Film Quotes (page 45)
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That’s the thing with the young these days, isn’t it? They watch too many happy endings. Everything has to be wrapped up, with a smile and a tear and a wave. Everyone has learned, found love, seen the error of their ways, discovered the joys of monogamy, or fatherhood, or filial duty, or life itself. In my day, people got shot at the end of films, after learning only that life is hollow, dismal, brutish, and short.
Nick Hornby
All around us were people I had spent ten years avoiding--shapeless women in wool bathing suits, dull-eyed men with hairless legs and self-conscious laughs, all Americans, all fearsomely alike. These people should be kept at home, I thought; lock them in the basement of some goddamn Elks Club and keep them pacified with erotic movies; if they want a vacation, show them a foreign art film; and if they still aren't satisfied, send them into the wilderness and run them with vicious dogs.
Hunter S. Thompson
Flags are bits of colored cloth that governments use first to shrink-wrap people’s brains and then as ceremonial shrouds to bury the dead. When independent-thinking people (and here I do not include the corporate media) begin to rally under flags, when writers, painters, musicians, film makers suspend their judgment and blindly yoke their art to the service of the “Nation,” it’s time for all of us to sit up and worry.
Arundhati Roy
Then, there on the screen I saw Montgomery Clift and Elizabeth Taylor. An American Tragedy, a film I'd seen at least twice, not that it was all that great, but still it was very good, especially the final scene, which was unreeling at this particular moment: Clift and Taylor standing together, separated by the bars of a prison cell, a death cell, for Clift is only hours away from execution. Clift, already a poetic ghost inside his grey death-clothes, and Taylor, nineteen and ravishing,...
Truman Capote
We get very few of he true images in our heads of the kind I am talking about, the kind which become more and more vivid for us as if the passage of the years did not obscure their reality but, year by year, drew off another veil to expose a meaning which we had only dimly surmised at first. Very probably the last veil will not be removed, for there are not enough years, but the brightness of the image increases and our conviction increases that the brightness is meaning, or the legend of...
Robert Penn Warren
Just read this fabulous screenplay. A remake of Camus's The Stranger with Meursault as a bi break-dancing punk rocker. Randy showed it to me. I loved it. Randy thinks "basically unfilmable" and that filming an orange rolling around a parking lot for three hours would draw a bigger audience.
Bret Easton Ellis
How must it have felt, Pikes, the night they seized your films, like entrails yanked from the camera, out of your guts, clutching them in coils and wads to stuff them up a stove to burn away! Did it feel as bad as having some fifty thousand books annihilated with no recompense? Yes. Yes. Stendahl felt his hands grow cold with the senseless anger.
Ray Bradbury