Experimenting Quotes (page 121)
I would simply ask why so many critics, so many writers, so many philosophers take such satisfaction in professing that the experience of a work of art is ineffable, that it escapes by definition all rational understanding; why are they so eager to concede without a struggle the defeat of knowledge; and where does their irrepressible need to belittle rational understanding come from, this rage to affirm the irreducibility of the work of art, or, to use a more suitable word, its transcendence.
Pierre Bourdieu
The nocturnal glory of being great without beinganything! The sombre majesty of splendours no oneknow? And I suddenly experience the sublime feelingof a monk in the wilderness or of a hermit in his retreat,acquainted with the substance of Christ in the sands andin the caves of withdrawal from the world.
Fernando Pessoa
What's a „culture“? Look it up. „A group of micro-organisms grown in a nutrient substance under controlled conditions“. A squirm of germs on a glass slide is all, a laboratory experiment calling itself a society. Most of us wrigglers make do with life on the slide; we even agree to feel proud of that „culture“. Like slaves voting for slavery or brains for lobotomy, we kneel down before the god of all moronic micro-organisms and pray to be homogenized or killed or engineered; we promise to obey.
Salman Rushdie
When we approach the Upanishads for an understanding of the Cosmic Mystery, we are coming to the very heart of the Hindu experience of God. This is what we want to try to understand, not with our minds, but with our hearts: to enter into the heart and continually remind ourselves that the Upanishads are intended to lead us to the heart. The Greek fathers of the Church used to say, "Lead the thoughts from the head into the heart and keep them there." This is to open to the Cosmic Mystery.
Bede Griffiths
At the apex of Prince's career, I listened almost exclusively to metal. My sister actually purchased 'Purple Rain' on cassette, which I write about in my anthology ["Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas"]. And I felt ashamed that I liked Prince so much. A typical rock fan would be embarrassed that they liked Warrant or Ratt at the time, but I had the exact opposite experience. And I had this overwhelming fear that Prince was actually a better guitar player than...
Chuck Klosterman
In the most basic terms it was about how when we experience art without critical awareness we consent to the ideas being promoted, either intentionally or unintentionally, by the filmmaker. For instance, if you watch a racist comedian and laugh at his jokes, you are consenting to the prejudices inherent within them. Similarly, if you watch a movie which perpetuates conventional ideas about race, gender, etc., you are consenting to them and not affecting change in any way.
Simon Pegg