Being Hated Quotes (page 20)
In every bit of honest writing in the world, there is a base theme. Try to understand men, if you understand each other you will be kind to each other. KNOWING A MAN WELL NEVER LEADS TO HATE and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. TRY TO UNDERSTAND EACH OTHER!
John Steinbeck
Daniel was very like a child in all the parts of his character. He was strongly affected by whatever was present, and apt to forget the absent. He acted on impulse, and too often had reason to be sorry for it; but he hated his sorrow too much to let it teach him wisdom for the future.
Elizabeth Gaskell
Mr. Schultz, you're jealous of whispering Glades."And why wouldn't I be seeing all that dough going on relations they've hated all their lives, while the pets who've loved them and stood by them , never asked no questions, never complained, rich or poor, sickness or health, get buried anyhow like animals?
Evelyn Waugh
... Sula was wrong. Hell ain't things lasting forever. Hell is change." Not only did men leave and children grow up and die, but even the misery didn't last. One day she wouldn't even have that. This very grief that had twisted her into a curve on the floor and flayed her would be gone. She would lose that too. Why, even in hate here I am thinking of what Sula said.
Toni Morrison
We are so utterly ordinary, so commonplace, while we profess to know a Power the Twentieth Century does not reckon with. But we are "harmless," and therefore unharmed. We are spiritual pacifists, non-militants, conscientious objectors in this battle-to-the-death with principalities and powers in high places. Meekness must be had for contact with men, but brass, outspoken boldness is required to take part in the comradeship of the Cross. We are "sideliners" -- coaching and criticizing the real...
Jim Elliot
The color of one's creed, neckties, eyes, thoughts, manners, speech, is sure to meet somewhere in time of space with a fatal objection from a mob that hates that particular tone. And the more brilliant, the more unusual the man, the nearer he is to the stake. Stranger always rhymes with danger. The meek prophet, the enchanter in his cave, the indignant artist, the nonconforming little schoolboy, all share in the same sacred danger. And this being so, let us bless them, let us bless the freak;...
Vladimir Nabokov