Fiction Novels Quotes (page 2)
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«“I meant, tell me all about this steampunk thing!” Gavin broke in. “How does that concept work out for you people, here in Brazil?”
“You don’t know about steampunk?” shouted Xavier, dubiously.
“Well, I don’t read many novels! Because I’m kinda fully-booked already! But, obviously, you’re a science fiction writer at a Futurist conference! And I can see that you’re all dressed up like some fancy guy from the past, from the 19th century! So what gives with that? What is all that about?”»
Bruce Sterling
The capacity for imaginative reflex, for moral risk in any human being is not limitless; on the contrary, it can be rapidly absorbed by fictions, and thus the cry in the poem may come to sound louder, more urgent, more real than the cry in the street outside. The death in the novel may move us more potently than the death in the next room. Thus there may be a covert, betraying link between the cultivation of aesthetic response and the potential of personal inhumanity.
George Steiner
Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do--like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.
Martin Amis
The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't...
Wallace Stegner
The golden rule of fictional prose is that there are no rules - except the ones that each writer sets for him or herself. Repetition and simplicity worked (usually) for Hemingway's artistic purposes. Variation and decoration worked for Nabokov's, especially in Lolita. This novel takes the form of a brilliant piece of special pleading by a man whose attraction to a certain type of pubescent girl, whom he calls a "nymphet", leads him to commit evil deeds. The book aroused controversy on its...
David Lodge
Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs Dent and Mrs Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa and prepared to beguile, by the spell of fiction, the tedious hours of absence.
Charlotte Bronte
