More Quotes (page 107)
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He is no longer the pretext for a story: the story itself renders him homage. The works of Fantomas can neither be destroyed nor accept modifications. ...Fantomas requires more of others than of himself ... He is never completely invisible. His likeness can be seen through his face. ... Fantomas's science is more precious than the word. It is not possible to guess it - and no one can doubt its power.
Rene Magritte
A city built upon mud;
A culture built upon profit;
Free speech nipped in the bud,
The minority always guilty.
Why should I want to go back
To you, Ireland, my Ireland?
...
Her mountains are still blue, her rivers flow
Bubbling over the boulders.
She is both a bore and a bitch;
Better close the horizon,
Send her no more fantasy, no more longings which
Are under a fatal tariff.
For common sense is the vogue
And she gives her children neither sense nor money
Who slouch around the world with a...
Louis MacNeice
To hold our tongues when everyone is gossiping, to smile without hostility at people and institutions, to compensate for the shortage of love in the world with more love in small, private matters; to be more faithful in our work, to show greater patience, to forgo the cheap revenge obtainable from mockery and criticism: all these are things we can do.
Herman Hesse
Like our bodies and our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers. From the earliest times, human civilization has been no more than a strange luminescence growing more intense by the hour, of which no one can say when it will begin to wane and when it will fade away.
W. G. Sebald
This was a new recognition that perfection is admirable but a trifle inhuman, and that a stumbling kind of semi-success can be much more warming. Most of all, perhaps, these exultant yells for the Mets were also yells for ourselves, and came from a wry, half-understood recognition that there is more Met than Yankee in every one of us. I knew for whom that foghorn blew; it blew for me.
Roger Angell
I would pore for hours over the stalls of worn necklaces, sets of gilt spoons, sugar tongs in the shape of hen's feet or midget hands, clocks that didn't work, flowered china, spotty mirrors and ponderous furniture, the flotsam left by those receding centuries in which, more and more, I was living.
Margaret Atwood
For more than half a century I have tried to confront greatness directly, hardly a fashionable stance, but I see no other justification for literary criticism in the shadows of our Evening Land. Over time the strong poets settle these matters for themselves, and precursors remain alive in their progeny. Readers in our flooded landscape use their own perceptiveness. But an advance can be of some help. If you believe that the canon in time will select itself, you still can follow a critical...
Harold Bloom
Mama, I know you used to ride the bus. Riding the bus and it’s hot and bumpy and crowded and too noisy and more than anything in the world you want to get off and the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going? Well, I can get off right now if I want to, because even if I ride fifty more years and get off then, it’s the same place when I step down to it. Whenever I feel like it, I can get off. As soon as I’ve had enough, it’s my stop. I’ve...
Marsha Norman