Face To Face Quotes (page 46)
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There is nothing more terrible, I learned, than having to face the objects of a dead man. Things are inert: that have meaning only in function of the life that makes use of them. When that life ends, the things change, even though they remain the same. […] they say something to us, standing there not as objects but as remnants of thought, of consciousness, emblems of the solitude in which a man comes to make decisions about himself.
Paul Auster
Life goes on. It doesn't go on. Yes, yes, I know, all we want in the end, we living, breathing creatures (am I still one of them?) is life. All we want to believe in is the persistence and vitality of life. Faced with the choice between death and the merest hint of life, what scrap, what token wouldn't we cling to in order to keep that belief? A leaf? A single moist, green leaf? That will do, that will be enough.
Graham Swift
Peter used to say, "The only thing an artist can do is describe his own face." You're doomed to being you. This, he says, leaves su free to draw anything, since we're only drawing ourselves. Your handwriting. The way you walking. Which China pattern you choose. It's all giving you away. Everything you do shows your hand. Everything is a self-portrait. Everything is a Diary.
Chuck Palahniuk
Feeling it, trying to understand the suns that shone on it, the rains that fell on it, and the snows that covered it. And to wonder where I was when each thing happened to it in its lonely place, where I was, what I was doing, who I was loving, how I was getting along, where I was. I’d hold it, read it, feel it... and look at my own face in whatever reflection might be left.
Stephen King
Our inward power, when it obeys nature, reacts to events by accommodating itself to what it faces - to what is possible. It needs no specific material. It pursues its own aims as circumstances allow; it turns obstacles into fuel. As a fire overwhelms what would have quenched a lamp. What's thrown on top of the conflagration is absorbed, consumed by it - and makes it burn still higher.
Marcus Aurelius
But her eyes would look cold, though her voice might be gentle, and herhand when it fondled would be tentative, unwilling. The hand would bemaking an effort to fondle, and Stephen would be conscious of thateffort. Then looking up at the calm, lovely face, Stephen would be filledwith a sudden contrition, with a sudden deep sense of her ownshortcomings; she would long to blurt all this out to her mother, yetwould stand there tongue-tied, saying nothing at all.
Radclyffe Hall
We aimed for no more than to have dominion over every creature that moved upon the earth. And so it came to pass that we stepped down there on a place we believed unformed, where only darkness moved on the face of the waters. Now you laugh, day and night, while you gnaw on my bones. But what else could we have thought? Only that it began and ended with us. What do we know, even now? Ask the children. Look at what they grew up to be. We can only speak of the things we carried with us, and the...
Barbara Kingsolver
It's not right," he repeated, grabbing her again and turning her to face him. "I'm not having it."So you said, in clear terms."I don't mean that."Oh, well, if you've decided you'd like to have sex with me after all, I've changed my mind."I haven't decided--" He broke off, staggered. "Changed your mind?"I have. Kissing you wasn't altogether what I thought it would be. So you were right and I was wrong." She gave him a deliberately insulting pat on the cheek." And that's the end of it."The hell...
Nora Roberts
nervestwitching in the sheets --to face the sunlight again,that's clearlytrouble.I like the city better when theneon lights are going andthe nudies dance on top of thebarto the mauling music.I'm under this sheetthinking.me nerves are hampered byhistory --the most memorable concern of mankindis the guys it takes toface the sunlight again.love begins at the meeting of twostrangers. love for the world isimpossible. I'd rather stay in bedand sleep.dizzied by the days and the streets and the...
Charles Bukowski
The gunslinger turned his eyes up to the faces in the leaves. A play was being enacted there for his amusement Worlds rose and fell before him. Empires were built across shining sands where forever machines toiled in abstract electronic frenzies. Empires declined and fell. Wheels that had spun like silent liquid moved more slowly, began to squeak, began to scream, stopped. Sand choked the stainless steel gutters of concentric streets below dark skies full of stars like beds of cold jewels....
Stephen King
This woman is Pocahontas. She is Athena and Hera. Lying in this messy, unmade bed, eyes closed, this is Juliet Capulet. Blanche DuBois. Scarlett O'Hara. With ministrations of lipstick and eyeliner I give birth to Ophelia. To Marie Antoinette. Over the next trip of the larger hand around the face of the bedside clock, I give form to Lucrezia Borgia. Taking shape at my fingertips, my touches of foundation and blush, here is Jocasta. Lying here, Lady Windermere. Opening her eyes, Cleopatra....
Chuck Palahniuk
The only one who didn't know was George Lucas. We kept it from him, because we wanted to see what his face looked like when it changed expression--and he fooled us even then. He got Industrial Light and Magic to change his facial expressions for him and THX sound to make the noise of a face-changing expression.
Carrie Fisher
Days and nights passed over this despair of flesh, but one morning he awoke, looked (with calm now) at the blurred things that lay about him, and felt, inexplicably, the way one might feel upon recognizing a melody or a voice, that all this had happened to him before and that he had faced it with fear but also with joy and hopefulness and curiosity. Then he descended into his memory, which seemed to him endless, and managed to draw up from that vertigo the lost remembrance that gleamed like a...
Jorge Luis Borges