Duel Quotes (displaying: 1 - 30 of 35 quotes )
The difference between listening and pretending to listen, I discovered, is enormous. One is fluid, the other is rigid. One is alive, the other is stuffed. Eventually, I found a radical way of thinking about listening. Real listening is a willingness to let the other person change you. When I’m willing to let them change me, something happens between us that’s more interesting than a pair of dueling monologues.
I wondered if that's what aging felt like. That desire and reality were dueling until the day you die, that nobody every got to a place of peace. I had always wanted to get old so I didn't have to care anymore, but I began to think that it would be best just to skip the getting older part and just die.
He would shoot his adversary in a duel, and go against a bear if need be, and fight off a robber in the forest--all as successfully and fearlessly as L---n, yet without any sense of enjoyment, but solely out of unpleasant necessity, listlessly, lazily, even with boredom. Anger, of course, constituted a progress over L---n, even over Lermontov. There was perhaps more anger in Nikolai Vsevolodovich than in those two together, but this anger was cold, calm, and if one may put it so, reasonable, and therefore the most repulsive and terrible that can be.
It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.
I could have done even better, miss, and I'd know a lot more, if it wasn't for my destiny ever since childhood. I'd have killed a man in a duel with a pistol for calling me low-born, because I came from Stinking Lizaveta without a father, and they were shoving that in my face in Moscow. It spread there thanks to Grigory Vasilievich. Grigory Vasilievich reproaches me for rebelling against my nativity: 'You opened her matrix,' he says. I don't know about her matrix, but I'd have let them kill me in the womb, so as not to come out into the world at all, miss.
Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's there
I would like to tell about war and friendship among the various parts of the body, the arms that do battle with the feet, and the veins that make love with the arteries, or the bones with the marrow. All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.' Then I realize that an equally beautiful story can be told, inventing an original duel, for example, a man fighting and convincing his adversary to deny God, then running him through so that he dies damned....
The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.
I cannot think of those years without horror, loathing and heartache. I killed men in war and challenged men to duels in order to kill them. I lost at cards, consumed the labour of the peasants, sentenced them to punishments, lived loosely, and deceived people. Lying, robbery, adultery of all kinds, drunkenness, violence, murder--there was no crime I did not commit, and in spite of that people praised my conduct and my contemporaries considered and consider me to be a comparatively moral man. So I lived for ten years. During that time I began to write from vanity, covetousness, and pride. In my writings I did the same as in my life. to get fame and money, for the sake of which I wrote, it was necessary to hide the good and to display the evil. and I did so. How often in my writings I contrived to hide under the guise of indifference, or even of banter, those strivings of mine towards goodness which gave meaning to my life! And I succeeded in this and was praised.
But people only die in proper duels, you know, with real wizards. The most you and Malfoy’ll be able to do is send sparks at each other. Neither of you knows enough magic to do any real damage. I bet he expected you to refuse, anyway.” “And what if I wave my wand and nothing happens?” “Throw it away and punch him on the nose,” Ron suggested.
That's why he was here, to surrender himself to longing, to listen to his host recite the anecdotal texts, all the passed-down stories of bonehead plays and swirling brawls, the pitching duels that carried into twilight, stories that Marvin had been collecting for half a century--the deep eros of memory that separates baseball from other sports.
When he was gone, they were certain at least of receiving constant information of what was going on, and their uncle promised, at parting, to prevail on Mr. Bennet to return to Longbourn, as soon as he could, to the great consolation of his sister, who considered it as the only security for her husband's not being killed in a duel.
But Roberto already knew what the Jesuit's real objection would be. Like that of the abbe on that evening of the duel when Saint-Savin provoked him: If there are infinite worlds, the Redemption can no longer have any meaning, and we are obliged either to imagine infinite Calvaries or to look on our terrestrial flowerbed as a priveleged spot of the Cosmos, on which God permitted His Son to descend and free us from sin, while the other worlds were not granted this grace--to the discredit of His infinite goodness.