Melody Quotes (displaying: 61 - 90 of 254 quotes )
My love is like a red, red rose That's newly sprung in June: My love is like the melody That's sweetly played in tune. How fair art thou, my bonnie lass, So deep in love am I; And I will love thee still, my dear, Till all the seas gang dry. Till all the seas gang dry, my dear, And the rocks melt with the sun; I will love thee still, my dear, While the sands of life shall run. And fare thee weel, my only love. And fare thee weel awhile! And I will come again, my love, Though it were ten thousand mile.
At first he had appreciated only the material quality of the sounds which those instruments secreted. And it had been a source of keen pleasure when, below the narrow ribbon the violin part, delicate, unyielding, substantial and governing the whole, he had suddenly perceived, where it was trying to surge upwards in a flowing tide of sound, the mass of the piano-part, multiform, coherent, level, and breaking everywhere in melody like the deep blue tumult of the sea, silvered and charmed into a minor key by the moonlight. But at a given moment, without being able to distinguish any clear outline, or to give a name to what was pleasing him, suddenly enraptured, he had tried to collect, to treasure in his memory the phrase or harmony—he knew not which—that had just been played, and had opened and expanded his soul, just as the fragrance of certain roses, wafted upon the moist air of evening, has the power of dilating our nostrils.
I'm going to leave, I'm going to take my train. But behindthe existence which falls from one present to the other, without a past, without a future, behind thesesounds which decompose from day to day, peel off and slip towards death, the melody stays the same, young and firm, like a pitiless witness.
What a transfiguration it is to love! And the little shrieks, the pursuits in the grass, the waists encircled by stealth, the jargon that is melody, the adoration that breaks through in the way a syllable is said, those cherries snatched form one pair of lips by another - It all catches fire and turns into celestial glories.
Once upon a time, wasn’t singing a part of everyday life as much as talking, physical exercise, and religion? Our distant ancestors, wherever they were in this world, sang while pounding grain, paddling canoes, or walking long journeys. Can we begin to make our lives once more all of a piece? Finding the right songs and singing them over and over is a way to start. And when one person taps out a beat, while another leads into the melody, or when three people discover a harmony they never knew existed, or a crowd joins in on a chorus as though to raise the ceiling a few feet higher, then they also know there is hope for the world.
Overhead she [Rene] could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedrooms of newlyweds.
On, I don't think I'm a genius!' cried Josie, growing calm and sober as she listened to the melodious voice and looked into the expressive face that filled her with confidence, so strong, sincere and kindly was it. 'I only want to find out if I have talent enough to go on, and after years of study be able to act well in any of the good plays people never tire of seeing. I don't expected to be a Mrs. Siddons or a Miss Cameron, much as I long to be; but it does seem as if I had something in me which can't come out in any way but this. When I act I'm perfectly happy. I seem to live, to be in my own world, and each new part is a new friend. I love Shakespeare, and am never tired of his splendid people. Of course I don't understand it all; but it's like being alone at night with the mountains and the stars, solemn and grand, and I try to imagine how it will look when the sun comes up, and all is glorious and clear to me. I can't see, but I feel the beauty, and long to express it.
Fairy Song Shed no tear! oh, shed no tear! The flower will bloom another year. Weep no more! oh, weep no more! Young buds sleep in the root’s white core. Dry your eyes! oh, dry your eyes! For I was taught in Paradise To ease my breast of melodies,— Shed no tear. Overhead! look overhead! ‘Mong the blossoms white and red— Look up, look up! I flutter now On this fresh pomegranate bough. See me! ’tis this silvery bill Ever cures the good man’s ill. Shed no tear! oh, shed no tear! The flower will bloom another year. Adieu, adieu—I fly—adieu! I vanish in the heaven’s blue,— Adieu, adieu!
The Hour-Hand of Life --- Life consists of rare, isolated moments of the greatest significance, and of innumerably many intervals, during which at best the silhouettes of those moments hover about us. Love, springtime, every beautiful melody, mountains, the moon, the sea? all these speak completely to the heart but once, if in fact they ever do get a chance to speak completely. For many men do not have those moments at all, and are themselves intervals and intermissions in the symphony of real life.
I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong, The carpenter singing his as he measures his plank or beam, The mason singing his as he makes ready for work, or leaves off work, The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck, The shoemaker singing as he sits on his bench, the hatter singing as he stands, The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown, The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing, Each singing what belongs to him or her and to none else, The day what belongs to the day — at night the party of young fellows, robust, friendly, Singing with open mouths their strong melodious songs.
Words, those precious gems of queer shape and gay colours, sharp angles and soft contours, shades of meaning laid one over the other down history, so that for those far back one must delve among the lost and lovely litter that strews the centuries. They arrange themselves in the most elegant odd patterns; the sound the strangest sweet euphonious notes; they flute and sing and taber, and disappear, like apparitions, with a curious perfume and a most melodious twang.
Daisy began to sing with the music in a husky, rhythmic whisper, bringing out a meaning in each word that it had never had before and would never have again. When the melody rose, her voice broke up sweetly, following it, in a way contralto voices have, and each change tipped out a little of her warm human magic upon the air.
At the very moment Mrs. Bentley was smiling down upon them with her yellow mask face, around a corner like an elfin band came an ice-cream wagon. It jingled out icy melodies, as crisp and rimmed as crystal wine-glasses tapped by an expert, summoning all. The children sat up, turning their heads, like sunflowers after the sun. (Season of Disbelief)
Why do we care about singers? Wherein lies the power of songs? Maybe it derives from the sheer strangeness of there being singing in the world. The note, the scale, the chord; melodies, harmonies, arrangements; symphonies, ragas, chinese operas, jazz, the blues: that such things should exist, that we should have discovered the magical intervals and distances that yield the poor cluster of notes, all within the span of a human hand from which we can build our cathedrals of sound, is alchemical a mystery as mathematics, or wine, or love. Maybe the birds taught us. Maybe not. Maybe we are just creatures in search of exaltation. We don't have much of it. Our lives are not what we deserve; they are, let us agree, in many painful ways deficient. Song turns them into something else. Song shows us a world that is worthy of our yearning, it shows us our selves as they might be, if we were worthy of the world.
The music enchanted the air. It was like the south wind, like a warm night, like swelling sails beneath the stars, completely and utterly unreal... It made everything spacious and colourful, the dark stream of life seemed pulsing in it; there were no burdens any more, no limits; there existed only glory and melody and love, so that one simply could not realize that, at the same time as this music was, outside there ruled poverty and torment and despair.
His voice, with some faint Irish melody running through it, wooed the world, yet she felt the layer of hardness in him, of self-control and of self-discipline, her own virtues. Oh, she chose him, and Nicole, lifting her head saw her choose him, heard a little sigh at the fact that he was already possessed.
There are certain children who are told they are too sensitive, and there are certain adults who believe sensitivity is a problem that can be fixed in the way that crooked teeth can be fixed and made straight. And when these two come together you get a fairytale, a kind of story with hopelessness in it. I believe there is something in these old stories that does what singing does to words. They have transformational capabilities, in the way melody can transform mood. They can't transform your actual situation, but they can transform your experience of it. We don't create a fantasy world to escape reality, we create it to be able to stay. I believe we have always done this, used images to stand and understand what otherwise would be intolerable.
…it charms mere eyesight to believe The nearest thing not trees Is the sky, into which The trees reach, opening their luminous new leaves… and thought finds rest beneath a brightened tree In which, unseen, a warbler feeds and sings. His song’s Small shapely melody Comes down irregularly, as all light’s givings come.” Sabbaths 1999 III
We talk of strong personalities, and they are strong, until the not-every-day when we see them as we might see one woman alone in a desert, and know that all the strength we thought we knew was only courage, only her lone song echoing among the stones; and then at last when we have understood this and made up our minds to hear the song and admire its courage and its sweetness, we wait for the next note and it does not come. The last word, with its pure tone, echoes and fades and is gone, and we realize—only then—that we do not know what it was, that we have been too intent on the melody to hear even one word. We go then to find the singer, thinking she will be standing where we last saw her. There are only bones and sand and a few faded rags.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.