Pail Quotes (displaying: 1 - 10 of 7047 quotes )
Pilihlah untuk mencintai...bukan membenci. Pilihlah untuk tertawa...bukan menangis. Pilihlah untuk mencipta...bukan merusak. Pilihlah untuk gigih bertahan...bukan menyerah. Pilihlah untuk memuji...bukan bergosip. Pilihlah untuk menyembuhkan...bukan melukai. Pilihlah untuk memberi...bukan mencuri. Pilihlah untuk bertindak...bukan menunda-nunda. Pilihlah untuk tumbuh...bukan membusuk. Pilihlah untuk berdoa...bukan menyumpahi. Pilihlah untuk hidup...bukan meninggal
Play on lively, diversified sidewalks differs from virtually all other daily incidental play offered American children today: It is play not conducted in a matriarchy. Most city architectural designers and planners are men. Curiously, they design and plan to exclude men as part of normal, daytime life wherever people live. In planning residential life, they aim at filling the presumed daily needs of impossibly vacuous housewives and preschool tots. They plan, in short, strictly for matriarchal societies.
Paul Edgecomb: What do you want me to do John? I'll do it. You want me to let you walk out of here and see how far you get? John Coffey: Now why would you want to do a foolish thing like that? Paul Edgecomb: When I die and I stand before God awaiting judgment and he asks me why I let one of HIS miracles die, what am I gonna say, that it was my job?
Paul: 'After recording sessions, at two or three in the morning, we'd be careering through the villages on the way to Weybridge, shouting 'weyhey' and driving much too fast. George would perhaps be in his Ferrari - he was quite a fast driver - and John and I would be following in his big Rolls Royce or the Princess. John had a mike in the Rolls with a loudspeaker outside and he'd be shouting to George in the front: 'It is foolish to resist, it is foolish to resist! Pull over!' It was insane. All the lights would go on in the houses as we went past - it must have freaked everybody out.When John went to make 'How I Won the War' in Spain, he took the same car, which he virtually lived in. It had blacked-out windows and you could never see who was in it, so it was perfect. John didn't come out of it - he just used to talk to the people outside through the microphone: 'Get away from the car! Get away!