let her coat fall to the sofa."Can I do it now?" he said."Yes."He put his hands under her arms. He raised her off the floor and then put her down gently. "Oh you're so light!" he shouted. "Your'e so light, you're so fragile, you don't weigh any more than a suitcase. Why, I could carry you, I could carry you anywhere, I could carry you from one end of New York to the other." He got his hat and coat and ran out of the house.
Caine wanted to be a doctor," Serena recalled with an innocent smile. "At least, that's what he told all the little girls.""It was a natural aspiration," Caine defended himself, lifting his hand to his mother's knee while his arm held Diana firmly against him."Grant used a different approach," Shelby recalled. "I think he was fourteen when he talked Dee-Dee O'Brian into modeling for him-in the nude.""That was strictly for the purpose of art," he countered when Gennie lifted a brow at him. "And I was fifteen.""Life studies are an essential part of any art course," Gennie said as she started to draw again. "I remember one male model in particular-" She broke off as Grant's eyes narrowed. "Ah, that scowl's very natural, Grant, try not to lose it.
Who Goes With Fergus? Who will go drive with Fergus now, And pierce the deep wood's woven shade, And dance upon the level shore? Young man, lift up your russet brow, And lift your tender eyelids, maid, And brood on hopes and fear no more. And no more turn aside and brood Upon love's bitter mystery; For Fergus rules the brazen cars, And rules the shadows of the wood, And the white breast of the dim sea And all dishevelled wandering stars.
It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.
so evenly was strained their war and battle,till the moment when Zeus gave the greater renown to Hector, son ofPriam, who was the first to leap within the wall of the Achaians. In apiercing voice he cried aloud to the Trojans: "Rise, ye horse-tamingTrojans, break the wall of the Argives, and cast among the ships fierceblazing fire."So spake he, spurring them on, and they all heard him with their ears,and in one mass rushed straight against the wall, and with sharp spearsin their hands climbed upon the machicolations of the towers. AndHector seized and carried a stone that lay in front of the gates, thickin the hinder part, but sharp at point: a stone that not the two bestmen of the people, such as mortals now are, could lightly lift from theground on to a wain, but easily he wielded it alone, for the son ofcrooked-counselling Kronos made it light for him. And as when a shepherdlightly beareth the fleece of a ram, taking it in one hand, and littledoth it burden him, so Hector lifted the stone, and bare it straightagainst the doors that closely guarded the stubborn-set portals, doublegates and tall, and two cross bars held them within, and one boltfastened them. And he came, and stood hard by, and firmly plantedhimself, and smote them in the midst, setting his legs well apart, thathis cast might lack no strength. And he brake both the hinges, and thestone fell within by reason of its weight, and the gates rang loudaround, and the bars held not, and the doors burst this way and thatbeneath the rush of the stone. Then glorious Hector leaped in, with facelike the sudden night, shining in wondrous mail that was clad about hisbody, and with two spears in his hands. No man that met him could haveheld him back when once he leaped within the gates: none but the gods,and his eyes shone with fire. Turning towards the throng he cried to theTrojans to overleap the wall, and they obeyed his summons, and speedilysome overleaped the wall, and some poured into the fair-wroughtgateways, and the Danaans fled in fear among the hollow ships, and aceaseless clamour arose.
Any task in life is easier if we approach it with the one at a time attitude. ... To cite a whimsical saying; 'If you chase two rabbits, both of them will escape.' No one is adequate to do everything all at once. We have to select what is important, what is possible, and begin where we are, with what we have. And if we beginand if we keep going the weight, the worry, the doubt, the depression will begin to lift .... We can't do everything always, but we can do something now, and doing something will help to lift the weight and lessen the worry, 'The beginning,' said Plato, 'is the most important part.
I have to know you'll be happy; have what you want, what you can live with. I want forever from you.""All right." Shelby lifted her hands to his wrists, holding them a moment before she backed away. "I considered the possibilties," she began. "I thought through all the ifs and the maybes. I didn't like all of them, but the one I hated the most was life without you. You're not going to play Parcheesi without me, MacGregor."His brow lifted. "I'm not?""No." She brushed at her bangs with another unsteady laugh. "Marry me, Alan. I won't agree with all your policies, but I'll try to be tactful in print-some of the time. I won't head any committees, and I'll only go to luncheons if there's no way out, but my own career's an understandable excuse for that. I won't give conventional parties, but I'll give interesting ones If you're willing to take the risk of setting me loose on world politics, who am I to argue?"He hadn't thought he could love her any more than he already did. He'd been wrong.
There's no such thing as effortless beauty - you should know that. There's no effort which is not beautiful - lifting a heavy stone or loving you. Loving you is like lifting a heavy stone. It would be easier not to do it and I'm not quite sure why I am doing it. It takes all my strength and all my determination, and I said I wouldn't love someone again like this. Is there any sense in loving someone you can only wake up to by chance?
...Another part of the ritual was to ascend with closed eyes. 'Step, step, step,' came my mother's voice as she led me up - and sure enough, the surface of the next tread would receive the blind child's confident foot; all one had to do was lift it a little higher than usual, so as to avoid stubbing one's toe against the riser. This slow, somewhat somnambulistic ascension in self-engendered darkness held obvious delights. The keenest of them was not knowing when the last step would come. At the top of the stairs, one's foot would be automatically lifted to the deceptive call of 'Step,' and then, with a momentary sense of exquisite panic, with a wild contraction of muscles, would sink into the phantasm of a step, padded, as it were, with the infinitely elastic stuff of its own nonexistence.
The Cat and the Moon The cat went here and there And the moon spun round like a top, And the nearest kin of the moon, The creeping cat, looked up. Black Minnaloushe stared at the moon, For, wander and wail as he would, The pure cold light in the sky Troubled his animal blood. Minnaloushe runs in the grass Lifting his delicate feet. Do you dance, Minnaloushe, do you dance? When two close kindred meet, What better than call a dance? Maybe the moon may learn, Tired of that courtly fashion, A new dance turn. Minnaloushe creeps through the grass From moonlit place to place, The sacred moon overhead Has taken a new phase. Does Minnaloushe know that his pupils Will pass from change to change, And that from round to crescent, From crescent to round they range? Minnaloushe creeps through the grass Alone, important and wise, And lifts to the changing moon His changing eyes.
Animistic savages prostrating themselves before a painted stone have always seemed to me to be nearer the truth than any Einstein or Bertrand Russell. As it might be pigs in a crowded sty, jostling and shoving to bury their snouts in the trough; until one of them momentarily lifts his snout upwards in the air, in so doing expressing the hope of all enlightenment to come; breaking off from his guzzling to point with his lifted snout to where the angels and archangels gather round God's throne.