Exhibition Quotes (page 3)
But the more shrewdly and earnestly we study the histories of men, the less ready shall we be to make use of the word ‘artificial.’ Nothing in the world has ever been artificial. Many customs, many dresses, many works of art are branded with artificiality because the exhibit vanity and self-consciousness: as if vanity were not a deep and elemental thing, like love and hate and the fear of death. Vanity may be found in darkling deserts, in the hermit and in the wild beasts that crawl around...
Gilbert K. Chesterton
Men flocked to see it and ascended it as it was a novelty and of unique dimensions. It was the toy of the exhibition. So long as we are children we are attracted by toys, and the tower was a good demonstration of the fact that we are all children attracted by trinkets. That may be claimed to be the purpose served by the Eiffel Tower.
Mahatma Gandhi
Trying to exhaust himself, Vaughan devised an endless almanac of terrifying wounds and insane collisions: The lungs of elderly men punctured by door-handles; the chests of young women impaled on steering-columns; the cheek of handsome youths torn on the chromium latches of quarter-lights. To Vaughan, these wounds formed the key to a new sexuality, born from a perverse technology. The images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse.
J. G. Ballard
Last month I was banging on about how books were better than anything—-how just about any decent book you picked would beat up anything else, any film or painting or piece of music, you cared to match it up with. Anyway, like most theories advanced in this column, it turned out to be utter rubbish. I went to a couple of terrific exhibitions at the Royal Academy (and that’s a hole in my argument right there—one book might beat up one painting, but what chance has one book, or even four books,...
Nick Hornby
Perhaps you think you see a certain contradiction here? In that case, a word in your ear. Study your wife closely, for the next four-and-twenty hours. If your good lady doesn't exhibit something in the shape of a contradiction in that time, Heaven help you!--you have married a monster.
Wilkie Collins
Hazel used his trick. "They got no starfish there?"They got no ocean there" said Doc."Oh!" said Hazel and he cast frantically about for a peg to hang a new question on. He hated to have a conversation die out like this. He wasn't quick enough. While he was looking for a question Doc asked one. Hazel hated that, it meant casting about in his mind for an answer and casting about in Hazel's mind was like wandering alone in a deserted museum. Hazel's mind was choked with uncataloged exhibits. ...
John Steinbeck
Less than a decade after the Great Exhibition, iron as a structural material was finished—which makes it slightly odd that the most iconic structure of the entire century, about to rise over Paris, was made of that doomed material. I refer of course to the soaring wonder of the age known as the Eiffel Tower. Never in history has a structure been more technologically advanced, materially obsolescent, and gloriously pointless all at the same time.
Bill Bryson
Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of...
Diana Wynne Jones
True virtue never appears so lovely as when it is most oppressed; and the divine excellency of real Christianity is never exhibited with such advantage as when under the greatest trials; then it is that true faith appears much more precious than gold, and upon this account is "found to praise and honour and glory.
Jonathan Edwards