Lip Quotes (displaying: 1 - 30 of 893 quotes )
Her lips are slightly parted: she, whose lips are usually pressed together with the daily disapprovals of the accountants' office where she has worked continually, except for the months of illness, since she was 18, that is to say, for 16 years and some months. Her lips, when she does not speak or eat, are normally pressed together like the ruled line of a balance sheet, marked straight with her old-fashioned lipstick, a final and judjing mouth, a precision instrument.
Alan stopped her in the hall by slipping his arms around her waist. "I haven't done this in one hour and twenty-three mintutes." His mouth covered hers, slowly, confidently. As her lips parted and offered he took, taking the kiss just to the border, but no further, of madness. "I love you." He caught her bottom lip between his teeth, then released her mouth only to change the angle and deepen the kiss. He felt her heartbeat sprint against his, felt that long, lazy meltng of her bones he knew happened just before she went from pliant to avid. "Tonight, no matter who you dance with, think of me."Breathless, she looked up. In his eyes, she saw that banked brooding passion she could never resist. He'd overwhelm her if she let him; absorb her. He had the power. Shelby tilted her head so her lips stayed within a whisper of his. "Tonight," she said huskily, "no matter who you dance with, you'll want me." Her arms stayed around him when she rested her head on his shoulder. "And I'll know.
Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees - he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy's white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips' touch she blossomed for him like a flower and the incarnation was complete.
Stuart Maxwell told me in a shaky voice that the first time Cheyenne picked him out as her victim for the kissing game, it had been like a nightmare as he'd found himself cornered by the circle of girls, only to see Cheyenne's lips coming closer and closer, until finally the smell of cranberry Kiehl's lip balm had overwhelmed him.'And that's when,' Stuart told me in a horrified voice, 'I knew it was all over.
How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman’s lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow. Perfect, he, as a lover, might have called them off-hand. But no — they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity.
I know exactly how you feel," Schmendrick said eagerly. The unicorn looked at him out of dark, endless eyes, and he smiled nervously and looked at his hands. "It's a rare man who is taken for what he truly is," he said. "There is much misjudgment in the world. Now I knew you for a unicorn when I first saw you, and I know that I am your friend. Yet you take me for a clown, or a clod, or a betrayer, and so must I be if you see me so. The magic on you is only magic and will vanish as soon as you are free, but the enchantment of error that you put on me I must wear forever in your eyes. We are not always what we seem, and hardly ever what we dream. Still I have read, or heard it sung, that unicorns when time was young, could tell the difference 'twixt the two - the false shining and the true, the lips' laugh and the heart's rue.
Pity me'--the unspoken words upon a nation's lips--'because I am indeed pitiable. I have been deprived of freedom--yes, of course, all that. And of proper food and of fancy things, consumer durables and material wealth of every kind, all that. But mostly I have been robbed of my birthright, my mother, my father, my home. And how can I ever recover from that?' Then there is a murmur, as a last, despairing cry, the latest prayer--'Market forces, market forces.' Say it over and over, as once the Hail Mary was said, to ward off all ills and rescue the soul, but we know in our hearts it won't work. There is no magic here contained. Wasted lives, lost souls, unfixable. Pity me, pity me, pity me.
Why does one love? How queer it is to see only one being in the world, to have only one thought in one's mind, only one desire in the heart, and only one name on the lips--a name which comes up continually, rising, like the water in a spring, from the depths of the soul to the lips, a name which one repeats over and over again, which one whispers ceaselessly, everywhere, like a prayer.
I just kind of opened up and said, 'I feel like a rag doll. I have hair and makeup people coming to my house every day and putting me in new, uncomfortable, weird dresses and expensive shoes, and I just shut down and raise my arms up for them to get the dress on, and pout my lips when they need to put the lipstick on.'
Romeo: If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. Juliet: Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. Romeo: Have not saints lips, and holy palmers too? Juliet: Ay, pilgrim, lips that they must use in prayer. Romeo: O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. Juliet: Saints do not move, though grant for prayers' sake. Romeo: Then move not, while my prayer's effect I take. Thus from my lips, by yours, my sin is purged. Juliet: Then have my lips the sin that they have took. Romeo: Sin from thy lips? O trespass sweetly urged! Give me my sin again. Juliet: You kiss by the book.
Her heart nearly burst as she at last plunged into his embrace in one wild rush, screaming out her need, her love, her completion, wanting only to know his name so she might give everything of herself to him. His glowing smile was for her and her alone. His lips were for her and her alone. She closed that last bit of space toward him, longing to at last kiss the love of her life, the mate to her soul, the one and only true passion in all of life. His lips were there, at last, she fell into his outstretched arms, into his embrace, into his perfect kiss. In that flawless instant when her lips were just touching his, she saw through him, just beyond him, the merciless unyeilding valley floor hurtling up toward her, and she knew at last his name. Death.
As to my mouth, of all my features, I wish I could possess my mouth again, just as it had been before the fire. I had my mother’s lips, generous below and above; and what kissing I had practiced, mainly on my hand or on a lonely pig, had convinced me that my lips would be the source of my good fortune. I would kiss with them, and lie with them, I would make victims and willing slaves of anyone my eyes desired, simply by talking a little, and following the talk with kisses, and the kisses with demands. And they’d melt into compliance, everyone of them, happy to perform the most demeaning acts as long as I was there to reward them with a long, tongue-tied kiss when they were done. But the fire didn’t spare my lips; it took them too, erasing them utterly.
And with light lips yet full of their swift smile, And hands that wist not though they dug a grave, Undid the hasps of gold, and drank, and gave, And he drank after, a deep glad kingly draught: And all their life changed in them, for they quaffed. Death; if it be death so to drink, and fare. As men who change and are what these twain were. And shuddering with eyes full of fear and fire. And heart-stung with a serpentine desire. He turned and saw the terror in her eyes. That yearned upon him shining in such wise. As a star midway in the midnight fixed. Their Galahault was the cup, and she that mixed; Nor other hand there needed, nor sweet speech. To lure their lips together; each on each. Hung with strange eyes and hovered as a bird. Wounded, and each mouth trembled for a world; Their heads neared, and their hands were drawn in one, And they saw dark, though still the unsunken sun. Far through fine rain shot fire into the south; And their four lips became one burning mouth.
I was thinking there was something I wanted to try." And he took my face in his hands again. I couldn't breathe. He hesitated - not in the normal way, the human way. Not the way a man might hesitate before he kissed a woman, to gauge her reaction, to see how he would be received. Perhaps he would hesitate to prolong the moment, that ideal moment of anticipation, sometimes better than the kiss itself. Edward hesitated to test himself, to see if this was safe, to make sure he was still in control of his need. And then his cold, marble lips pressed very softly against mine. What neither of us was prepared for was my response. Blood boiled under my skin, burned in my lips. My breath came in a wild gasp. My fingers knotted in his hair, clutching him to me. My lips parted as I breathed in his heady scent.
Leola Mae Harmon. I saw a movie about her on the Lifetime channel. Leola was an air force nurse who was in a car accident and the lower part of her face got all mangled, but then Armand Assante, who plays a plastic surgeon, said he could fix her. Leola had to endure hours of painful reconstructive surgery, during which her husband left her because she didn't have any lips (which I guess is why the movie is called Why Me?). Armand Assante said he would make her a new pair of lips, only the other air force doctors didn't like the fact that he wanted to make them out of skin from Leola's vagina. But he did it anyway, and then he and Leola got married and worked together to help give other accident victims vagina lips. And the whole thing turned out to have been based on a true story.
Plus, he's got a terrific butt. I know becuase I made sure I walked behind him to check it out."With a laugh, Keeley sat down beside her. "First, you're so predictable. Second, if Dad hears you talk that way, he'll shove the man on the first plane back to Ireland. And third, I didn't notice his butt, or anything else about him, particularly."Liar." Sarah propped her elbow on the counter as her sister took out a lipstick. "I saw you give him the Keeley Grant once-over."Amused, Keeley passed the lipstick to Sarah. "Then let's say I didn't much ie what I saw. The rough-edged and proud of it type just doesn't do it for me.