Composites Quotes (page 3)
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Storytelling awakens us to that which is real. Honest. . . . it transcends the individual. . . . Those things that are most personal are most general, and are, in turn, most trusted. Stories bind. . . . They are basic to who we are. A story composite personality which grows out of its community. It maintains a stability within that community, providing common knowledge as to how things are, how things should be -- knowledge based on experience. These stories become the conscience of the...
Terry Tempest Williams
They [human lives] are composed like music. Guided by his sense of beauty, an individual transforms a fortuitious occurrence (Beethoven’s music, death under a train) into a motif, which then assumes a permanent place in the composition of the individual’s life. Anna could have chosen another way to take her life. But the motif of death and the railway station, unfortettably bound to the birth of love, enticed her in her hour of despair with its dark beauty. Without realizing it, the...
Milan Kundera
The same chemicals were used in the cooking as were used on the composition of her own being: only those which caused the most violent reaction, contradiction, and teasing, the refusal to answer questions but the love of putting them, and all the strong spices of human relationship which bore a relation to black pepper, paprika, soybean sauce, ketchup and red peppers.
Anais Nin
A knave; a rascal; an eater of broken meats; abase, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; alily-livered, action-taking knave, a whoreson, glass-gazing, super-serviceable finical rogue; one-trunk-inheriting slave; one that wouldst be abawd, in way of good service, and art nothing butthe composition of a knave, beggar, coward, pandar, and the son and heir of a mongrel bitch: one whom Iwill beat into clamorous whining, if thou deniestthe least...
William Shakespeare
Now observe; if the artist does not understand the sacredness of the truth of Impression, and supposes that, once quitting hold of his first thought, he may by Philosophy compose something prettier than he saw and mightier than he felt, it is all over with him. Every such attempt at composition will be utterly abortive, and end in something that is neither true nor fanciful; something geographically useless, and intellectually absurd.
John Ruskin
Johnson, who defines poetry as 'metrical composition', defines poet as 'An inventor; an author of fiction; a writer of poems; one who writes in measure'. We can gauge how far we have traveled by comparing this with the Shorter Oxford Dictionary which, after a definition very like Johnson's, feels obligated to add 'A writer in verse (or sometimes in elevated prose) distinguished by imaginative power, insight, sensibility, and faculty of expression'.
C. S. Lewis
That image - of a little child being suffocated, or almost suffocated, by others who thought the whole thing was a game - melded with the furtive nocturnal slugs, and my solitary pacing and singing, and the separate, claustrophobic stairway, and the charmless abstract painting, and the gold-framed mirror, and the slithery green satin bedspread, and became inseperable from them. It wasn't a cheerful composite. As a memory, it is more like a fog bank than a sunlit meadow. Yet I think of that...
Margaret Atwood
