Velvet Quotes (displaying: 1 - 30 of 93 quotes )
Velvet carpet," sighed Anne luxuriously, "and silk curtains! I've dreamed of such things, Diana. But do you know I don't believe I feel very comfortable with them after all. There are so many things in this room and all so splendid that there is no scope for imagination. That is one consolation when you are poor--there are so many more things you can imagine about.
I could insist that somebody take me to her so I can obey her orders.""I think you might choke on that one, Zakath," Silk said lightly. "Obey is a difficult concept for someone in your position.""He's an irritating little fellow, isn't he?" Zakath said to Garion."I've noticed.""Why, your Majesties," Velvet said, all wide-eyed innocence, "what a thing to suggest.""Well, isn't he?" Zakath said pointedly."Of course, but it's not nice to talk about it."Silk looked slightly offended. "Would you people like for me to go away so you can talk freely?""Oh, that won't be necessary, Kheldar," Velvet said with a dimpled smile.
The wind outside nested in each tree, prowled the sidewalks in invisible treads like unseen cats. Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows' Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked.
In the dewy wood tinselled with bewildering moonlight, the bumbling, tumbling babies of the fairy creche trip over the hem of her dress, which is no more nor less than the margin of the wood itself; they stumble in the tangled grass as they play with the coneys, the quick brown fox-cubs, the russet fieldmice and the wee scraps of grey voles, blind velvet Mole and striped Brock with his questing snout - all the denizens of the woodland are her embroiderings, and the birds flutter round her head, settle on her shoulders and make their nests in her great abundance of disordered hair, in which are plaited poppies and ears of wheat.
Well. Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.
Life with you was lovely—and when I say lovely, I mean doves and lilies, and velvet, and that soft pink ‘v’ in the middle and the way your tongue curved up to the long, lingering ‘l.’ Our life together was alliterative, and when I think of all the little things which will die, now that we cannot share them, I feel as if we were dead too.
She danced the dance so well, so well indeed, so perfectly, that Anisya Fyodorovna, who handed her at once the kerchief she needed in the dance, had tears in her eyes, though she laughed as she watched that slender and graceful little countess, reared in silk and velvet, belonging to another world than hers, who was yet able to understand all that was in Anisya and her father and her mother and her aunt and every Russian soul.
It's funny, isn't it, what will make you break? Your lover moves to London and falls in love with a news reader for the BBC and you feel fine and then one day you raise your umbrella slightly to cross Fifty-seventh Street and stare into the Burberry shop and begin to sob. Or your baby dies at birth and five years later, in an antique store, a small battered silver rattle with teeth marks in one end engraved with the name Emily lies on a square of velvet, and the sobs escape from the genie's bottle somewhere deep in your gut where they've lain low until then. Or the garbage bag breaks.
Fear is an unavoidable element of the mortal condition. Creation in all its ravishing beauty, with its infinite baroque embellishments and subtle charms, with all the wonders that it offers from both the Maker and the made, with all its velvet mystery and with all the joy we receive from those we love here, so enchants us lack we lack the imagination, less than the faith, to envision an even more dazzling world beyond, and therefore even if we believe, we cling tenaciously to this existence, to sweet familiarity, fearful that all conceivable paradises will prove wanting by comparison.
..the power outage caused the stage manager to drop the curtain - much to the surprise of Ronnie Wood, who was standing directly underneath it at the time and was almost killed by about half a ton of falling velvet (because, let me tell you, in those days a curtain was a curtain.) It was while we were backstage, getting the power restored, that I noticed I had spent the entire opening number with my flies undone.
It was darker in the tower than any place Devnee had ever been. The dark had textures, some velvet, some satin. The dark shifted positions. The dark continued to breathe. The breath of the tower lifted her clothing like the flaps of a tent, and sounded in her ears like falling snow. It's the wind coming through the double shutters, Devnee told herself. But how could the wind come through? There were glass windows between the inside and outside shutters. Or were there? The windows weren't just holes in the wall, were they? What if there was no glass? What if things crawled through those open louvers, crept into the room, blew in with the cold that fingered her hair? What creatures of the night could slither through those slats? She had not realized how wonderful glass was, how it protected you and kept you inside. She knew something was out there.
To know nothing, or little, is in the nature of some husbands. To hide, in the nature of how many women? Oh, ladies! how many of you have surreptitious milliners' bills? How many of you have gowns and bracelets which you daren't show, or which you wear trembling?--trembling, and coaxing with smiles the husband by your side, who does not know the new velvet gown from the old one, or the new bracelet from last year's, or has any notion that the ragged-looking yellow lace scarf cost forty guineas and that Madame Bobinot is writing dunning letters every week for the money!
Now, I've another errand for you,' said my untiring master; "you mustaway to my room again. What a mercy you are shod with velvet, Jane!--aclod-hopping messenger would never do at this juncture. You must openthe middle drawer of my toilet-table and take out a little phial and alittle glass you will find there,--quick!"I flew thither and back, bringing the desired vessels.That's well! Now, doctor, I shall take the liberty of administering adose myself, on my own responsibility. I got this cordial at Rome, of anItalian charlatan--a fellow you would have kicked, Carter. It is not athing to be used indiscriminately, but it is good upon occasion: as now,for instance. Jane, a little water."He held out the tiny glass, and I half filled it from the water-bottle onthe washstand.That will do;--now wet the lip of the phial."I did so; he measured twelve drops of a crimson liquid, and presented itto Mason.Drink, Richard: it will give you the heart you lack, for an hour or so."But will it hurt me?--is it inflammatory?"Drink! drink! drink!"Mr. Mason obeyed, because it was evidently useless to resist. He wasdressed now: he still looked pale, but he was no longer gory and sullied.Mr. Rochester let him sit three minutes after he had swallowed theliquid; he then took his arm--Now I am sure you can get on your feet," he said--"try."The patient rose.Carter, take him under the other shoulder. Be of good cheer, Richard;step out--that's it!"I do feel better," remarked Mr. Mason.I am sure you do.
The night is always old. He'd walked too often down dark streets in the secret hours and felt the night stretching away, and known in his blood that while days and kings and empires come and g, the night is always the same age, always aeons deep. Terrors unfolded in the velvet shadows and while the nature of the talons may change, the nature of the beast does not.
i have had my ups and downsbut wotthehell wotthehellyesterday sceptres and crownsfried oysters and velvet gownsand today i herd with bumsbut wotthehell wotthehelli wake the world from sleepas i caper and sing and leapwhen i sing my wild free tunewotthehell wotthehellunder the blear eyed mooni am pelted with cast off shoonbut wotthehell wotthehell
a connotation of infinity sharpens the temporal splendor of this night when souls which have forgot frivolity in lowliness, noting the fatal flight of worlds whereto this earth’s a hurled dream down eager avenues of lifelessness consider for how much themselves shall gleam, in the poised radiance of perpetualness. When what’s in velvet beyond doomed thought is like a woman amorous to be known; and man, whose here is alway worse than naught, feels the tremendous yonder for his own— on such a night the sea through her blind miles of crumbling silence seriously smiles
Bree shot away like an arrow to the other side of the enclosure and there turned; the wall was too high for him to jump and he could fly no further. Aravis and Hwin both started back. There was about a second of intense silence. Then Hwin, though shaking all over, gave a strange little neigh, and trotted across to the Lion.'Please,' she said, 'you're so beautiful. You may eat me if you like. I'd sooner be eaten by you than fed by anyone else.''Dearest daughter,' said Aslan, planting a lion's kiss on her twitching, velvet nose, 'I knew you would not be long in coming to me. Joy shall be yours.
Diggory's Dyke was a deep cut between two chalk downs-high, green hills, where a thin layer of green grass and reddish earth covered the chalk, and there was scarcely soil enough for trees. The Dyke looked, from a distance, like a white chalk gash on a green velvet board. Local legend had it that the cut was dug, in a day and a night, by one Diggory, using a spade that had once been a sword blade before Wayland Smith had melted it down and beaten it out, on his journey into Faerie from the Wall. There was those who said the sword had once been Flamberge, and others, that it was one the sword Balmung; but there was none who claimed to know just who Diggory had been, and it might all have been stuff and nonsense. Anyway, the path to Wall went through Diggory's Dyke, and any foot-traveler or any person going by any manner of wheeled vehicle went through the Dyke, where the chalk rose on either side of you like thick white walls, and the Downs rose up above them like green pillows of a giant's bed.
She said, “I’m going to have you fired.” I had two people say that to me today, “I’m going to have you fired.” Go ahead, be my guest. I’m wearing a green velvet costume; it doesn’t get any worse than this. Who do these people think they are? I’m going to have you fired!” and I wanted to lean over and say, “I’m going to have you killed.
A lord’s one thing, a king’s another.” He offered the raven a handful of corn from his pocket. “They will garb your brother Robb in silks, satins, and velvets of a hundred different colors, while you live and die in black ringmail. He will wed some beautiful princess and father sons on her. You’ll have no wife, nor will you ever hold a child of your own blood in your arms. Robb will rule, you will serve. Men will call you a crow. Him they’ll call Your Grace. Singers will praise every little thing he does, while your greatest deeds all go unsung. Tell me that none of this troubles you, Jon . . . and I’ll name you a liar, and know I have the truth of it.” Jon drew himself up, taut as a bowstring. “And if it did trouble me, what might I do, bastard as I am?” “What will you do?” Mormont asked. “Bastard as you are?” “Be troubled,” said Jon, “and keep my vows.
... the twin concepts of nihilism and the antihero have had it. What began with The Wild One and James "nobody understands me" Dean, ran with increasing vehement negativism up through the Stones and Velvets and Iggy ... [I]t may be time, in spite of all indications to the contrary from the exterior society, to begin thinking in terms of heroes again, of love instead of hate, of energy instead of violence, of strength instead of cruelty, of action instead of reaction.
There was no moon at all, and a faint silver peppering of starts fardly showed through the scrim of high clouds. The sea itself seemed to give off light, a spectral, colorless light that was more like the sea's breath. The night was soft and thick and black and warm as velvet, silky on my skin, smelling of iodine and salt and crepe myrtle and that ineffable, skin-prickling saline emanation that says 'ocean' to me whenever I smell it, hundreds of miles inland. It always moves me close to tears, so visceral, so old and tidal is its pull. I have often thought that it is the first smell we know, the amniotic smell of our first, secret sea.