Moment Quotes (displaying: 91 - 120 of 5072 quotes )
Personally, I always wondered about authors and celebrities who loudly declared there was no God. It was usually when they were healthy and popular and being listened to by crowds. What happens, I wondered, in the quiet moments before death? By then, they have lost the stage, the world has moved on. If suddenly, in their last gasping moments, through fear, a vision, a late enlightenment, they change their minds about God, who would know?
I had no epiphany, no singular revelation, no moment of truth, but a steady accumulation of a thousand slights, a thousand indignities and a thousand unremembered moments produced in me an anger, a rebelliousness, a desire to fight the system that imprisoned my people. There was no particular day on which I said, Henceforth I will devote myself to the liberation of my people; instead, I simply found myself doing so, and could not do otherwise.
To each there comes in their lifetime a special moment when they are figuratively tapped on the shoulder and offered the chance to do a very special thing, unique to them and fitted to their talents. What a tragedy if that moment finds them unprepared or unqualified for that which could have been their finest hour.
Proctor: I am only wondering how I may prove what she told me, Elizabeth. If the girl's a saint now, I think it is not easy to prove she's fraud, and the town gone so silly. She told it to me in a room alone- I have no proof for it. Elizabeth: You were alone with her? Proctor: (stubbornly) For a moment alone, aye. Elizabeth: Why, then, it is not as you told me. Proctor: (his anger rising) For a moment, I say. The others come in soon after. Elizabeth: (as if she has lost all faith in him) Do as you wish then. (she turns) Proctor: Woman. (she turns to him) I'll not have your suspicion any more. Elizabeth: (a little loftily) I have no- Proctor: I'll not have it! Elizabeth: Then let you not earn it. Proctor: Now look you- Elizabeth: I see what I see, John.
The Algerian fida, unlike the unbalanced anarchists made famous in literature, does not take dope. The fida does not need to be unaware of danger, to befog his consciousness, or to forgot. The "terrorist," from the moment he undertakes an assignment, allows death to enter into his soul. He has a rendezvous with death. The fida, on the other hand, has a rendezvous with the life of the Revolution, and with his own life. The fida is not one of the sacrificed. To be sure, he does not shrink before the possibility of losing his life or the independence of his country, but at no moment does he choose death.
When friends speak overmuch of times gone by, often it's because they sense their present time is turning them from friends to strangers. Long before the moment came to say goodbye, I think, we said goodbye in other words and ways and silences. Then when the moment came for it at last, we didn't say it as should be said by friends. So now at last, dear Mouse, with many, many years between: goodbye.
But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.
Home is where one starts from. As we grow older. The world becomes stranger, the pattern more complicated. Of dead and living. Not the intense moment. Isolated, with no before and after, But a lifetime burning in every moment. And not the lifetime of one man only. But of old stones that cannot be deciphered. There is a time for the evening under starlight, A time for the evening under lamplight(The evening with the photograph album). Love is most nearly itself. When here and now cease to matter. Old men ought to be explorers. Here or there does not matter. We must be still and still moving. Into another intensity. For a further union, a deeper communion. Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters. Of the petrel and the porpoise. In my end is my beginning.
It was one of those rare moments where life delivers on the promises offered by Hollywood... I just stood there and watched her disappear like the pathetic, 'romantic' coward I was (and still am, I guess)... In a way, it was a perfect moment -- everything I had been waiting for... People like me probably don't want anything to actually happen to them anyway...
There are moments when people love crime," Alyosha said pensively."Yes, yes! You've spoken my own thought, they love it, they all love it, and love it always, not just at 'moments.' You know, it's as if at some point they all agreed to lie about it, and have been lying about it ever since. They all say they hate what's bad, but secretly they all love it.
Until i die there will be these moments, moments seeming to rise up out of the ground like Macbeth's witches, when his face will come before me, that face in all its changes, when the exact timbre of his voice and tricks of his speech will nearly burst my ears, when his smell will overpower my nostrils. Sometimes, in the days which are coming--God grant me the grace to live them--in the glare of the grey morning, sour-mouthed, eyelids raw and red, hair tangled and damp from my stormy sleep, facing, over coffee and cigarette smoke, last night's impenetrable, meaningless boy who will shortly rise and vanish like the smoke, I will see Giovanni again, as he was that night, so vivid, so winning, all of thelight of that gloomy tunnel trapped around his head.
She stood beside me for years, or was it a moment? I cannot remember. Maybe I loved her, maybe I didn't. There was a house, and then no house. There were trees, but none remain. When no one remembers, what is there? You, whose moments are gone, who drift like smoke in the afterlife, tell me something, tell me anything.
The very old can tell you about peace. They have fought through the black, sinking, visceral knowledge of death–their own death–that heralds middle age and come to the place where childhood meets them once more, and with it that ineffable treasure that only the very young and old know: the tranquility of the moment. The contentment of living each day as it comes to them, wholly and with all senses. The young do it because they know nothing, yet, of pain and fear and the transience of their lives; the old because they know everything of those things and can bear them only by staying in the moment. Carpe diem> may be the sum of all the world's wisdom. I have always thought Horace must have been old when he wrote it.
People in France have a phrase: "Spirit of the Stairway." In French: esprit d'Escalier. It means that moment when you find the answer but it's too late. So you're at a party and someone insults you. You have to say something. So, under pressure, with everybody watching, you say something lame. But the moment you leave the party . . .As you start down the stairway, then - magic. You come up with the perfect thing you should've said. The perfect crippling put down. That's the Spirit of the Stairway.
If Shirley were not an indolent, a reckless, an ignorant being, she would take a pen at such moments, or at least while the recollection of such moments was yet fresh on her spirit. She would seize, she would fix the apparition, tell the vision revealed. Had she a little more of the organ of acquisitiveness in her head, a little more of the love of property in her nature, she would take a good-sized sheet of paper and write plainly out, in her own queer but clear and legible hand, the story that has been narrated, the song that has been sung to her, and thus possess what she was enabled to create. But indolent she is, reckless she is, and most ignorant; for she does not know her dreams are rare, her feelings peculiar. She does not know, has never known, and will die without knowing, the full value of that spring whose bright fresh bubbling in her heart keeps it green.
What I call innocence is the spirit’s unself-conscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration. One needn’t be, shouldn’t be, reduced to a puppy. If you wish to tell me that the city offers galleries, I’ll pour you a drink and enjoy your company while it lasts; but I’ll bear with me to my grave those pure moments at the Tate (was it the Tate?) where I stood planted, open-mouthed, born, before that one particular canvas, that river up to my neck, gasping, lost, receding into watercolor depth and depth to the vanishing point, buoyant, awed, and had to be literally hauled away. These are our few live seasons. Let us live them as purely as we can, in the present.
Now to sum it up,' said Bernard. 'Now to explain to you the meaning of my life. Since we do not know each other (though I met you once I think, on board a ship going to Africa), we can talk freely. The illusion is upon me that something adheres for a moment, has roundness, weight, depth, is completed. This, for the moment, seems to be my life. If it were possible, I would hand it you entire. I would break it off as one breaks off a bunch of grapes. I would say, "Take it. This is my life.
Take a moment from time to time to remember that you are alive. I know this sounds a trifle obvious, but it is amazing how little time we take to remark upon this singular and gratifying fact. By the most astounding stroke of luck an infinitesimal portion of all the matter in the universe came together to create you and for the tiniest moment in the great span of eternity you have the incomparable privilege to exist.