Likes Quotes (page 867)
If a thing can be said in ten words, I may be relied upon to take a hundred to say it. I ought to apologize for that. I ought to prune, pare and extirpate excess growth, but I will not. I like words - strike that, I love words - and while I am fond of the condensed and economical use of them in poetry, in song lyrics, in Twitter, in good journalism and smart advertising, I love the luxuriant profusion and mad scatter of them too.
Stephen Fry
We were fond together because of the sweep of open places, the taste of wide winds, the sunlight, and the hopes in which we worked. The morning freshness of the world-to-be intoxicated us. We were wrought up with ideas inexpressible and vaporous, but to be fought for. We lived many lives in those whirling campaigns, never sparing ourselves: yet when we achieved and the new world dawned, the old men came out again and took our victory to remake in the likeness of the former world they knew....
T. E. Lawrence



...raised herself on one round elbow and looked out on a tiny river like a gleaming blue snake winding itself around a purple hill. Right below the house was a field white as snow with daisies, and the shadow of the huge maple tree that bent over the little house fell lacily across it. Far beyond it were the white crests of Four Winds Harbour and a long range of sun-washed dunes and red cliffs.
L. M. Montgomery
In the depths of the mirror the evening landscape moved by, the mirror and the reflected figures like motion pictures superimposed one on the other. The figures and the background were unrelated, and yet the figures, transparent and intangible, and the background, dim in the gathering darkness, melted into a sort of symbolic world not of this world. Particularly when a light out in the mountains shone in the centre of the girl's face, Shimamura felt his chest rise at the inexpressible beauty...
Yasunari Kawabata