Temple Quotes (displaying: 1 - 30 of 267 quotes )
A temple is literally the House of the Lord, reserved for ordinances of eternal significance. Those ordinances include baptisms, marriage, endowments, and sealings. Each temple is symbolic of our faith in God and an evidence of our faith in life after death. The temple is the object of every activity, every lesson, every progressive step in the Church. All of our efforts in proclaiming the gospel, perfecting the Saints, and redeeming the dead lead to the holy temple. Ordinances of the temple are absolutely crucial. We cannot return to God's glory without them.
Howard Roark built a temple to the human spirit. He saw man as strong, proud, clean, wise and fearless. He saw man as a heroic being. And he built a temple to that. A temple is a place where man is to experience exaltation. He thought that exaltation comes from the consciousness of being guiltless, of seeing the truth and achieving it, of living up to one’s highest possibility, of knowing no shame and having no cause for shame, of being able to stand naked in full sunlight. He thought that exaltation means joy and that joy is man’s birthright. He tho...ught that a place built as a setting for man is a sacred place. That is what Howard Roark thought of man and of exaltation.
When the Golden Temple reflected the evening sun or shone in the moon, it was the light of the water (in the pond before it) that made the entire structure look as if it were mysteriously floating along and flapping its wings. The strong bonds of the temple's form were loosened by the reflection of the quivering water, and at such moments the Golden Temple seemed to be constructed of materials like wind and water and flame that are commonly in motion.
I slowly came to recognize individual monks within the crowds of interchangeable orange robes and shaved heads. There were flirtatious and daring monks who stood on each other's shoulders to peek over the temple at you and call out "Hello, Mrs. Lady!" as you walked by. There were novices who snuck cigarettes at night outside the temple walls, the embers of their smokes glowing as orange as their robes. I saw a buff teenage monk doing push-ups, and I spotted another one with an unexpectdely gangsterish tattoo of a knife emblazoned on one golden shoulder. One night I'd eavesdropped while a handful of monks sang Bob Marley songs to each other underneath a tree in a temple garden, long after they should have been asleep. I'd even seen a knot of barely adolescent novices kickboxing each other - a display of good-natured competition, that like boys' games all over the world, carried the threat of turning truly violent at a moment's notice.
If men lived like men indeed, their houses would be temples -- temples which we should hardly dare to injure, and in which it would make us holy to be permitted to live; and there must be a strange dissolution of natural affection, a strange unthankfulness for all that homes have given and parents taught, a strange consciousness that we have been unfaithful to our fathers honor, or that our own lives are not such as would make our dwellings sacred to our children, when each man would fain build to himself, and build for the little revolution of his own life only.
Steeply’s face had assumed the openly twisted sneering expression which he knew well Qubecers found repellent on Americans. ‘But you assume it’s always choice, conscious, decision. This isn’t just a little naive, Rmy? You sit down with your little accountant’s ledger and soberly decide what to love? Always?’ ‘What if sometimes there is no choice about what to love? What if the temple comes to Mohammed? What if you just love? without deciding? You just do: you see her and in that instant are lost to sober account-keeping and cannot choose but to love?’ Marathe’s sniff held disdain. ‘Then in such a case your temple is self and sentiment. Then in such an instance you are a fanatic of desire, a slave to your individual subjective narrow self’s sentiments; a citizen of nothing. You become a citizen of nothing. You are by yourself and alone, kneeling to yourself.’ A silence ensued this.
She was a widow, and he stripped himself naked while she went to fetch some of her husband's clothes. But before he could put them on, the police were hammering on the front door with their billy clubs. So the fugitive hid on top of a rafter. When the woman let in the police, though, his oversize testicles hung down in full view."Trout paused again. The police asked the woman where the guy was. The woman said she didn't know what guy they were talking about," said Trout. "One of the cops saw the testicles hanging down from a rafter and asked what they were. She said they were Chinese temple bells. He believed her. He said he 'd always wanted to hear Chinese temple bells. "He gave them a whack with his billy club, but there was no sound. So he hit them again, a lot harder, a whole lot harder. Do you know what the guy on the rafter shrieked?" Trout asked me. I said I didn't. "He shrieked, 'TING-A-LING, YOU SON OF A BITCH!
Who gave you the right to say all this?""You did.""Well, go on.""Do you wish the rest?""Go on.""I think it hurts you to know that you've made me suffer. You wish you hadn't. And yet there's something that frightens you more. The knowledge that I haven't suffered at all.""Go on.""The knowledge that I'm neither kind nor generous now, but simply indifferent. It frightens you, because you know that things like the Stoddard Temple always require payment--and you see that I'm not paying for it. You were astonished that I accepted this commission. Do you think my acceptance required courage? You needed far greater courage to hire me. You see, this is what I think of the Stoddard Temple. I'm through with it. You're not.
All that we have invented, the symbols in the church, the rituals, they are all put there by thought. Thought has invented these things. Invented the savior. Invented the temples of India and the contents of the temples. Thought has invented all these things called sacred. You cannot deny that. So thought in itself is not sacred. And when thought invents God, God is not sacred. So what is sacred? That can only be understood or happen when there is complete freedom, from fear, from sorrow, and when there is this sense of love and compassion with it's own intelligence. Then when the mind is utterly still, that which is sacred can take place.
Then as to churches, they are good, I suppose, else wouldn't good men uphold' em. But they are not altogether necessary. They call 'em the temples of the Lord; but, Judith, the whole 'arth is a temple of the Lord to such as have the right mind. Neither forts nor churches make people happier of themselves. Moreover, all is contradiction in the settlements, while all is concord in the woods. Forts and churches almost always go together, and yet they're downright contradictions; churches being for peace, and forts for war. No, no--give me the strong places of the wilderness, which is the trees, and the churches, too, which are arbors raised by the hand of nature.
Nor do we merely feel these essences for one short hour no, even as these trees that whisper round a temple become soon dear as the temples self, so does the moon, the passion posey, glories infinite, Haunt us till they become a cheering light unto our souls and bound to us so fast, that wheather there be shine, or gloom o'er cast, They always must be with us, or we die.
Repentance must dig the foundations, but holiness shall erect the structure, and bring forth the top-stone. Repentance is the clearing away of the rubbish of the past temple of sin; holiness builds the new temple which the Lord our God shall inherit. Repentance and desires after holiness never can be separated.
And let us not remember Italy the less regardfully, because, in every fragment of her fallen Temples, and every stone of her deserted palaces and prisons, she helps to inculcate the lesson that the wheel of Time is rolling for an end, and that the world is, in all great essentials, better, gentler, more forbearing, and more hopeful, as it rolls!
Yet, love, mere love, is beautiful indeed. And worthy of acceptation. Fire is bright, Let temple burn, or flax; an equal light. Leaps in the flame from cedar-plank or weed: And love is fire. And when I say at need. I love thee ... mark! ... I love thee -- in thy sight. I stand transfigured, glorified aright, With conscience of the new rays that proceed. Out of my face toward thine. There's nothing low. In love, when love the lowest: meanest creatures. Who love God, God accepts while loving so. And what I feel, across the inferior features. Of what I am, doth flash itself, and show. How that great work of Love enhances Nature's.
Amid the moon and the stars, amid the clouds of the night, amid the hills which bordered on the sky with their magnificent silhouette of pointed cedars, amid the speckled patches of the moon, amid the temple buildings that emerged sparkling white out of the surrounding darkness - amid all this, I was intoxicated by the pellucid beauty of Uiko's treachery.
And in every one of us, there's a war going on. It's a civil war. I don't care who you are, I don't care where you live, there is a civil war going on in your life. And every time you set out to be good, there's something pulling on you, telling you to be evil. It's going on in your life. Every time you set out to love, something keeps pulling on you, trying to get you to hate. Every time you set out to be kind and say nice things about people, something is pulling on you to be jealous and envious and to spread evil gossip about them. There's a civil war going on. There is a schizophrenia, as the psychologists or the psychiatrists would call it, going on within all of us. And there are times that all of us know somehow that there is a Mr. Hyde and a Dr. Jekyll in us...There's a tension at the heart of human nature. And whenever we set out to dream our dreams and to build our temples, we must be honest enough to recognize it.
There were a great many other such tableaux. AsMartial had predicted, bears featured prominently inmost of them. A temple thief was made to reenactthe role of the robber Laureolus, made famous bythe ancient plays of Ennius and Naevius; he wasnailed to a cross and then subjected to the attack ofthe bears. A freedman who had killed his formermaster was made to put on a Greek chlamys and gowalking though a stage forest populated by cavortingsatyrs and nymphs, like Orpheus lost in the woods; when one of the satyrs played a shrill tune on hispipes, the trees dispersed and the man was subjectto an attack by bears. An arsonist was made tostrap on wings in imitation of Daedalus, ascend ahigh platform, and then leap off; the wings actuallycarried him aloft for a short distance, a remarkablesight, until he plunged into an enclosure full of bearsand was torn to pieces.