Wandering Quotes (displaying: 1 - 30 of 577 quotes )
Wanderer: You don't really feel that way about me you know. It's this body... she's pretty isn't she?Ian: She is. Melanie is a very pretty girl. Even beautiful. But pretty as she is, she is a stranger to me. She's not the one I... care about.Wanderer: It's this body.Ian: That's not true at all. It's not the face, but the expressions on it. It's not the voice, but what they say. It's not how you look like in that body, it's what you do with it. You are beautiful.
Wanderer, who are you? I watch you go on your way, without scorn, without love, with impenetrable eyes - damp and downhearted, like a plumb line that returns unsatisfied from every depth back into the light (what was it looking for down there?), with a breast that does not sigh, with lips that hide their disgust, with a hand that only grips slowly: who are you? What have you done? Take a rest here, this spot is hospitable to everyone, - relax! And whoever you may be: what would you like now? What do you find relaxing? Just name it: I'll give you whatever I have! - "Relaxing? Relaxing? How inquisitive you are! What are you saying! But please, give me - -" What? What? Just say it! - "Another mask! A second mask!" ...
Wandering across the vast room, I stopped at a set of shelves as high as the ceiling, and holding about six hundred volumes - all classics on the history of Soalris, starting with the nine volumes of Giese's monumental and already relatively obsolescent monograph. Display for its own sake was improbable in these surroundings. The collection was a respective tribute to the memory of the pioneers. I took down the massive volumes of Giese and sat leafing through them. Rheya had also located som reading matter. Looking over her shoulder, I saw that she had picked one of the many books brought out by the first expedition, the Interplanetary Cookery Book, which could have been the personal property of Giese himself. She was pouring over the recipes adapted to the arduous conditions of interstellar flight. I said nothing, and returned to the book resting on my knees. Solaris - Ten Years of Exploration had appeared as volumes 4-12 of the Solariana collection whose most recent additions were numbered in the thousands.
I'm an educated man: the prisons I know are subtle ones. And of course poetry and prison have always been neighbors. And yet it's melancholia that's the source of my attraction. Am I in the seventh dream or have I truly heard the cocks crow at the other end of the feria? It might be one thing or it might be another. But cocks crow at dawn, and it's noon now, according to my watch. I wander through the feria and greet my colleagues who are wandering as dreamily as I am. Dreamily dreamily = a prison in literary heaven. Wandering.
The modern world is not evil; in some ways the modern world is far too good. It is full of wild and wasted virtues. When a religious scheme is shattered...it is not merely the vices that are let loose. The vices are, indeed, let loose, and they wander and do damage. But the virtues are let loose also; and the virtues wander more wildly, and the virtues do more terrible damage. The modern world is full of the old Christian virtues gone mad. The virtues have gone mad because they have been isolated from each other and are wandering alone. Thus some scientists care for truth; and their truth is pitiless. Thus some humanitarians only care for pity; and their pity (I am sorry to say) is often untruthful.
That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.
He who has attained the freedom of reason to any extent cannot, for a long time, regard himself otherwise than as a wanderer on the face of the earth - and not even as a traveler towards a final goal, for there is no such thing. But he certainly wants to observe and keep his eyes open to whatever actually happens in the world; therefore he cannot attach his heart too firmly to anything individual; he must have in himself something wandering that takes pleasure in change and transitoriness.
This inner peace of mind occurs on three levels of understanding. Physical quietness seems the easiest to achieve, although there are levels and levels of this too, as attested by the ability of Hindu mystics to live buried alive for many days. Mental quietness, in which one has no wandering thoughts at all, seems more difficult, but can be achieved. But value quietness, in which one has no wandering desires at all but simply performs the acts of his life without desire, that seems the hardest.
for no matter how lost and soiled and worn-out wandering sons may be, mothers can forgive and forget every thing as they fold them into their fostering arms. Happy the son whose faith in his mother remains unchanged, and who, through all his wanderings, has kept some filial token to repay her brave and tender love.
PUCK How now, spirit! whither wander you? FAIRY Over hill, over dale, Through bush, through brier, Over park, over pale, Through flood, through fire, I do wander everywhere, Swifter than the moon's sphere; And I serve the fairy queen, To dew her orbs upon the green. The cowslips tall her pensioners be: In their gold coats spots you see; Those be rubies, fairy favours, In those freckles live their savours: I must go seek some dewdrops here And hang a pearl in every cowslip's ear. Farewell, thou lob of spirits; I'll be gone: Our queen and all our elves come here anon.
Nowhere can I think so happily as in a train. I am not inspired; nothing so uncomfortable as that. I am never seized with a sudden idea for a masterpiece, nor form a sudden plan for some new enterprise. My thoughts are just pleasantly reflective. I think of all the good deeds I have done, and (when these give out) of all the good deeds I am going to do. I look out of the window and say lazily to myself, “How jolly to live there”; and a little farther on, “How jolly not to live there.” I see a cow, and I wonder what it is like to be a cow, and I wonder whether the cow wonders what it is to be like me; and perhaps, by this time, we have passed on to a sheep, and I wonder if it is more fun being a sheep. My mind wanders on in a way which would annoy Pelman a good deal, but it wanders on quite happily, and the “clankety-clank” of the train adds a very soothing accompaniment. So soothing, indeed, that at any moment I can close my eyes and pass into a pleasant state of sleep.
The leaves were long, the grass was green,The hemlock-umbels tall and fair,And in the glade a light was seenOf stars in shadow shimmering.Tinuviel was dancing thereTo music of a pipe unseen,And light of stars was in her hair,And in her raiment glimmering.There Beren came from mountains cold,And lost he wandered under leaves,And where the Elven-river rolled.He walked along and sorrowing.He peered between the hemlock-leavesAnd saw in wonder flowers of goldUpon her mantle and her sleeves,And her hair like shadow following.Enchantment healed his weary feetThat over hills were doomed to roam;And forth he hastened, strong and fleet,And grasped at moonbeams glistening.Through woven woods in ElvenhomeShe lightly fled on dancing feet,And left him lonely still to roamIn the silent forest listening.He heard there oft the flying soundOf feet as light as linden-leaves,Or music welling underground,In hidden hollows quavering.Now withered lay the hemlock-sheaves,And one by one with sighing soundWhispering fell the beechen leavesIn the wintry woodland wavering.He sought her ever, wandering farWhere leaves of years were thickly strewn,By light of moon and ray of starIn frosty heavens shivering.Her mantle glinted in the moon,As on a hill-top high and farShe danced, and at her feet was strewnA mist of silver quivering.When winter passed, she came again,And her song released the sudden spring,Like rising lark, and falling rain,And melting water bubbling.He saw the elven-flowers springAbout her feet, and healed againHe longed by her to dance and singUpon the grass untroubling.Again she fled, but swift he came.Tinuviel! Tinuviel!He called her by her elvish name;And there she halted listening.One moment stood she, and a spellHis voice laid on her: Beren came,And doom fell on TinuvielThat in his arms lay glistening.As Beren looked into her eyesWithin the shadows of her hair,The trembling starlight of the skiesHe saw there mirrored shimmering.Tinuviel the elven-fair,Immortal maiden elven-wise,About him cast her shadowy hairAnd arms like silver glimmering.Long was the way that fate them bore,O'er stony mountains cold and grey,Through halls of iron and darkling door,And woods of nightshade morrowless.The Sundering Seas between them lay,And yet at last they met once more,And long ago they passed awayIn the forest singing sorrowless.
In the beautiful words of Staton Kirkham Davis, 'You may be keeping accounts, and presently you shall walk out of the door that for so long has seemed to you the barrier of your ideals, and shall find yourself before an audience? the pen still behind your ear, the ink-stains on you fingers? and then and there shall pour out the torrent of your inspiration. You may be driving sheep, and you shall wander to the city? bucolic and open-mouthed; shall wander under the intrepid guidance of a spirit into the studio of the master, and after a time he shall say, 'I have nothing more to teach you.' And now you have become the master, who did so recently dream of great things while driving sheep. You shall lay down the saw and the plane to take upon yourself the regeneration of the world.
persistent, flowing through fallen shadows, excavating tunnels, drilling silences, insisting, running under my pillow, brushing past my temples, covering my eyelids with another, intangible skin made of air, its wandering nations, its drowsy tribes migrate through the provinces of my body, it crosses, re-crosses under the bridges of my bones, slips into my left ear, spills out from my right, climbs the nape of my neck, turns and turns in my skull, wanders across the terrace of my forehead, conjures visions, scatters them, erases my thoughts one by one with hands of unwetting water, it evaporates them, black surge, tide of pulse-beats, murmur of water groping forward repeating the same meaningless syllable, I hear its sleepwalking delirium losing itself in serpentine galleries of echoes, it comes back, drifts off, comes back, endlessly flings itself off the edges of my cliffs, and I don’t stop falling and I fall