Heavy Quotes (displaying: 1 - 30 of 676 quotes )
Heavy misfortunes have befallen us, but let us only cling closer to what remains, and transfer our love for those whom we have lost to those who yet live. Our circle will be small, but bound close by the ties of affection and mutual misfortune. And when time shall have softened your despair, new and dear objects of care will be born to replace those of whom we have been so cruelly deprived.
There was nothing to be done. From then on, there were flowers waiting for me every time we met, and in the end I gave in, because I was disarmed by the spontaneity of giving and understood tha Lucie cared for it; perhaps her tongue-tied state, her lack of verbal eloquence, made her think of flowers as a form of speech; not in the sense of heavy-handed conventional flower symbolism, but in a sense still more archaic, more nebulous, more instinctive, prelinguistic; perhaps, having always been sparing of words, she longed for that mute stage of evolution when there were no words and people communicated by simple gestures
Now, there is a tendency at a point like this to look over one’s shoulder at the cover artist and start going on at length about leather, tightboots and naked blades. Words like ‘full’, ‘round’ and even ‘pert’ creep into the narrative, until the writer has to go and have a cold shower and a lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn’t about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling’s Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword. All right, maybe the boots were leather. But not black.
Big-shot town, small-shot town, jet-propelled old-fashioned town, by old-world hands with new-world tools built into a place whose heartbeat carries farther than its shout, whose whispering in the night sounds less hollow than its roistering noontime laugh: they have builded a heavy-shouldered laughter here who went to work too young.
a little downy girl still wearing poppiesstill eating popcorn in the colored gloamwhere tawny Indians took paid croppersbecause you stole herfrom her wax-browed and dignified protectorspitting into his heavy-lidded eyeripping his flavid toga and at dawnleaving the hog to roll upon his new discomfortthe awfulness of love and violetsremorse despair while youtook a dull doll to piecesand threw its head awaybecause of all you didbecause of all I did notyou have to die
The snail pushes through a greennight, for the grass is heavywith water and meets overthe bright path he makes, where rain has darkened the earth's dark. Hemoves in a wood of desire, pale antlers barely stirringas he hunts. I cannot tellwhat power is at work, drenched therewith purpose, knowing nothing. What is a snail's fury? All. I think is that if later. I parted the blades abovethe tunnel and saw the thintrail of broken white acrosslitter, I would never haveimagined the slow passionto that deliberate progress.
His father, who for years had refused to speak to Eddie, now lacked the strength to even try. He watched his son with heavy-lidded eyes. Eddie, after struggling to find even one sentence to say, did the only thing he could think of to do: He held up his hands and showed his father his grease-stained fingertips.
I want you to stop being subhuman and become 'yourself'. 'Yourself,' I say. Not the newspaper you read, not your vicious neighbor's opinion, but 'yourself.' I know, and you don't, what you really are deep down. Deep down, you are what a deer, your God, your poet, or your philosopher is. But you think you're a member of the VFW, your bowling club, or the Ku Klux Klan, and because you think so, you behave as you do. This too was told you long ago, by Heinrich Mann in Germany, by Upton Sinclair and John Dos Passos in the United States. But you recognized neither Mann nor Sinclair. You recognize only the heavyweight champion and Al Capone. If given your choice between a library and a fight, you'll undoubtedly go to the fight.
One has to explain to people that the EU in this form is the answer both to 1945 and to the 21st century, in a dramatically altered world with new heavyweights, and that Germany benefits from the continued integration of Europe in political, economic and societal ways. And, of course, that means the Germans will have to pay.