Quotes By Pete Townshend
Pete Townshend Quotes
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What theatre started to look at much earlier than any other form was the internal operations of ordinary people, sometimes using mythic models in order to tell the story.
Life's a bitch and so am I.
Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes.
But what was interesting about what the Who did is that we took things which were happening in the pop genre and represent them to people so that they see them in a new way. I think the best example is Andy Warhol's work, the image of Marilyn Monroe or the Campbell's soup can.
Backstage, I get sleepy, and want to curl up and snooze. I never get nervous, whatever the event. I feel quite detached until I walk on stage, and then some gear inside me clicks and off I go like a wind up doll.
He is the king. If it hadn't been for Link Wray and 'Rumble,' I would have never picked up a guitar.
Announcer - "And where are you from Pete?"Pete Townshend - "London, I'm from London."Announcer - "London where, exactly?"Pete - "London, England
If you don't want anyone to know anything about you, don't write anything.
It's sad when people break up.
Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could write about political and quite controversial subjects. Certainly what we did followed on from what was happening with the angry young men in the theatre.
What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.
What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say.
The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
I think I probably would have enjoyed to keep my own private pain out of my work. But I was changed by my audience who said your private pain which you have unwittingly shown us in your early songs is also ours.
When I grew up, what was interesting for me was that music was color and life was gray. So music for me has always been more than entertainment.
I know how it feels to be a woman because I am a woman. And I won't be classified as just a man.
Do you realize why is it I'm so driven to operate within the Establishment? It's vengeance. 'Hope I die before I get old' is something I still have to live with, but not for the reason many people think. I have to be very, very vigilant not to become one of those people I despised.
Everything that I had done creatively related to two or three incidents that happened to me when I was a child that I'd forgotten. Everything, absolutely everything.
It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance.
I'm only interested in rites of passage stories.
I just could not believe that 30 years later we're still looking at people who are supposed to write little 2-minute pop that when they actually try to do something that's a little bit more they regard it as pretentious.
I don't really know any other musicians like me. I grew up backstage with my dad who played in a post-war dance band, so I always feel at home at a venue.
I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
Can't pretend that growin' older never hurts.
Most of my songs are about Jesus. Most of my songs are about the idea that there is salvation, and that there is a Savior. But I won't mention his name in a song just to get a cheap play.
Keith Moon, God rest his soul, once drove his car through the glass doors of a hotel, driving all the way up to the reception desk, got out and asked for the key to his room.
I have terrible hearing trouble. I have unwittingly helped to invent and refine a type of music that makes its principal proponents deaf.
Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
It's an ordinary day for Brian. Like, he died every day, you know.
I have to say that anger is the blanket that comes around me, and that blunts and blurs my sense of proportion.
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Aiden Wilson Tozer
E. B. White
Robert H. Austin
Lara Flynn Boyle
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