Dinner Quotes (displaying: 1 - 30 of 621 quotes )
Thanksgiving dinner's sad and thankless. Christmas dinner's dark and blue. When you stop and try to see it From the turkey's point of view. Sunday dinner isn't sunny. Easter feasts are just bad luck. When you see it from the viewpoint of a chicken or a duck. Oh how I once loved tuna salad Pork and lobsters, lamb chops too Till I stopped and looked at dinner From the dinner's point of view.
Let us consider letters - how they come at breakfast, and at night, with their yellow stamps and their green stamps, immortalized by the postmark - for to see one's own envelope on another's table is to realize how soon deeds sever and become alien. Then at last the power of the mind to quit the body is manifest, and perhaps we fear or hate or wish annihilated this phantom of ourselves, lying on the table. Still, there are letters that merely say how dinner's at seven; others ordering coal; making appointments. The hand in them is scarcely perceptible, let alone the voice or the scowl. Ah, but when the post knocks and the letter comes always the miracle seems repeated - speech attempted. Venerable are letters, infinitely brave, forlorn, and lost.
A rowboat, without oars. An outboard motor. As you can sit there for years, forever, with that outboard motor, pulling again, and yet again, that rope, or cord, or wire, or whatever it is, and winding yet again, and each time, every single time, the motor, though it may give a cough or two, will fail to start, though if it starts, and when it starts, you are, at whatever speed you choose, within the engine's limits and the hazards of the course, well on your way, until it starts you are no nearer where you were going on the fifteenth try than on the first; the enterprise may last forever, and never yet quite begin. The fact seems to be, however, that unless some apparently unrelated event should intervene -- a bullet, a heart attack, a cry from shore that dinner's ready, or company has come, or junior's run away -- the engine will eventually start. In the meantime, though, while you have been intensely busy, it is difficult to account for how the time is spent.
He lay back for a little in his bed thinking about the smells of foo? of the intoxicating breath of bakeries and dullness of bun? He planned dinners, of enchanting aromatic food? endless dinners, in which one could alternate flavor with flavor from sunset to dawn without satiety, while one breathed great draughts of the bouquet of brandy.
I am sorry for him; I couldn't beangry with him if I tried. Who suffers by his ill whims? Himself always. Here he takes it into his head to dislike us, and he won't come and dinewith us. What's the consequence? He don't lose much of a dinner."Indeed, I think he loses a very good dinner," interrupted Scrooge'sniece. Everybody else said the same, and they must be allowed to havebeen competent judges, because they had just had dinner; and, with thedessert upon the table, were clustered round the fire, by lamp-light.
Against my will, I am sent to bid you come into dinner. Fair Beatrice, thank you for your pains. Beatrice: I took no more pains for those thanks than you take pains to thank me. If it had been painful, I would not have come. Benedick: You take pleasure then in the message? Beatrice: Yea, just so much as you may take upon a knife's point. You have no stomach, signor? Fare you well. Benedick: Ha! "Against my will I am sent to bid you come into dinner." There's a double meaning in that.
It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and its perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
Uncle Vernon rounded on Harry. “And you?” “I’ll be in my bedroom, making no noise and pretending I’m not there,” said Harry tonelessly. “Exactly,” said Uncle Vernon nastily. At eight-fifteen—” “I’ll announce dinner,” said Aunt Petunia. “And, Dudley, you’ll say —” “May I take you through to the dining room, Mrs. Mason?” said Dudley. “And you?” said Uncle Vernon viciously to Harry. “I’ll be in my room, making no noise and pretending I’m not there,” said Harry dully. “Precisely. Now, we should aim to get in a few good compliments at dinner. “How about — ‘We had to write an essay about our hero at school, Mr. Mason, and I wrote about you.’” This was too much for both Aunt Petunia and Harry. Aunt Petunia burst into tears while Harry ducked under the table so they wouldn’t see him laughing. “And you, boy?” Harry fought to keep his face straight as he emerged. “I’ll be in my room, making no noise and pretending I’m not there,” he said.
There was nothing like an extra helping of guilt to cool a man's blood. And it was guilt as much as the hot food and the glass of good wine that got Brian through the evening in the Grant kitchen. The size of it left little room for lust, considering. There was Adelia Grant giving him a warm greeting as if he was welcome to swing in for dinner anytime he had the whim, and Travis getting out an extra plate himself-as if he waited on employees five days a week-and saying that there was plenty to go around as Brendon had other plans for dinner. Before he knew it, he was sitting down, having food heaped in front of him and being asked how his day had been. And not in a way that expected a report. He didn't know what to do about it. He liked these people, genuinely liked them. And there he was lusting after their daughter. An alley mutt after a registered purebred.
You need a place just a click over middle range. Don’t want to go all-out first time, but you don’t want to run on the cheap either. You want atmosphere, but not stuffy. A nice established place.” “Bob, you’re going to give me an ulcer.” “This is all ammunition, Cart. All ammo. You want to be able to order a nice bottle of wine. Oh, and after dinner, if she says how she doesn’t want dessert, you suggest she pick one and you’ll split it. Women love that. Sharing dessert’s sexy. Do not go on and on about your job over dinner. Certain death. Get her to talk about hers, and what she likes to do. Then—” “Should I be writing this down?
Why don't you ask me up for a drink?"A drink? There's not much of a variety, but you're welcome."It's nice to be asked occasionally." Before he could tuck his hand safely in his pocket, she took it, threaded their fingers together. "You have free time now and again yourself," she said easily. "I wonder if you've heard of the concept of dates. Dinner, movies, drives?"I've some experience with them," He glanced at his pickup as they turned his quarters. "It you've a yen for a drive, you can climb up into the lorry, but I'd need to shovel it out first."She huffed out a breath. "That, Donnelly, wasn't the most romantic of invitations."Secondhand lorries aren't particularly romantic, and I've forgotten where I parked my glass coach."If that's another princess crack-" She broke off, set her teeth. Patience, she reminded herself. She wasn't going to spoil things with an argument. "Never mind. We'll forget the drive." She opened the door herself. "And move straight to dinner.
The first fact of the world is that it repeats itself. I had been taught to believe that the freshness of children lay in their capacity for wonder at the vividness and strangeness of the particular, but what is fresh in them is that they still experience the power of repetition, from which our first sense of the power of mastery comes. Though predictable is an ugly little world in daily life, in our first experience of it we are clued to the hope of a shapeliness in things. To see that power working on adults, you have to catch them out: the look of foolish happiness on the faces of people who have just sat down to dinner is their knowledge that dinner will be served. Probably, that is the psychological basis for the power and the necessity of artistic form...Maybe our first experience of form is the experience of our own formation...And I am not thinking mainly of poems about form; ?m thinking of the form of a poem, the shape of its understanding. The presence of that shaping constitutes the presence of poetry.