Madman Quotes (displaying: 1 - 30 of 95 quotes )
Why in fact should one tell the truth? What obliges us to do it? And why do we consider telling the truth to be a virtue? Imagine that you meet a madman, who claims that he is a fish and that we are all fish. Are you going to argue with him? Are you going to undress in front of him and show him that you don't have fins? Are you going to say to his face what you think?...If you told him the whole truth and nothing but the truth, only what you thought, you would enter into a serious conversation with a madman and you yourself would become mad. And it is the same way with the world that surrounds us. If I obstinately told the truth to its face, it would mean that I was taking it seriously. And to take seriously something so unserious means to lose all one's own seriousness. I have to lie, if I don't want to take madmen seriously and become a madman myself.
The Christian admits that the universe is manifold and even miscellaneous, just as a sane man knows that he is complex. The sane man knows that he has a touch of the beast, a touch of the devil, a touch of the saint, a touch of the citizen. Nay, the really sane man knows that he has a touch of the madman. But the materialist's world is quite simple and solid, just as the madman is quite sure he is sane. The materialist is sure that history has been simply and solely a chain of causation, just as the interesting person before mentioned is quite sure that he is simply and solely a chicken. Materialists and madmen never have doubts.
One must have common sense, nothing is permanent, nothing endures. I have come to the conclusion that this place is run by a madman. A madman, let me tell you, can be very logical. If you are rich and logical and also mad, you can succeed for a very long time in living out your illusion. But in the end....in the end this will break up. Because, you see, it is not reasonable what happens here! That which is not reasonable must always pay the reckoning in the end.~Dr. Barron
The most outlandish people can be the stimulus for love...A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many.
Werther identifies himself with the madman, with the footman. As a reader, I can identify myself with Werther. Historically, thousands of subjects have done so, suffering, killing themselves, dressing, perfuming themselves, writing as if they were Werther (songs, poems, candy boxes, belt buckles, fans, colognes a' la Werther). A long chain of equivalences links all the lovers in the world. In the theory of literature, "projection" (of the reader into the character) no longer has any currency: yet it is the appropriate tonality of imaginative readings: reading a love story, it is scarcely adequate to say I project myself; I cling to the image of the lover, shut up with his image in the very enclosure of the book (everyone knows that such stories are read in a state of secession, of retirement, of voluptuous absence: in the toilet).
The Ephebians believed that every man should have the vote (provided that he wasn't poor, foreign, nor disqualified by reason of being mad, frivolous, or a woman). Every five years someone was elected to be Tyrant, provided he could prove that he was honest, intelligent, sensible, and trustworthy. Immediately after he was elected, of course, it was obvious to everyone that he was a criminal madman and totally out of touch with the view of the ordinary philosopher in the street looking for a towel. And then five years later they elected another one just like him, and really it was amazing how intelligent people kept on making the same mistakes.
There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat.
Where has God gone?” [the madman asked] “I shall tell you. We have killed him – you and I. We are his murderers. But how have we done this? How were we able to drink up the seas? Who gave us the sponge to wipe away the entire horizon? What did we do when we unchained the earth from its sun? Whither is it moving now? Whither are we moving now? Away from all suns? Are we not perpetually falling? Backwards, sideward, forward, in all directions? Is there any up or down left? Are we not straying as though through Infinite nothing? Where is God? God is Dead. Go remains dead. And we have killed him. How shall we, murders of all murders, console ourselves?
Can you not see, […] that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.
The exegesis Fat labored on month after month struck me as a Pyrrhic victory if there ever was one -- in this case an attempt by a beleaguered mind to make sense out of the inscrutable. Perhaps this is the bottom line to mental illness: incomprehensible events occur; your life becomes a bin for hoax-like fluctuations of what used to be reality. And not only that -- as if that weren't enough -- but you, like Fat, ponder forever over these fluctuations in an effort to order them into a coherency, when in fact the only sense they make is the sense you impose on them, out of necessity to restore everything into shapes and processes you can recognize. The first thing to depart in mental illness is the familiar. And what takes its place is bad news because not only can you not understand it, you also cannot communicate it to other people. The madman experiences something, but what it is or where it comes from he does not know.
You must make your choice: either this man was, and is, the Son of God, or else a madman or something worse. You can shut him up for a fool, you can spit at him and kill him as a demon; or you can fall at his feet and call him Lord and God. But let us not come with any patronizing nonsense about his being a great human teacher. He has not left that open to us. He did not intend to.
It's very contradictory for a man to teach about the murder in corporate capitalism, to isolate and expose the murderes behind it, to instruct that these madmen are completely without stops, are licentious, totally depraved? and then not make adequate preparations to defend himself from the madman's attack. Either they don't really believe their own spiel or they harbor some sort of subconscious death wish
There can be no emblem or parable in a village idiot's hallucinations or in last night's dream of any of us in this hall. In those random visions nothing? underline nothing (grating sound of horizontal stroke can be construed as allowing itself to be deciphered y a witch doctor that can then cure a madman or give confort to a killer by laying the blame on a too fond, too fiendish or too indifferent parent? secret festerings that the foster quack feigns to heal by expensive confession feasts (laughter and applause).