Photographing Quotes (displaying: 31 - 60 of 606 quotes )
I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.
We regard the photograph, the picture on our wall, as the object itself (the man, landscape, and so on) depicted there. This need not have been so. We could easily imagine people who did not have this relation to such pictures. Who, for example, would be repelled by photographs, because a face without color and even perhaps a face in reduced proportions struck them as inhuman.
The Photograph is an extended, loaded evidence? as if it caricatured not the figure of what it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, chafed by reality.
Photography is essentially an act of recognition by street photographers, not an act of invention. Photographers might respond to an old man’s face, or an Arbus freak, or the way light hits a building—and then they move on. Whereas in all the other art forms, take William Blake, everything that came to that paper never existed before. It’s the idea of alchemy, of making something from nothing.
As I looked at her there among the pumpkins I was overcome with the color and the intesity of my life. In these moments we are driven to try and hoard happiness by taking photographs, but I know better. The improtant thing was what the colors stood for, the taste of hard apples and the existence of Lena and the exact quality of the sun on the last warm day in October. A photograph would have flattened the scene into a happy moment, whereas what I felt was rapture. The fleeting certainty that I deserved this space I'd been taking up on this earth, and all the air I had breathed.
A paradox: the same century invented History and PHotography. But History is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic Time; and the Photograph is a certain but fugitive testimony; so that everything, today, prepares our race for this impotence: to be no longer able to conceive duration, affectively or symbolically: the age of the Photograph is also the age of revolutions, contestations, assassinations, explosions, in short, of impatiences, of everything which denies ripening.
Just consider a child who, absorbed in play, forgets himself—this is the moment to take a snapshot; when you wait until he notices that you are taking a picture, his face congeals and freezes, showing his unnatural self-consciousness rather than his natural graciousness. Why do most people have that stereotyped expression on their faces whenever they are photographed? This expression stems from their concern with the impression they are going to leave on the onlooker. It is "cheese" that makes them so ugly. Forgetting themselves, the photographer, and the future onlooker would make them beautiful.
It never ocurred to him that he was a passive thing, acted upon by an influence above and beyond Gloria, that he was merely the sensitive plate on which the photograph was made. Some gargantuan photographer had focused the camera on Gloria and Snap! - the poor plate could but develop, confined like all things to its nature.