Twig Quotes (displaying: 1 - 30 of 45 quotes )
The affinities of all the beings of the same class have sometimes been represented by a great tree. I believe this simile largely speaks the truth. The green and budding twigs may represent existing species; and those produced during former years may represent the long succession of extinct species. At each period of growth all the growing twigs have tried to branch out on all sides, and to overtop and kill the surrounding twigs and branches, in the same manner as species and groups of species have at all times overmastered other species in the great battle for life. The limbs divided into great branches, and these into lesser and lesser branches, were themselves once, when the tree was young, budding twigs; and this connection of the former and present buds by ramifying branches may well represent the classification of all extinct and living species in groups subordinate to groups. Of the many twigs which flourished when the tree was a mere bush, only two or three, now grown into great branches, yet survive and bear the other branches; so with the species which lived during long-past geological periods, very few have left living and modified descendants. From the first growth of the tree, many a limb and branch has decayed and dropped off; and these fallen branches of various sizes may represent those whole orders, families, and genera which have now no living representatives, and which are known to us only in a fossil state. As we here and there see a thin straggling branch springing from a fork low down in a tree, and which by some chance has been favoured and is still alive on its summit, so we occasionally see an animal like the Ornithorhynchus or Lepidosiren, which in some small degree connects by its affinities two large branches of life, and which has apparently been saved from fatal competition by having inhabited a protected station. As buds give rise by growth to fresh buds, and these, if vigorous, branch out and overtop on all sides many a feebler branch, so by generation I believe it has been with the great Tree of Life, which fills with its dead and broken branches the crust of the earth, and covers the surface with its ever-branching and beautiful ramifications.
Shadow walked the meadow, making his own slow circles around the trunk of the tree, gradually widening his circle. Sometimes he would stop and pick something up: a flower, or a leaf, or a pebble, or a twig, or a blade of grass. He would examine it minutely, as if concentrating entirely on the twigness of the twig, the leafness of the leaf, as if he were seeing it for the first time. Easter found herself reminded of the gaze of a baby, at the point where it learns to focus.
It was a rimy morning, and very damp. I had seen the damp lying on the outside of my little window, as if some goblin had been crying there all night, and using the window for a pocket-handkerchief. Now, I saw the damp lying on the bare hedges and spare grass, like a coarser sort of spiders' webs; hanging itself from twig to twig and blade to blade.
A poem should be palpable and mute. As a globed fruit. Dumb. As old medallions to the thumb. Silent as the sleeve-worn stone. Of casement ledges where the moss has grown -A poem should be wordless. As the flight of birds. A poem should be motionless in time. As the moon climbs. Leaving, as the moon releases. Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind -A poem should be motionless in time. As the moon climbs. A poem should be equal to: Not true. For all the history of grief. An empty doorway and a maple leaf. For love. The leaning grasses and two lights above the sea -A poem should not mean. But be
It rasped her, though, to have stirring about in her this brutal monster! to hear twigs cracking and feel hooves planted down in the depths of that leaf-encumbered forest, the soul; never to be content quite, or quite secure, for at any moment the brute would be stirring, this hatred, which, especially since her illness, had power to make her feel scraped, hurt in her spine; gave her physical pain, and made all pleasure in beauty, in friendship, in being well, in being loved and making her home delightful rock, quiver, and bend as if indeed there were a monster grubbing at the roots, as if the whole panoply of content were nothing but self love! this hatred!
If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through that shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
Lost in the forest, I broke off a dark twig and lifted its whisper to my thirsty lips: maybe it was the voice of the rain crying, a cracked bell, or a torn heart. Something from far off: it seemed deep and secret to me, hidden by the earth, a shout muffled by huge autumns, by the moist half-open darkness of the leaves. Wakening from the dreaming forest there, the hazel-sprig sang under my tongue, its drifting fragrance climbed up through my conscious mind as if suddenly the roots I had left behind cried out to me, the land I had lost with my childhood—- and I stopped, wounded by the wandering scent.
Now goes under, and I watch it go under, the sun. That will not rise again. Today has seen the setting, in your eyes cold and senseless as the sea, Of friendship better than bread, and of bright charity. That lifts a man a little above the beasts that run. That this could be! That I should live to see. Most vulgar Pride, that stale obstreperous clown, So fitted out with purple robe and crown. To stand among his betters! Face to face. With outraged me in this once holy place, Where Wisdom was a favoured guest and hunted. Truth was harboured out of danger, He bulks enthroned, a lewd, an insupportable stranger! I would have sworn, indeed I swore it: The hills may shift, the waters may decline, Winter may twist the stem from the twig that bore it, But never your love from me, your hand from mine. Now goes under the sun, and I watch it go under. Farewell, sweet light, great wonder! You, too, farewell,-but fare not well enough to dream. You have done wisely to invite the night before the darkness came.
But he could no longer disbelieve in the reality of love, since God Himself had loved his individual soul with divine love from all eternity. Gradually, as his soul was enriched with spiritual knowledge, he saw the whole world forming one vast symmetrical expression of God's power and love. Life became a divine gift for every moment and sensation of which, were it even the sight of a single leaf hanging on the twig of a tree, his soul should praise and thank the Giver. The world for all its solid substance and complexity no longer existed for his soul save as a theorem of divine power and love and universality.
The hydrangeas are clipped for the winter and there is a gardener with rum on his breath (and odd socks on his feet) who offers to show you the scars on his back, the droppings of a wallaby, the scratchings of a bandicoot or a leech which he will pull inside out with the aid of a twig- "T'only way to kill'un, missus.
He is very fond of me, almost too fond. I could do with less caressing and more rationality. I should like to be less of a pet and more of a friend, if I might choose; but I won't complain of that: I am only afraid his affection loses in depth where it gains in ardour. I sometimes liken it to a fire of dry twigs and branches compared with one of solid coal, very bright and hot; but if it should burn itself out and leave nothing but ashes behind.
It was a woman's voice, high and sweet, with a strange music in it like none that he had ever heard and a sadness that he thought might break his heart. Bran squinted, to see her better. It was a girl, but smaller than Arya, her skin dappled like a doe's beneath a cloak of leaves. Her eyes were queer--large and liquid, gold and green, slitted like a cat's eyes. No one has eyes like that. Her hair was a tangle of brown and red and gold, autumn colors, with vines and twigs and withered flowers woven through it. "Who are you?" Meera Reed was asking. Bran knew. "She's a child. A child of the forest.
Lines Written In Early Spring. I heard a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts. Bring sad thoughts to the mind. To her fair works did Nature link. The human soul that through me ran; And much it grieved my heart to think. What man has made of man. Through primrose tufts, in that green bower, The periwinkle trailed its wreaths; And 'tis my faith that every flower. Enjoys the air it breathes. The birds around me hopped and played, Their thoughts I cannot measure:--But the least motion which they made. It seemed a thrill of pleasure. The budding twigs spread out their fan, To catch the breezy air; And I must think, do all I can, That there was pleasure there. If this belief from heaven be sent, If such be Nature's holy plan, Have I not reason to lament. What man has made of man?
Unfortunately, most of today’s women resemble bowerbirds that force suitors to build elaborate nests of twigs, leaves, and discarded garbage before choosing a mate. Any male who doesn’t meet her standards doesn’t get to mate that year; one assumes he just stays in his bower, reads bower manuals, and watches bowerbird porn.
She would not say of any one in the world that they were this or were that. She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, far out to the sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fraulein Daniels gave them she could not think. She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that.
Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.
Not to find one's way around a city does not mean much. But to lose one's way in a city, as one loses one's way in a forest, requires some schooling. Street names must speak to the urban wanderer like the snapping of dry twigs, and little streets in the heart of the city must reflect the times of day, for him, as clearly as a mountain valley. This art I acquired rather late in life; it fulfilled a dream, of which the first traces were labyrinths on the blotting papers in my school notebooks.
We are accustomed to say in New England that few and fewer pigeons visit us every year. Our forests furnish no mast for them. So, it would seem, few and fewer thoughts visit each growing man from year to year, for the grove in our minds is laid waste,? sold to feed unnecessary fires of ambition, or sent to mill, and there is scarcely a twig left for them to perch on. They no longer build nor breed with us. In some more genial season, perchance, a faint shadow flits across the landscape of the mind, cast by the wings of some thought in its vernal or autumnal migration, but looking up, we are unable to detect the substance of the thought itself. Our winged thoughts are turned to poultry. They no longer soa?
The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
How are you feeling, man?" he asks me."Great," I tell him, and it is purely the truth. Doves clatter up out of a bare tree and turn at the same instant, transforming themselves from steel to silver in the snow-blown light. I know at that moment that the drug is working. Everything before me has become suddenly, radiantly itself. How could Carlton have known this was about to happen? "Oh," I whisper. His hand settles on my shoulder."Stay loose, Frisco," he says. "There's not a thing in this pretty world to be afraid of. I'm here."I am not afraid. I am astonished. I had not realized until this moment how real everything is. A twig lies on the marble at my feet, bearing a cluster of hard brown berries. The broken-off end is raw, white, fleshly. Trees are alive."I'm here," Carlton says again, and he is.