Pitcher Quotes (displaying: 1 - 30 of 105 quotes )
After you pass a certain age, things you were able to do easily aren’t so easy anymore — just as a fastball pitcher’s speed starts to slip away with time. Of course, it’s possible for people as they mature to make up for a decline in natural talent. Like when a fastball pitcher transforms himself into a cleverer pitcher who relies on changeups. But there is a limit. And there definitely is a sense of loss.
In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words ‘boys and girls,’ for ‘sir,’ Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts.
I am too alone in the world, and yet not alone enoughto make every moment holy.I am too tiny in this world, and not tiny enoughjust to lie before you like a thing,shrewd and secretive.I want my own will, and I want simply to be with my will,as it goes toward action;and in those quiet, sometimes hardly moving times,when something is coming near,I want to be with those who know secret thingsor else alone.I want to be a mirror for your whole body,and I never want to be blind, or to be too oldto hold up your heavy and swaying picture.I want to unfold.I do?t want to stay folded anywhere,because where I am folded, there I am a lie.and I want my grasp of things to betrue before you. I want to describe myselflike a painting that I looked atclosely for a long time,like a saying that I finally understood,like the pitcher I use every day,like the face of my mother,like a shipthat carried methrough the wildest storm of all.
There was a beauty here bigger than the hurtling beauty of basketball, a beauty refined from country pastures, a game of solitariness, of waiting, waiting for the pitcher to complete his gaze toward first base and throw his lightning, a game whose very taste, of spit and dust and grass and sweat and leather and sun, was America.
Imagine if you were the positive pole of a magnet, and you were told that under no circumstances were you allowed to touch that negative pole that was sucking you in like a black hole. Or if you crawled out of the desert and found a woman standing with a pitcher of ice water, but she held it out of your reach. Imagine jumping off a building, and then being told not to fall. That's what it feels like to want a drink.
There was a proud Teapot, proud of being made of porcelain, proud of its long spout and its broad handle. It had something in front of it and behind it; the spout was in front, and the handle behind, and that was what it talked about. But it didn't mention its lid, for it was cracked and it was riveted and full of defects, and we don't talk about our defects - other people do that. The cups, the cream pitcher, the sugar bowl - in fact, the whole tea service - thought much more about the defects in the lid and talked more about it than about the sound handle and the distinguished spout. The Teapot knew this.
It was a strange staging for death, for the woman on the high bed was dying. Slowly, fighting every inch of the way with a grim tenacity, but indubitably dying. Her vital ardour had sunk below the mark from which it could rise again, and was now ebbing as water runs from a little crack in a pitcher.
The pleasure of sport was so often the chance to indulge the cessation of time itself--the pitcher dawdling on the mound, the skier poised at the top of a mountain trail, the basketball player with the rough skin of the ball against his palm preparing for a foul shot, the tennis player at set point over his opponent--all of them savoring a moment before committing themselves to action.
The woman is perfected. Her dead. Body wears the smile of accomplishment, The illusion of a Greek necessity. Flows in the scrolls of her toga, Her bare. Feet seem to be saying: We have come so far, it is over. Each dead child coiled, a white serpent, One at each little. Pitcher of milk, now empty. She has folded. Them back into her body as petals. Of a rose close when the garden. Stiffens and odors bleed. From the sweet, deep throats of the night flower. The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag.