In The End Quotes (page 15)
It was English, and the wych-elm that she saw from the window was an English tree. No report had prepared her for its peculiar glory. It was neither warrior, nor lover, nor god; in none of these roles do the English excel. It was a comrade, bending over the house, strength and adventure in its roots, but in its utmost fingers tenderness, and the girth, that a dozen men could not have spanned, became in the end evanescent, till pale bud clusters seemed to float in the air.
E. M. Forster
When all is said and done, we are in the end absolutely dependent on the universe; and into sacrifices and surrenders of some sort, deliberately looked at and accepted, we are drawn and pressed as into our only permanent positions of repose. Now in those states of mind which fall short of religion, the surrender is submitted to as an imposition of necessity, and the sacrifice is undergone at the very best without complaint. In the religious life, on the contrary, surrender and sacrifice are...
William James
Even the simple act which we describe as 'seeing someone we know' is, to some extent, an intellectual process. We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds those ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that...
Marcel Proust
These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras,...
Evelyn Waugh
It had occurred to me to follow her through into the next room, visitors or no visitors, and bring her back for a talk. But in the end I had decided in favour of waiting where I was for her return. Sure enough, a few minutes later, Sophie had come back into the room, but something in her manner had prevented me from speaking and she had gone out again. In fact, although during the following half-hour Sophie had entered and left the room several more times, for all my resolve to make my...
Kazuo Ishiguro
If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly...
Tom Robbins
This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion
Jean Baudrillard
There is a room in the Department of Mysteries, that is kept locked at all times. It contains a force that is at once more wonderful and more terrible than death, than human intelligence, than forces of nature. It is also, perhaps, the most mysterious of the many subjects for study that reside there. It is the power held within that room that you possess in such quantities and which Voldemort has not at all. That power took you to save Sirius tonight. That power also saved you from possession...
J. K. Rowling
These struggles with the natural character, the strong native bent of the heart, may seem futile and fruitless, but in the end they do good. They tend, however slightly, to give the actions, the conduct, that turn wich Reason approves, and whic Feeling, perharps, too ofter opposes: they certainly make a difference in the general tenor of a life, and certainly make a difference in the general tenor of a life, and enable it to be better regulated, mofe equable, quieter on the surface; and it is...
Charlotte Bronte