Mistress Quotes (displaying: 1 - 30 of 164 quotes )
My mistress' eyes are nothing like the sun; Coral is far more red, than her lips red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damasked, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound: I grant I never saw a goddess go, My mistress, when she walks, treads on the ground: And yet by heaven, I think my love as rare, As any she belied with false compare.
It is now obvious to us all that he has every objection," said Randall. "You know, you had very much better withdraw, my dear aunt. I feel sure that Uncle Henry's double life is going to be exposed. My own conviction is that he has been keeping a mistress for years."[...]Mrs. Lupton flushed. "You forget yourself, Randall. I am not going to stand here and see my husband insulted by your ill-bred notions of what is funny."Oh, I wasn't insulting him," said Randall. "Why shouldn't he have a mistress? I am inclined to think that in his place -as your spouse, my dear Aunt Gertrude- I should have several.
...heroine: the artist, the premier mistress writhering in a garden graced w/highly polished blades of grass... release (ethiopium) is the drug...an animal howl says it all...notes pour into the caste of freedom...the freedom to be intense...to defy social order and break the slow kill monotony of censorship. to break from the long bonds of servitude-ruthless adoration of the celestial shepherd. let us celebrate our own flesh-to embrace not ones race mais the marathon-to never let go of the fiery sadness called desire.
And so to my fool's bed. What was that? No, no, not a girl crying in the garden. No one, cold, hungry, and banished, was shivering there, longing and not daring to come in. It was the chains swinging at the well. It would be folly to get up and go out and call again: Psyche, Psyche, my only love. I am a great queen. I have killed a man. I am drunk like a man. All warriors drink deep after the battle. Bardia's lips on my hand were like the touch of lightning. All great princes have mistresses and lovers. There's the crying again. No, it's only the buckets at the well. "Shut the window, Poobi. To your bed, child. Do you love me, Poobi? Kiss me good night. Good night." The king's dead. He'll never pull my hair again. A straight thrust and then a cut in the leg. That would have killed him. I am the Queen; I'll kill Orual too.
(about sailors) Their minds are of the stay-at-home order, and their home is always with them - the ship; and so is their country - the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut.
The sailors do not mind the arrangement, for they know that this way there will, at the least, be one person who, at the last, will notice when they do not come back from the sea, and will mourn their loss; and their wives content themselves with the certain knowledge that their husbands are also unfaithful, for there is no competing with the sea in a man's affections, since she is both mother and mistress, and she will wash his corpse also, in time to come, wash it to coral and ivory and pearls.
SILVIUS: How many actions most ridiculous/Hast thou been drawn to by thy fantasy? CORIN: Into a thousand that I have forgotten. SILVIUS: O, thou didst then ne'er love so heartily!/If thou remember'st not the slightest folly/That ever love did make thee run into,/Thou hast not loved:/Or if thou hast not sat as I do now,/Wearying thy hearer in thy mistress' praise,/Thou hast not loved...
Let me twine. Mine arms about that body, where against. My grained ash an hundred times hath broke And scarr'd the moon with splinters: here I clip. The anvil of my sword, and do contest. As hotly and as nobly with thy love. As ever in ambitious strength I did. Contend against thy valour. Know thou first, I loved the maid I married; never man. Sigh'd truer breath; but that I see thee here, Thou noble thing! more dances my rapt heart. Than when I first my wedded mistress saw. Bestride my threshold.
In two minutes only those shops which could boast of no attendant save the master or the mistress remained with open eyes. These were ever somewhat less prompt to exclude customers than the others: for their owners' ears the closing hour had scarcely the cheerfulness that it possessed for the hired servants of the rest.
I have been taking stock of my 50 years since I left Wichita in 1922 at the age of 15 to become a dancer with Ruth St. Denis and Ted Shawn. How I have existed fills me with horror. For I have failed in everything -- spelling, arithmetic, riding, tennis, golf; dancing, singing, acting; wife, mistress, whore, friend. Even cooking. And I do not excuse myself with the usual escape of 'not trying.' I tried with all my heart.
It seemed to me when I wrote The Life and Loves of a She-Devil that women were so much in the habit of being good it would do nobody any harm if they learned to be a little bad - that is to say, burn down their houses, give away their children, put their husband in prison, steal his money and turn themselves into their husband's mistress.
Die young, stay pretty. Blondie, right? We think of it as a modern phenomenon, the whole youth thing, but really, consider all those great portraits, some of them centuries old. Those goddesses of Botticelli and Rubens, Goya's Maja, Madame X. Consider Manet's Olympia, which shocked at the time, he having painted his mistress with the same voluptuous adulation generally reserved for the aristocratic good girls who posed for depictions of goddesses. Hardly anyone knows anymore, and no one cares, that Olympia was Manet's whore; although there's every reason to imagine that, in life, she was foolish and vulgar and not entirely hygienic (Paris in the 1860s being what it was). She's immortal now, she's a great historic beauty, having been scrubbed clean by the attention of a great artist. And okay, we can't help but notice that Manet did not choose to paint her twenty years later, when time had started doing its work. The world has always worshipped nascence. Goddamn the world.
Sensuality, as long as it is straightforward did not repel him, but this derived sensuality - the sort that classes a mistress among motor-cars if she is beautiful, and among eye-flies if she isn't - was alien to his own emotions . . . It was, in a new form, the old, old trouble that eats the heart out of every civilization: snobbery, the desire for possessions, creditable appendages; and it is to escape this rather than the lusts of the flesh that the saints retreat into the Himalayas.
It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes.
Make your own dream. That's the Beatles' story, isn't it? That's Yoko's story, that's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.