Blacks Quotes (page 36)
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The pebbled glass door panel is lettered in flaked black paint: "Philip Marlowe...Investigations." It is a reasonably shabby door at the end of a reasonably shabby corridor in the sort of building that was new about the year the all-tile bathroom became the basis of civilization. The door is locked, but next to it is another door with same legend which is not locked. Come on in--there's nobody here but me an a big bluebottle fly. But not if you're from Manhattan, Kansas.
Raymond Chandler
None of us should be ashamed to speak of our class power or lack of it. Overcoming fear, even the fear of being immodest, and acting courageously to bring issues of class- especially radical standpoints – into the discourse of blackness is a gesture of militant defiance, one that runs counter to bourgeois insistence that we think of “money” in particular and class in general as private matters.
Bell Hooks
Whether they are able to enact it as lived practice or not, many white folks active in anti-racist struggle today are able to acknowledge that all whites (as well as everyone else within white supremacist culture) have learned to overvalue “whiteness” even as they simultaneously learn to devalue blackness.
Bell Hooks
Lying under such a myriad of stars. The sea’s black horizon. He rose and walked out and stood barefoot in the sand and watched the pale surf appear all down the shore and roll and crash and darken again. When he went back to the fire he knelt and smoothed her hair as she slept and he said if he were God he would have made the world just so and no different.
Cormac McCarthy
And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the...
Alfred Noyes
The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the...
E. B. White
Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life" -- he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit.
George Saunders
