Back Quotes (page 86)
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Everyone will have gone then except us, because we're tied to this soil by a roomful of trunks where the household goods and clothing of grandparents are kept, and the canopies that my parenrs' horses used when they came to Macondo, fleeing from the war. We've been sown into this soil by the memory of the remote dead whose bones can no longer be found twenty fathoms under the earth. The trunks have been in the room ever since the last days of the war; and they'll be there this afternoon when...
Gabriel Garcia Marquez
You’d better tell me what you know, toad,” said Tiffany. “Miss Tick isn’t here. I am.”
“Another world is colliding with this one,” said the toad. “There. Happy now? That’s what Miss Tick thinks. But it’s happening faster than she expected. All the monsters are coming back.”
“Why?”
“There’s no one to stop them.”
There was silence for a moment.
“There’s me,” said Tiffany.
Terry Prachett
Contemporary fantasists all bow politely to Lord Tennyson and Papa Tolkien, then step around them to go back to the original texts for inspiration--and there are a lot of those texts. We have King Arthur and his gang in English; we've got Siegfried and Brunhild in German; Charlemagne and Roland in French; El Cid in Spanish; Sigurd the Volsung in Icelandic; and assorted 'myghtiest Knights on lyfe' in a half-dozen other cultures. Without shame, we pillage medieval romance for all we're worth.
David Eddings
Why travel to the Moon or Mars if we only continue our wars there with Russia or China or Africa? Why build rockets at all? For fun? For adventure? Or is this the same process that sends the salmons back upstream year after year to spawn and die - a subliminal urge in mankind to spread, in self-preservation, to the stars? Are we then secretly fearful that one day the sun might freeze and the the earth grow cold or the sun explode in a terrific thermal cataclysm and burn down our house of cards?
Ray Bradbury
Night falls; the traveler must pass down village streets, between thehouses with yellow- lit windows, and on out into the darkness of thefields. Each alone, they go west or north, towards the mountains. Theygo on. They leave Omelas, they walk ahead into the darkness, and theydo not come back. The place they go towards is a place even lessimaginable to most of us than the city of happiness. I cannot describeit at all. It is possible that it does not exist. But they seem toknow where they are...
Ursula K. Le Guin
