Transfigured Quotes (displaying: 1 - 30 of 45 quotes )
He did not want to play. He wanted to meet in the real world the unsubstantial image which his soul so constantly beheld. He did not know where to seek it or how, but a premonition which led him on told him that this image would, without any overt act of his, encounter him. They would meet quietly as if they had known each other and had made their tryst, perhaps at one of the gates or in some more secret place. They would be alone, surrounded by darkness and silence: and in that moment of supreme tenderness he would be transfigured. He would fade into something impalpable under her eyes and then in a moment he would be transfigured. Weakness and timidity and inexperience would fall from him in that magic moment.
He is looking down on the two crystal balls that the old man's foul, strong hands have rolled across to him. In one he sees Margaret, not in her raincoat and her nodding plumes, but as she is transfigured in the light of eternity. Long he looks there; then drops a glance to the other, just long enough to see that in its depths Kitty and I walk in bright dresses through our glowing gardens. We had suffered no transfiguration, for we are as we are, and there is nothing more to us. The whole truth about us lies in our material seeming. He sighs a deep sigh of delight and puts out his hand to the ball where Margaret shines. His sleeve catches the other one and sends it down to crash in a thousand pieces on the floor. The old man's smile continues to be lewd and benevolent; he is still not more interested in me than in the bare-armed woman. Chris is wholly inclosed in his intentness on his chosen crystal. No one weeps for this shattering of our world.
Interior of the hand. Sole that has come to walkonly on feelings. That faces upwardand in its mirrorreceives heavenly roads, which travelalong themselves. That has learned to walk upon waterwhen it scoops, that walks upon wells, transfiguring every path. That steps into other hands, changes those that are like itinto a landscape: wanders and arrives within them, fills them with arrival.
Being beautiful in itself, youth needs no transfiguration: in its abundance of strong life it is drawn to the tragic, and is happy to let melancholy suck sweetly from its still inexperienced bloom, and the very same phenomenon accounts for the readiness of young people to face danger and reach out a fraternal hand to all spiritual suffering
Yet, love, mere love, is beautiful indeed. And worthy of acceptation. Fire is bright, Let temple burn, or flax; an equal light. Leaps in the flame from cedar-plank or weed: And love is fire. And when I say at need. I love thee ... mark! ... I love thee -- in thy sight. I stand transfigured, glorified aright, With conscience of the new rays that proceed. Out of my face toward thine. There's nothing low. In love, when love the lowest: meanest creatures. Who love God, God accepts while loving so. And what I feel, across the inferior features. Of what I am, doth flash itself, and show. How that great work of Love enhances Nature's.
Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.' Grantaire was on his feet. The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard. He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras. 'Two at one shot,' he said. And, turning toward Enjolras gently, he said to him, 'Will you permit it?' Enjolras shook his hand with a smile. The smile had not finished before the report was heard. Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted. Grantaire, struck down, collapsed at his feet.
Ever since childhood Yurii Andreievich had been fond of woods seen at evening against the setting sun. At such moments he felt as if he too were being pierced by shafts of light. It was as though the gift of the living spirit were streaming into his breast, piercing his being and coming out at his shoulders like a pair of wings. The archetype that is formed in every child for life and seems for ever after to be his inward face, his personality, awoke in him in its full primordial strength, and compelled nature, the forest, the afterglow, and everything else visible to be transfigured into a similarly primordial and all-embracing likeness of a girl. Closing his eyes, "Lara," he whispered and thought, addressing the whole of his life, all God's earth, all the sunlit space spread out before him.
Music at its best...is the grand archeology into and transfiguration of our guttural cry, the great human effort to grasp in time our deepest passions and yearnings as prisoners of time. Profound music leads us--beyond language--to the dark roots of our scream and the celestialheights of our silence.
We are tied down, all our days and for the greater part of our days, to the commonplace. That is where contact with the great thinkers, great literature helps. In their company we are still in the ordinary world, but it is the ordinary world transfigured and seen through the eyes of wisdom and genius. And some of their genius becomes ours. . ." in The Great Conversation
The house became full of love. Aureliano expressed it in poetry that had no beginning and no end. He would write it on the harsh pieces of parchment that Melquiades gave him, on the bathroom walls, on the skin of his arms, and in all of it Remedios would appear transfigured: Remedios in the soporific air of two in the afternoon, Remedios in the soft breath of the roses, Remedios in the water-clock secrets of the moths, Remedios in the steaming morning bread, Remedios everywhere and Remedios forever.
The younger and healthier a woman is and the more her new and glossy body seems destined for eternal freshness, the less useful is artifice; but the carnal weakness of this prey that man takes and its ominous deterioration always have to be hidden from him...In any case, the more traits and proportions of a woman seem contrived, the more she delighted the heart of man because she seemed to escape the metamorphosis of natural things. The result is this strange paradox that by desiring to grasp nature, but transfigured, in woman, man destines her to artifice.
As I had to do whenever I glimpsed this river, I thought of Phineas. Not of the tree and pain, but of one of his favorite tricks, Phineas in exaltation, balancing on one foot on the prow of a canoe like a river god, his raised arms invoking the air to support him, face transfigured, body a complex set of balances and compensations, each muscle aligned in perfection with all the others to maintain this supreme fantasy of achievement, his skin glowing from immersions, his whole body hanging between river and sky as though he had transcended gravity and might by gently pushing upward with his foot glide a little way higher and remain suspended in space, encompassing all the glory of the summer and offering it to the sky.
He has forgotten how to hope. This hell of the present is his Kingdom at last. All problems recover their sharp edge. Abstract evidence retreats before the poetry of forms and colors. Spiritual conflicts become embodied and return to the abject and magnificent shelter of man’s heart. None of them is settled. But all are transfigured.
The firelight touches and transfigures her face, and we see, concretely illustrated, the impossible paradox and supreme truth—that perception is (or at least can be, ought to be) the same as Revelation, that Reality shines out of every appearance, that the One is totally, infinitely present in all particulars.
Reshaping life! People who can say that have never understood a thing about lif?they have never felt its breath, its heartbea?however much they have seen or done. They look on it as a lump of raw material that needs to be processed by them, to be ennobled by their touch. But life is never a material, a substance to be molded. If you want to know, life is the principle of self-renewal, it is constantly renewing and remaking and changing and transfiguring itself, it is infinitely beyond your or my obtuse theories about it.
Perhaps everything lies in knowing what words to speak, what actions to perform, and in what order and rhythm; or else someone's gaze, answer, gesture is enough; it is enough for someone to do something for the sheer pleasure of doing it, and for his pleasure to become the pleasure of others: at that moment, all spaces change, all heights, distances; the city is transfigured, becomes crystalline, transparent as a dragonfly.
The mountains of the Great Divide are not, as everyone knows, born treeless, though we always think of them as above timberline with the eternal snows on their heads. They wade up through ancient forests and plunge into canyons tangled up with water-courses and pause in little gem-like valleys and march attended by loud winds across the high plateaus, but all such incidents of the lower world they leave behind them when they begin to strip for the skies: like the Holy Ones of old, they go up alone and barren of all circumstance to meet their transfiguration.
What a transfiguration it is to love! And the little shrieks, the pursuits in the grass, the waists encircled by stealth, the jargon that is melody, the adoration that breaks through in the way a syllable is said, those cherries snatched form one pair of lips by another - It all catches fire and turns into celestial glories.
Often they descended to their grave with an ironic smile? for what was there left of them to bury! Only the dross, refuse, vanity, animality that had always weighed them down and that was now consigned to oblivion after having for long been the object of their contempt. But one thing will live, the monogram of their most essential being, a work, an act, a piece of rare enlightenment, a creation: it will live because posterity cannot do without it. In this transfigured form, fame is something more than the tastiest morsel of our egoism, as Schopenhauer called it: it is the belief in the solidarity and continuity of the greatness of all ages and a protest against the passing away of generations and the transitoriness of things.
Now, helpless in the hollow of. An unarmorial age, a trough. Of smoke in slow suspended skeins. Above their scrap of history, Only an attitude remains: Time has transfigured them into. Untruth. The stone finality. They hardly meant has come to be. Their final blazon, and to prove. Our almost-instinct almost true: What will survive of us is love.
If the time should ever come when what is now called science, thus familiarised to men, shall be ready to put on, as it were, a form of flesh and blood, the Poet will lend his divine spirit to aid the transfiguration, and will welcome the Being thus produced, as a dear and genuine inmate of the house of man.
Fiction is one of the few experiences where loneliness can be both confronted and relieved. Drugs, movies where stuff blows up, loud parties -- all these chase away loneliness by making me forget my name's Dave and I live in a one-by-one box of bone no other party can penetrate or know. Fiction, poetry, music, really deep serious sex, and, in various ways, religion -- these are the places (for me) where loneliness is countenanced, stared down, transfigured, treated.
It was the first time I saw the look on the face of the people I robbed: it was ugly. I was the cause of such ugliness, and the only thing that made me feel was a cruel pleasure which, I thought, was bound to transfigure my own face, to make me resplendent. I was then 23 years old. From that moment on, I felt capable of advancing in cruelty.