Somewhere along the line Coltrane's soprano sax runs out of steam. Now it's McCoy Tyner's piano solo I hear, the left hand carving out a repetitious rhythm and the right layering on thick, forbidding chords. Like some mythic scene, the music portrays somebody's - a nameless, faceless somebody's - dim past, all the details laid out as clearly as entrails being dragged out of the darkness. Or at least that's how it sounds to me. The patient, repeating music ever so slowly breaks apart the real, rearranging the pieces. It has a hypnotic, menacing smell, just like the forest.
Haruki MurakamiAbout author
- Author's profession: Writer
- Nationality: japanese
- Born: January 12, 1949
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There was a peculiar fascination for Dorothea in this division of property intended for herself, and always regarded by her as excessive. She was blind, you see, to many things obvious to others - likely to tread in the wrong places, as Celia had warned her; yet her blindness to whatever did not lie in her own pure purpose carried her safely by the side of precipices where vision would have been perilous with fear.
George Eliot
