Silent Quotes (displaying: 1 - 30 of 985 quotes )
Silently, I lifted my doggy bowl off the floor. Then, with a quick, powerful flip of my wrist, I threw it into the back of Blondie’s head so hard that – with an earsplitting bang – it smashed flat before it ricocheted across the room and snapped the round top piece off the thick newel post at the foot of the stairs.
What is talkativeness? It is the result of doing away with the vital distinction between talking and keeping silent. Only some one who knows how to remain essentially silent can really talk--and act essentially. Silence is the essence of inwardness, of the inner life. Mere gossip anticipates real talk, and to express what is still in thought weakens action by forestalling it. But some one who can really talk, because he knows how to remain silent, will not talk about a variety of things but about one thing only, and he will know when to talk and when to remain silent. Where mere scope is concerned, talkativeness wins the day, it jabbers on incessantly about everything and nothing...In a passionate age great events (for they correspond to each other) give people something to talk about. And when the event is over, and silence follows, there is still something to remember and to think about while one remains silent. But talkativeness is afraid of the silence which reveals its emptiness.
In the mango grove, shade poured into his black eyes, when playing as a boy, when his mother sang, when the sacred offerings were made, when his father, the scholar, taught him, when the wise men talked. For a long time, Siddhartha had been partaking in the discussions of the wise men, practising debate with Govinda, practising with Govinda the art of reflection, the service of meditation. He already knew how to speak the Om silently, the word of words, to speak it silently into himself while inhaling, to speak it silently out of himself while exhaling, with all the concentration of his soul, the forehead surrounded by the glow of the clear-thinking spirit. He already knew to feel Atman in the depths of his being, indestructible, one with the universe.
Let him tell them the truth. Before the Gospel is a word, it is silence. It is the silence of their own lives and of his life. It is life with the sound turned off so that for a moment or two you can experience it not in terms of the words you make it bearable by but for the unutterable mystery that it is. Let him say, "Be silent and know that I am God" (Psalm 46:10). Be silent and know that even by my silence and absence I am known. Be silent and listen to the stones cry out. Out of the silence let the only real news comes, which is sad news before it is glad news and that is fairy tale last of all.
Rubashov had always believed that he knew himself rather well. Being without moral prejudices, he had no illusions about the phenomenon called the "first person singular" and had taken for granted, without particular emotion, that this phenomenon was endowed with certain impulses which people are generally reluctant to admit. Now, when he stood with his forehead against the window or suddenly stopped on the third black tile, he made unexpected discoveries. He found that those processes wrongly known as monologues are really dialogues of a special kind - dialogues in which one partner remains silent while the other, against all grammatical rules, addresses him as "I" instead of "you," in order to creep into his confidence and to fathom his intentions, but the silent partner just remains silent, shuns observation, and even refuses to be localized in time and space.
Discussing it later, many of us felt we suffered a mental dislocation at that moment, which only grew worse through the course of the remaining deaths. The prevailing symptom of this state was an inability to recall any sound. Truck doors slammed silently; Lux's mouth screamed silently; and the street, the creaking tree limbs, the streetlight clicking different colors, the electric buzz of the pedestrian crossing box - all these usually clamorous voices hushes, or had begun shrieking at a pitch too high for us to hear, though they sent chills up our spines. Sound returned only once Lux had gone. Televisions erupted with canned laughter. Fathers splashed, soaking aching backs.
Tell a wise person, or else keep silent, because the mass man will mock it right away. I praise what is truly alive, what longs to be burned to death. In the calm water of the love-nights, where you were begotten, where you have begotten, a strange feeling comes over you, when you see the silent candle burning. Now you are no longer caughtin the obsession with darkness, and a desire for higher love-makingsweeps you upward. Distance does not make you falter. Now, arriving in magic, flying, and finally, insane for the light, you are the butterfly and you are gone. And so long as you haven't experienced this: to die and so to grow, you are only a troubled gueston the dark earth.
I've crossed these sands many times," said one of the camel drivers one night. "But the desert is so huge, and the horizons so distant, that they make a person feel small, and as if he should remain silent."The boy understood intuitively what he meant, even without ever having set foot in the desert before. Whenever he saw the sea, or a fire, he fell silent, impressed by their elemental force.
...and when she thinks of that generation of silent men, the boys who lived through the Depression and grew up to become soldiers or not-soldiers in the war, she doesn’t blame them for refusing to talk, for not wanting to go back into the past, but how curious it is, she thinks, how sublimely incoherent that her generation, which doesn’t have much of anything to talk about yet, has produced men who never stop talking, men like Bing, for example, or men like Jake, who talks about himself at the slightest prompting, who has an opinion on every subject, who spews forth words from morning to night, but just because he talks, that doesn’t mean she wants to listen to him, whereas with the silent men, the old men, the ones who are nearly gone now, she would give anything to hear what they have to say.
Maybe in some distant place, everything is already, quietly, lost. Or at least there exists a silent place where everything can disappear. Or at least there exists a silent place where everything can disappear, melting together in a single overlapping figure. And as we live our lives we discover—drawing toward us the thin threads attached to each—what has been lost.
You have the right to remain silent,' the big cop said in his robot's voice. 'If you do not choose to remain silent, anything you say may be used against you in a court of law. You have the right to an attorney. I'm going to kill you. If you cannot afford an attorney, one will be provided for you. Do you understand your rights as I have explained them to you?
There was a smell of Time in the air tonight. He smiled and turned the fancy in his mind. There was a thought. What did time smell like? Like dust and clocks and people. And if you wondered what Time sounded like it sounded like water running in a dark cave and voices crying and dirt dropping down upon hollow box lids, and rain. And, going further, what did Time look like? Time look like snow dropping silently into a black room or it looked like a silent film in an ancient theater, 100 billion faces falling like those New Year balloons, down and down into nothing. That was how Time smelled and looked and sounded. And tonight-Tomas shoved a hand into the wind outside the truck-tonight you could almost taste time.
Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story's silent twin. There are so many things we can't say, because they are too painful. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. Mrs Winterson would have preferred it if I had been silent. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself.
Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.
Then the man smiled, and his smile was a shock, for it was all on one side, going up in the right cheek and down in the left. There was nothing, rationally speaking, to scare anyone about this. Many people have this nervous trick of a crooked smile, and in many it is even attractive. But in all Syme's circumstances, with the dark dawn and the deadly errand and the loneliness on the great dripping stones, there was something unnerving in it. There was the silent river and the silent man, a man of even classic face. And there was the last nightmare touch that his smile suddenly went wrong.
Just as in the body, eye and ear develop as organs of perception, as senses for bodily processes, so does a man develop in himself soul and spiritual organs of perception through which the soul and spiritual worlds are opened to him. For those who do not have such higher senses, these worlds are dark and silent, just as the bodily world is dark and silent for a being without eyes and ears.
There is silent and long-suffering sorrow to be met with among the peasantry. It withdraws into itself and is still. But there is a grief that breaks out, and from that minute it bursts into tears and finds vent in wailing. This is particularly common with women. But it is no lighter a grief than the silent. Lamentations comfort only by lacerating the heart still more. Such grief does not desire consolation. It feeds on the sense of its hopelessness. Lamentations spring only from the constant craving to reopen the wound.
LOVE'S SECRETNever seek to tell thy love, Love that never told can be; For the gentle wind doth move Silently, invisibly. I told my love, I told my love, I told her all my heart, Trembling, cold, in ghastly fears. Ah! she did depart! Soon after she was gone from me, A traveller came by, Silently, invisibly: He took her with a sigh.
If you come as softly. As wind within the trees. You may hear what I hear. See what sorrow sees. If you come as lightly. As threading dew. I will take you gladly. Nor ask more of you. You may sit beside me. Silent as a breath. Only those who stay dead. Shall remember death. And if you come I will be silent. Nor speak harsh words to you. I will not ask you why, now. Or how, or what you do. We shall sit here, softly. Beneath two different years. And the rich earth between us. Shall drink our tears.
Reading is performance. The reader-- the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk-- performs the work. The performance is silent. The readers hear the sounds of the words and the beat of the sentences only in their inner ear. Silent drummers on noiseless drums. An amazing performance in an amazing theater.