I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular?
Michael NymanAbout author
- Author's profession: Composer
- Nationality: british
- Born: March 23, 1944
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