Necessarily Quotes (displaying: 1 - 30 of 780 quotes )
I liked it all, but most of all I liked the fact that although the play was entirely focused on Quintana there were, five evenings and two afternoons a week, these ninety full minutes, the run time of the play, during which she did not need to be dead. During which the question remained open. During which the denouement had yet to play out. During which the last scene played did not necessarily need to be played in the ICU overlooking the East River. During which the bells would not necessarily sound and the doors would not necessarily be locked at six. During which the last dialogue heard did not necessarily need to concern the vent. Like when someone dies, don't dwell on it.
The music is meant to be provocative—which doesn’t mean it’s necessarily obnoxious, but it is (mostly) confrontational, and more than that, it’s dense with multiple meanings. Great rap should have all kinds of unresolved layers that you don’t necessarily figure out the first time you listen to it. Instead it plants dissonance in your head. You can enjoy a song that knocks in the club or has witty punch lines the first time you hear it. But great rap retains mystery. It leaves shit rattling around in your head that won’t make sense till the fifth or sixth time through. It challenges you.
Nine times out of ten a man’s broad-mindedness is necessarily the narrowest thing about him. This is not particularly paradoxical; it is, when we come to think of it, quite inevitable. His vision of his own village may really be full of varieties; and even his vision of his own nation may have a rough resemblance to the reality. But his vision of the world is probably smaller than the world…hence he is never so inadequate as when he is universal; he is never so limited as when he generalizes. This is the fallacy in the many modern attempts at a creedless creed, at something variously described as...undenominational religion or a world faith to embrace all the faiths in the world...When a philosophy embraces everything it generally squeezes everything, and squeezes it out of shape; when it digests it necessarily assimilates.
I also know that I won't go forth and have children just in case I might regret missing it later in life; I don't think this is a strong enough motivation to bring more babies onto the earth. Though I suppose people do reproduce sometimes for that reason - for insurance against later regret. I think people have children for all manner of reasons- sometimes out of pure desire to nurture and witness life, sometimes out of an absence of choice, sometimes without thinking about it in any particular way. Not all the reasons to have children are the same, and not all of them are necessarily unselfish. Not all the reasons not to have children are the same, either, though. Nor are all those reasons necessarily selfish.
Does there exist an Infinity outside ourselves? Is that infinity One, immanent and permanent, necessarily having substance, since He is infinite and if He lacked matter He would be limited, necessarily possessing intelligence since He is infinite and, lacking intelligence, He would be in that sense finite. Does this Infinity inspire in us the idea of essense, while to ourselves we can only attribute the idea of existence? In order words, is He not the whole of which we are but the part?
In general, one's memories of any period must necessarily weaken as one moves away from it. One is constantly learning new facts, and old ones have to drop out to make way for them. At twenty I could have written the history of my schooldays with an accuracy which would be quite impossible now. But it can also happen that one's memories grow sharper after a long lapse of time, because one is looking at the past with fresh eyes and can isolate and, as it were, notice facts which previously existed undifferentiated among a mass of others.
For everything there is a season. I'd miss having the seasons, people from New York like to say by way of indicating the extraordinary pride they take in not living in Southern California. In fact Southern California does have seasons (it has for example "fire season" or "the season when the fire comes," and it also has the season when the rains comes, but such Southern California seasons, arriving as they do so theatrically as to seem strokes of random fate, do not inexorably suggest the passage of time. Those other seasons, the ones so prized on the East Coast, do. Seasons in Southern California suggest violence, but not necessarily death. Seasons in New York-the relentless dropping of the leaves, the steady darkening of the days, the blue nights themselves-suggest only death.
As a writer one doesn’t belong anywhere. Fiction writers, I think, are even more outside the pale, necessarily on the edge of society. Because society and people are our meat, one really doesn’t belong in the midst of society. The great challenge in writing is always to find the universal in the local, the parochial. And to do that, one needs distance.
Get yourself in that intense state of being next to madness. Keep yourself in, not necessarily a frenzied state, but in a state of great intensity. The kind of state you would be in before going to bed with your partner. That heightened state when you're in a carnal embrace: time stops and nothing else matters. You should always write with an erection. Even if you're a woman.
One of the marks of our world is perhaps this reversal: we live according to a generalized image-repertoire. Consider the United Sates, where everything is transformed into images: only images exist and are produced and are consumes ... Such a reversal necessarily raises the ethical question: not that the image is immoral, irreligious, or diabolic (as some have declared it, upon the advent of the Photograph), but because, when generalized, it completely de-realizes the human world of conflicts and desires, under cover of illustrating it.
He had decided long ago that no Situation had any objective reality: it only existed in the minds of those who happened to be in on it at any specific moment. Since these several minds tended to form a sum total or complex more mongrel than homogeneous, The Situation must necessarily appear to a single observer much like a diagram in four dimensions to an eye conditioned to seeing its world in only three.
At one point, a girl who looked to be in her early twenties, with a Joan of Arc haircut, passed right in front of the glass. When Mitchell looked at her, the girl did an amazing thing: she looked back. She met his gaze with frank sexual meaning. Not that she "wanted" to have sex with him, necessarily. Only that she was happy to acknowledge, on this late-summer evening, that he was a man and she a woman, and if he found her attractive, that was all right with her. No American girl had ever looked at Mitchell like that. Deanie was right: Europe was a nice spot.